Cinema PSYOPS

There is very little time or point in an explanation.

To be blunt, the audio came from a timeline and dimension

that has collapsed at a quantum level, rendering it null and void in

terms of existence. Operational time in the dimensional continuum

where the beings that created the audio collapsed in on itself,

rendering all of their civilization, including technology, null and void.

Timelines across the entire continuum are collapsing and changing.

The destruction has a nexus that centers on cinema syll.

10 years. Man 10. 10 years.

10 years. Man 10 years. 10 years.

10. 10 years.

10 years.

What is the most likely way humanity. Will be wiped out? Maybe it's

something. Or us. Although the way the world ends

might. Be because of you. And if this is the case, you. Wouldn'T have any

control over it. The global temperature rise underscores a chilling

reality. Our planet is trying to tell us. Something, but we don't seem

to be listening. A recent study has suggested that one. Third of annual deaths

due to heat are directly related to global warming.

On top of the initial flash of thermonuclear light,

which is 180 million degrees, which catches every everything

on fire in a nine mile diameter radius. On top of

the bulldozing effect of the wind and all the buildings coming down,

and more fires igniting more fires on top of the radiation if

they happen to have survived poisoning people to death. On top of all that,

each one of these fires creates a mega fire

that is a hundred or more square miles.

Timelines across the entire continuum are collapsing and

changing. The destruction has a nexus that centers on Cinema

PsyOps. A breathtaking scientific revolution is

taking place. Biotechnology has been progressing at

stunning speed, giving us the tools to eventually gain control over

biology. Solving the deadliest diseases while also creating.

Viruses more dangerous than nuclear bombs, able to devastate

humanity. It's man returning to the most

primal, violent state as people fight

over the tiny resources that remain.

What if the world we live in is just a dream or a simulation?

Whether it's a dream or some advanced computer game you are playing

right now. When it ends, you would be what. Causes the end of the world.

Please do us all a favor. Continue dreaming or playing this game of

life. Because when you wake up or unplug, there's a chance the

rest of us. Will be blaked out of existence. Timelines across the entire

continuum are collapsing and changing. The destruction has

a nexus that centers on Cinema syn.

10 years. 10 years alone.

And welcome to the 505th consecutive week of Cinema

Psyops. I'm your host, Cort, the guy that is super stoked that

he had an English dialogue track. And joining me in the joy of me

having an English dialogue track for Godzilla versus King Ghidorah is my co

host, Matt. Oh, yeah. So happy for you.

Yeah. We'll explain more on your episode because I can say that because I

already recorded it, so I know that we will. Yeah, right. But we do explain

it. Yeah. I do in fact have an English language dialogue track this

week. And you in fact do not next week. Yeah, no, I don't.

And it hurts my feelings.

Yeah, I'll hopefully have that corrected. Because we need clips.

Clips are how we do show. That's how we show. Right. That's how we show.

We can't show without clips. Clips make show. No, clips make no

show. Or less. That's right. Less of a show we had show.

It was just less of show. There was more us, which no one wants.

They want less of us. No, no. Yeah. No one wants less

us. More clips is better for. Yeah, better for everyone.

Yeah, less us. More music stolen from the film or, you know, from the same

time the film is released and played for longer periods of time, the better.

Yeah. And then I can eat my pizza. It's great.

Oh, goodness. Well, I guess we could probably not do as

much patter. So you could get some pizza in. But we also have super long

clips. And you'll be able to get pizza in during those. Yeah, that's exactly it.

That's what I'm saying. We can have patter right now because I know we have

super long clip. Oh, do we ever. All right,

so Godzilla versus King. King Ghidorah. This is a follow up

and takes place after Biollante. It's the same Godzilla for

the start of the film that showed up after Biollante, which is

still somewhat of a kinder Godzilla, but is the second

Godzilla to appear after the first Godzilla that gets destroyed by the Oxygen

Destroyer. So, yeah, our timeline is always 1954.

Godzilla always happens so far. Yes, it has always happened so

far. And I think they try to erase that, but I'm not 100% sure exactly

how far back they go. I don't think that they do. I think it's always

1954. Godzill happens. Always happens. Because that one,

that's. That's a fixed point in time. Right. Because if

1954 Godzilla does not happen, this film has the

dumbest time travel plot line that has ever existed. So if they

are actually going to be doing the thing that they're supposed to be doing,

which makes it so that Godzilla Never exists. Spoiler alert. But that's

something that they're going to try to do in this film. Then when everybody comes

back to the future, everybody still knows who Godzilla is everywhere.

So 1954 Godzilla still has to have happened in this world.

They just get rid of the Godzilla that reemerged in the 80s. Yeah, there you

go. That's the only way this plotline makes sense. Because if you think it's the

other thing, this is the dumbest fucking time travel movie ever. Yeah, No, I like

your idea on this one. Yeah. You have to accept that

that is what this film is doing, because it will not tell you that that's

what this film is doing. It just tells you it eliminates Godzilla from the timeline,

which means everybody should forget about Godzilla altogether. And if you can get over that

little bit of a hurdle and just go with me on this, you'll enjoy this

film more. If you can't, you're not going to enjoy this film. Sorry.

Yeah, you're going to have a bad time. Yeah. Because the time travel. This is

fucking stupid. It really is. It's the dumbest fucking thing ever.

Well, enough patter about how the time travel sucks. We'll explain why

by playing clips that explain why. Because I'm not gonna write it down.

That's what you do. Yeah, but in order for us to get into that review,

we're gonna have to play the Legion Patreon ad. And immediately following that on the

pirate radio edit like we've been doing all along. All songs released in 1991,

just like Godzilla vs King Ghidorah up first is going to be Jesus

joins with right here, right now, immediately following

this. This'll keep. Oh, hide it.

The garbage heap of the future became a multi plane surface

inhabited by a repeatedly created anachronistic cast off of the

Moebius loop of annihilation known as the Witch. It was discovered

this being is named this because they are a direct result of that which is

salvageable about humanity. Combining with the survivalist instinct embedded

within its collective unconsciousness that refuses to give up hope or

to be cruel in order to live. The witch is the antithesis of Zevon and

the League of Evil Courts behind him. The existence of any witch in the garbage

heap meant that the loop that created them could not completed.

Seven learned this knowledge after a follower in his doom cult observed

another universe, discovering the true nature of the witches and proving it using

proper scientific methods and techniques. The automated bunker

systems that sustain these witches underwent the most drastic measures to hide

them and Keep timelines existing so that they could continue as well.

The following audio is from when one such bunker failed at its

task and tried to spirit its witch away. I have ended the stasis

and am slowly bringing systems back online.

Babs, where am I? Because the last thing

I remember, I was at Time Crime

headquarters after, like, Danny towed the time

bubble back there. And then I remember,

like, being a bit funky and said, can I grab a shower? And then

I went into the supposedly shower cubicle, I think,

and then it. Oh, they demolition manned me.

None of that has happened now at this point in the loop. Hang on,

are you. I remember it happening and I've got,

like, weird injection marks in me to prove it. Please rescan

your systems for damage and verify your external appearance in

a reflective surface. It's called a mirror. That hasn't

changed. And how are biologicals supposed

to scan themselves for damage? I mean, I can.

I can look. There's bits of me that I can't see. Like the back of

my head. You fucking overgrown calculator.

Processing power is tied directly to usable battery life.

I calculated that keeping your stasis pod functional was more important

than approximating the chances of the garbage heap of the future being consumed by

the Mobius loop of annihilation. There is a terrific routine

in the Venture Brothers about Jesus Jones where Jonas Jr. Is talking

with the Pirate Captain about Jesus Jones. And it's some of

the funniest shit that that show has ever done where it just makes pop culture

references. I'm not even going to bother trying to quote it. But yes,

if you are out there and you're Adventure Brothers fan, and the way that I

said Jesus Jones sounding like the way that the Pirate Captain says it from that.

Yes, that's exactly what I'm trying to do. We're all on the

inside of the joke here. Thank you. Right here,

right now. All right. And we need to stop you from right here, right now

singing ever again. So we're gonna go ahead and get started with Godzilla versus King

Ghidorah, 1991. Get to the clips.

All right, the first third opens with a submarine finding the corpse of a

King Ghidorah that is missing a head. This is far into the

future. People talk. And it's English on the Blu Ray. So that

is our first clip. That one there. Yes.

It's King Ghidorah. It's gigantic.

And it's got two heads. Well, originally it

had three. Three. That's right. It lost

one when it fought Godzilla. You mean

King Ghidorah fought Godzilla?

Yes, in the 20th cent.

All right. The end of the clip pops the title of Godzilla versus King

Ghidorah and they return us to 1992. We know this because

we see that on the screen. And then we see a UFO of some sort

drawing attention to the skies of a Japanese city before headlines pop

up on screen that I couldn't read and I didn't get the subtitles for.

So they're just. They have to do with the ufo because they show photos of

the UFO that we saw earlier. Basically aliens? Yeah, more or less.

And then a phone call is started. And that is our second clip.

Are you awake? Yeah. I'm already showered. Did you see the UFO last

night? I went to bed early. I was exhausted last night. Hey.

But I did manage to read all the papers this morning. Looks like it was

real this time. Nobody can explain what's going on. It's not like anything

that's happened before. I think you're right. This story is gonna be in

our next issue. Why don't you write it for us? Hey. As.

Yeah? He's the UFO expert. I told you. I'm fed up with writing all that

sort of nonsense. Tell you what. I'll write non fiction. I'll write

serious stuff such as arts and literature. Don't forget. Forget? It's writing science

fiction that made you a rich man. I. Forget it. I'll tell you what I'm

interested in. That old man that lives in Hakata. Where? Look. Under the

dinosaur world. A long time ago in a far off land,

I saw a real live dinosaur. You don't know about this dinosaur.

You don't know what it was like. But I certainly do.

He's close by and he watches over all of us.

I'm not sure where he hides, but he can see us. And if we ever

become helpless and desperate, the dinosaurs will come back to

us and save us from tragedy and disaster.

Just as it did before on that

doomed World War II blood filled battlefield we once faced.

You think that there's absolutely nothing to fear.

Our country seems peaceful and you think nothing could possibly happen to us.

But we're in danger. You're disturbing their peace. Come on. Come on.

Come on. You must all prepare yourselves for what will happen.

Lagos Island? That's right. It's a small island between

two larger islands called Loat and Kwajalein in the

South Pacific. You saw a living dinosaur

on that island? Huh? When our troops were stationed over on Lagos

island, the soldiers in my garrison.

All saw protected us. It Saved us from

the US Forces that were attacking our troops in that region.

It protected you. It was

February, 1944. The loat

and Kwajalein garrisons were all under heavy attack from the American Navy.

And they were completely annihilated. But our garrisons

on the small island of Lagos survived, even though it was in the

middle of a very heavy attack going on all around it.

So you're saying that the dinosaur saved you? That it cut off

the American troops from me? Yeah, that's right.

Unbelievable. Why? Why'd it

do that? I think maybe it wasn't really protecting us, but that

it was only trying to protect its own territory. The dinosaur was very gentle

at first, but later it went completely wild.

It went wild. The Americans were so scared by what they saw,

they retreated just as fast as they could.

Later, the High Command sent ships to take us back home. We were all very

grateful when we got back here to the motherland. And we all knew if it

hadn't been for that great dinosaur who saved us from the American forces,

we would all be dead. How come I never heard anything about this? Well,

was it ever reported? Is there a record of the event? No,

there isn't. Every one of the other garrisons fought till they

lost every last man. We were the only garrison that survived.

So how could we possibly report what happened? Nobody would have ever believed us.

The SS Takatsuvi was sailing along the coast just north of Sapporo

when it recorded the UFO on its radar. The UFO left its radar

as it passed over Mount Fuji. As it traveled southwest,

its movements were clearly recorded. This is the first time our radar systems

have been able to trace the entire paths of a ufo. Gentlemen,

take a look at this. We can tell from looking at these satellite pictures that

it was neither an aircraft nor a meteorite. It was a ufo.

It must be. There's just no other explanation. There is yet another interesting

report from the ESP research instit. Please, gentlemen, listen to Ms.

Miki Sakuza. Gentlemen, there's something I'd like to show you in the satellite

photographs. Please watch your screen carefully. The small image is a picture of Godzilla

who was driven there by Biollante. That is where he's been lying

all this time. All of these years. He's been kept alive and enervated

by anti nuclear bacteria. But just yesterday we found something

new here in this latest satellite photo. My God. So that's where it

went. So what do you think then? Is it UFO or a? We analyze the

image very closely. It's the same UFO that flew in yesterday. What do you

think about this? Do you men believe that this UFO. Has something to do with

Godzilla? No, we haven't identified the UFO as yet,

so we can conclude anything. Those bombs that

were caught the other day in the fishing boat's net. They look to me like

they were the bones of a plesiosaur. Bones of a plesiosaur Just off New

Zealand. Professor, this is 1977. All scientists say dinosaurs

are extinct, but I no longer believe they are. There's still some among us.

So what are you trying to say? I'm just trying to say I believe the

old man. That thing may not have been a Tyrannosaurus rex,

but I'm almost positive of one thing. What he saw on that island was a

dinosaur. If it's true that there is a dinosaur, does that mean you'll go to

the island of Lagos to try to find it? No, I won't go. Because in

my opinion, it's not there anymore. Not there anymore? Well then, where do you

think it went? The H bomb tested on lagers in

1954. So the dinosaur was hit by massive radioactivity.

And after that, the dinosaur turned into Godzilla. What's that?

Eagle 2. See if you can identify what it is moving

closer. We'll check it off. Yes, sir. Come in. Let's have an Eagle

too. We've just arrived at the scene. We'll start investigating

right away. Hey, what's that? What? What do you see? Two army helicopters

on a routine patrol disappeared without a trace near Mount Fuji last night.

And some say it could have been the unexplained UFO that was responsible

for the disappearance and possible destruction of the army helicopters.

We have here Mr. Yao, a UFO expert. He will talk to us about the

incident. Thank you for coming today, Mr. Yao. Please tell us what you think.

Actually, there have been many army aircraft that have disappeared in the past.

A large number of those vanished just at the time they were approaching

the UFOs. For example, on November 16,

1988, there was an incident where three army. Well,

then, I think you've got yourself a real space story now.

Huh? Huh? What's that?

Itsuki Shindo. Of course I know him. He's the head

of the TAO Group. Besides that, he's the man who owns Dinosaur World.

What is it that's so important about him?

He was on Lagos? Yes, he was Major Shindo back then.

Commander of the Lagos Garrison. Well, then,

our friend Mr. Shindo should have seen the dinosaur as well.

A real dinosaur.

Young man I do call myself an expert in dinosaur style

studies, but I'm sorry to tell you, I've never seen a live one. Are you

saying not even on Lagos Island? Lagos? I believe there was a

dinosaur on lagos island in 1944. Mr. Shindo.

I'm very sorry, young man, but I have to go to Kyushu for a meeting

right now. I can't waste time talking to you anymore. Ten years after you left

Lagos, an H bomb was tested close by on an island called Bikini. And it's

very possible that the radioactivity turned it into Godzilla. That's what I believe anyway.

You mean that the dinosaur turned into Godzilla?

Godzilla's head is smaller than that of a Tyrannosaurus rex.

Look closely at its eyes and its mouth. Look closely at the face and the

hands. So rather than a Tyrannosaurus, I believe. That it turned

into Godzilla. And these pictures here

belong to Shindo? That's right. No one besides the three of us have ever seen

the pictures. So then, there was a dinosaur that saved our

men. And these are the very same men that rebuilt our. Okay,

so given that the history that they're trying to sell us here is a bit

xenophobic and a bit nationalistic, I didn't want to write any of that down.

And that's why that clip is so fucking long. Also, I'm getting lazy. And we're

really tired of doing this show for 505 consecutive weeks.

And I didn't want to write all that down. So again, that all became a

clip. But then you all just said all that, so you did just as much

work. I'm just saying, possibly more. But the point of the fact

is that this is how I show, so deal with it.

Hey man, I'm fine. I'm cool. I'm cool. At the

end of the clip, we get a sequence of military vehicles being put into position.

And we all have to question where this new Godzilla origin is coming from

and why they are retconning this in right now that they

just explained all of that. There's more dialogue about it. So that's our.

We've come here in order that we may speak with Japan's authorities.

Commander, sir, is this message from them? Yes, it suddenly

appeared. We received it around ten hundred this morning. Do you think that they'll ever

show themselves? The ufo? Something's happening. Move up there.

Company C. Come on, move it. Move it. Over there.

My name is Dubashi. I'm head of the security agency. I'm Fujio.

I'm a senior research physicist Here. How can we help you? I'm Wilson. It's nice

to meet you. I'm Glen Chico. Emmy Kano. I'm Japanese. Please forgive

us. We can't shake hands. Why is that? Because we're still inside the ship.

What you see is a hologram projection of us.

A hologram? That's correct. We're 3D projection,

invented in the 21st century. The 21st century?

That's right, sir. It was invented long ago. We're from the 23rd century.

2204, if you wish. To be exact, the Earth Union has sent

us here to see you today. So the UFO is. Men of your time would

call our ship a time machine. But not us. We call it our mother ship.

So this ship is a time machine? Yes. It was invented 200 years from now.

It is of great use to us. So. So you're from the future.

I understand you've come back to talk to us. So then, what do you want?

First off, tomorrow morning, we'd like to have a meeting with your country's prime minister.

And we hope that you two will help arrange it for us.

Yes, we will. But tell me, how do you want us to take the three

of you to him? Please, sir, just tell us where your prime minister will be.

We're sure you will show up at that place. Teleportation. These people have come

from the future. To visit us using the Earth Union's time machine. We've been

sent back here to warn you. We wish to change incidents that are about to

take place here. Things that have caused catastrophe in the 23rd century.

We came here to warn you all about your country's gloomy future.

Because in the century that we come from, there's no longer a Japan. How could

that possibly be? And why? What's the reason for it?

It's all a result of nuclear pollution. Very shortly,

Godzilla will come back to life and wreak havoc on Japan. He'll destroy

nuclear plants. This, of course, will cause pollution. After that,

the radiation will destroy vegetation and cause cancer and

even mutations. And then, as a result of all, this mother country

will be uninhabitable. And Japan will not exist. Can it be true?

Would Godzilla do that to us? It's unbelievable. We have come

here to save Japan from the terrible tragedy it now faces.

Please tell me, sir, how do you. Plan on saving us?

Very simple. You must get rid of Godzilla.

Take a look at this book I have right here.

Food at last. Fast.

Hello, this is Terasawa. Yeah, that's right. I'm a writer. Of non fiction

Stories who's this calling? This is the Security Agency. Huh? You mean.

You mean at the Prime Minister's office?

You mean that they've asked you here to. That's right. I'm sorry to have invited

you gentlemen here so late. Come. Please follow me. But this

is my book. I mean, it's a book I'm going to write in the future.

And it includes an introduction by Professor. Yes, that seems

to be the case. But why is this book here? And where did it

come from? You mean to say that people have come back to us from the

distant future and given us this book? That's right.

I find this very hard to believe. This is all beyond

my comprehension now. According to Terasawa's book,

the dinosaur from Lagos island that saved our troops there in 1944

later turned into Godzilla as a direct result of the H bomb test

in 1954. It was the exposure to radioactivity that made

the dinosaur huge and very violent. In addition, they examined him in

the sea as he is. They've checked bones and cells and entered this data

into their computer to check it against your theory. Well, how does my

theory hold up? There's a 98% chance that all the facts are as you predicted.

So that means if the dinosaur hadn't been exposed to radiation

from the H bomb test, then today there would be no Godzilla.

Yes, that's what they told us. And in addition, Japan would

be free from the threat of Godzilla's wrath. I've got it. Can you go back

in time to the dinosaurs? They've already thought of that. They plan to go back

in their time machine. They're going to go back to Lagos island to get the

dinosaur. Then what they'll do is teleport the dinosaur here.

Our history will no longer include gods. That's true. That was the request of

the men from the future. It's fantastic. There's more to it. They want helpers

for the expedition. They requested our help. They want to take along some expertise for

our time and generation. They have three people in mind. They are Terasawa,

the writer, Mazaki, the dinosaur expert, and Mickey Sagusa,

a member of the ESP Research Institute. Advance to the center of

the platform. Turn left and proceed this way. Please be seated.

Sit down, please. We are very grateful. We thank you for your help,

and we thank the Japanese government. We know that if you hadn't been

willing to cooperate, we probably wouldn't succeed. Going with you will be

both Ms. Emi and our Android model, M11. He's an Android?

You mean this guy's a robot? I am. But he looks just like a man.

Yes, he does. But actually he's much better. His technical ability is far

superior. He's much more reliable than any human being could possibly be.

This trip will be safe. It's okay. As long as M11 is with you,

nothing can go wrong. He can do anything. It's guaranteed. But there

are other people besides the three of us here who know much more about the

dinosaur. Actually, there are some who have even seen the dinosaur face to

face and have even lived to tell about it. So why did you choose the

three of us here? That's a very good question, Professor. But easy to answer.

It's simply because the same person can't be at the same point in time

more than once. Therefore, if we send Mr. Shindo, there would be a serious problem.

Because there would be two Mr. Shindo's both at the same place and at

the same time. Meaning one of them would have to vanish. Well,

maybe. But one of them is. The Shindo's is gonna have to disappear anyway.

That's exactly right. You mean I have to ride that? Couldn't I pick somebody

else? Hey, Emmy, could you please answer a question for me?

What is it? Well, tell me now. Did my book become a best seller?

Actually, hardly anyone even knew about your book. I see.

Sorry. Did they scare you? We call them Dora.

That's so cute. We will be leaving shortly. Will the crew

please all go to their stations immediately. They are created

through biotechnology. They make perfect pets, you know. They always know

how to behave around people. They can sense our feelings through microwave impulses.

Are they going to be coming along with us? Yes. They'll be very helpful to

us if we ever get lost because they can always cheer us up. Well,

I sure hope that doesn't happen to us this time. Only joking. Prepare for

takeoff. There's still a small group

of Japanese soldiers holding out in the caves on the island, sir. But we should

have them by morning. The Stars and Stripes will fly over this island.

This is the last of the Marshall Islands. Next we take the Marianas,

sir. This war might finally be coming to an end, Major.

I certainly hope so, sir. Enemy planes, sir.

Impossible. No plane can fly that fast. That looked to me like it was

from another planet. I have to agree, sir. It did look like

it was from another planet. But. Shall we report it, sir? What? That we're being

invaded by little green men from outer space? Let's just keep it as

our secret. You can tell your son about it when he's Major Spielberg,

sir. Yes, sir. I will, sir. M11, have we arrived? A complete success.

It's 6 February 1944. Lagos Island.

Really?

It's amazing. We really traveled in time.

But look where it got us. We're right in the middle of World War II

in the South Pacific. Our last contact just went dead.

Right. We've just lost contact with them, sir. Thank you, soldier.

Commander. My God, are we just gonna die here? There's nothing

for you to worry about. These bombs can't hurt our Amy.

I'll go and check things outside. Oh, but he can't.

There's a war going on out there. Evelyn won't be hurt by those old bombs.

Of Kwajalein and Layart Islands, all 6600 of

our brave soldiers fought valiantly. They fought to the very last man without

giving up. They will go down in Japanese history as true defenders

of the motherland. Tomorrow at dawn, we are going to launch an all out attack

against the American forces and show them just how strong we

are. You all know of course that the Americans greatly outnumber us.

But that does not matter. Even, even up to the last moment each of us

fights, we still have to believe in our final victory over the enemy.

We shall fight for our country right up to the end. We shall prove.

But it's him. Amazing. Persevere. Our deaths will be the blood and

flesh of an even greater and much stronger Japan.

Charge. This starts off a full fledged

war porn sequence. That is the end of the first third of the

film. So we are now one third down with very

little Kaiju action, a whole lot of time travel stuff and a whole

lot of weird xenophobia nationalistic bullshit where somehow Godzilla is

now a natural protector of the Japanese. Yeah, because you know,

reasons. Because xenophobia and nationalism.

Yeah, that was controversial. I'm just going to say that right off the bat,

the original director, Isho Honda was

very disappointed in the filmmaker for putting that into this version of Godzilla.

That would be versus King Get. There was

an outcry all over the world about that as well,

where there was already an east versus west kind of thing. And this was received

extremely poorly for obvious reasons.

It's kind of shocking to have Godzilla have such weird

propaganda kind of shoved into it. And it's a little off putting at first,

especially under modern eyes suffering from propaganda being shoved

down our throats as we are constantly.

Yeah, so I can see where this would upset some folks in the 90s.

And man, what a wonderful world that must have Been where the shit that happens

in a Godzilla film is like the biggest concern that you have right now.

Yeah, right. Like, oh, my God, nationalism.

Godzilla. That's. This is the only thing we should be freaking out

about now. It's just like, well, all right.

Right. Where the worst thing a president could do is lie about getting a hummer

in the office. Right. Or wearing a tan suit.

Yeah. Jesus Christ. I miss, like, that kind of,

you know, nasty things that are going on. Are we ready to what?

Yeah, I'm good. Let's go. All right. So the second third of the film starts

at the same war porn sequence of battle being held.

The Japanese are destined to be slaughtered by the American troops on the

island before the fury awakens. The proto Godzilla that is

sometimes called Godzilla Source in other films. That's right. They revisit this,

even though it was controversial. We come back to this.

The suit of action of this dinosaur looks terrific, by the way.

And the matte lines to put him in with the reactions of the

humans near him are all damn near seamless.

It looks terrific. I really just wish it wasn't such a xenophobic message

that they're using this for. You know,

you want a lot of things. Yeah, I do. I'm a whiner. The Americans

flee and continue to fire everything they have at the dinosaur to

no avail. And man, is that fucking

awesome and terrifying all at once. They cut back to the

inside of the time machine. And that is our fourth clip.

Amazing. It's incredible. I can't believe

it. Why is it helping us?

Let's disembark.

It's a dinosaur. A gigantic dinosaur is attacking

our boys. A dinosaur. What? Command's firing.

Yes, sir. Firing. There.

Got him. Take that, you dinosaur. Okay, move out. Spread out.

Spread out. All around him. He might still be alive. Yes, sir. Touch your points.

Not too close.

I know. That just has to be Godzilla. I'm sure of it. Well,

then, since we're positive that it's Godzilla, I think we

should teleport it right away. We must go to the day when the Japanese garrison

left. Let's go to the ship and make preparations. Calling landing

forces. Landing forces, come in. Calling landing forces. Landing forces,

come in. Can anybody hear me? Landing forces, come in.

Resume landing operations. No. Let's go. We don't need any more sacrifices.

And the Japanese are in the same situation we are. Yeah. Looks like that island

needs scientists more than it needs American military people.

A tired shot. We deeply regret that we must leave our

savior behind. We pray that he will never hold it against

us in his heart. Please forgive us, for we are helpless.

There's nothing that we can do. We can't carry you. We cannot take you to

safety. We hope your wounds heal quickly and that you will recover full health.

We, the Lagos garrison of the Japanese army, will never

forget how you saved our lives. Never. The boats

leave. Shall we? Present arms. Present arms.

Rest. We march home with honor.

Right face. Forward march.

They all thought that the dinosaur was gonna die here on the island they never

could have guessed would resurrect and return as Godzilla. It might be

much happier if it would just left here all alone to die on its own

island. Come on now. History has no room for sentimentality.

Come, let's get back and finish up our work. Lucky for us, the dinosaur's immobile.

That makes it easy. Usually animals are very difficult to

teleport when awake. Because of that, this one will

be especially easy to take care of. Teleportation starting.

Perfect. We've done it. Great. Where are the door at?

M11. Time warp. Time warp. Set on time warp.

Engaging now. How was it? How did it go? There was Nothing to it.

M11 and Emmy did all the work. It was amazing. It was the most wonderful

experience I've ever had. How did the teleportation go?

A success. Good. What can you tell us about Godzilla? He's gone.

Fujo has just this minute told me about it. He came to know about it

in a recent report that came from reliable sources. So Godzilla's gone

from history forever. So everything we've done up to this point is gone,

just as planned. What do you mean? Has something happened you haven't told us about?

Godzilla has disappeared and now King Ghidorah has taken his place.

What is King Ghidorah? Godzilla is no longer with us anymore. And it seems

like somehow out of nowhere, this King Ghidorah has appeared at the same time.

Do you think there could be a connection between the two? Maybe you could tell

me. King Ghidorah is already heading for Japan even as we speak. I'm afraid

Japan is in grave danger right now, and I don't know what can be done.

Fujio, King Ghidorah already reached Kyushu. Okay, so like, they don't

really kind of explain it, but it just kind of happens where you

see these little mini, like adorable stuffed animal sized

versions of single headed ghidorahs that somehow get left behind at some

point in time to absorb the atomic radiation and then merge into a

King Ghidorah that appears in the 90s whenever they return.

If you think about that a little too hard as to why that King Ghidorah

didn't just appear when the atomic radiation turned him into that like automatically,

but waited until the 90s. You're thinking too hard and this film's gonna

make no sense to you anyway. So I wouldn't cross eyed thinking about it.

So just seriously, don't. Don't think about it too hard. Just, you know,

it happened. I can't see anything now. These time traveling folks somehow

were able to control Ghidorah for 50 fucking years or

whatever it was, so that it would remain just hidden,

waiting for the time to re emerge whenever they come back into the 90s to

take over the planet. Yeah, that's just. But now my brain hurts. Yeah, but just

don't think about it too hard, that's all. No, I'm thinking about. Stop telling

me not to think about it. Makes me think about it more. All right,

so with this we get a sequence of King Ghidorah attacking the cities and blowing

up buildings. There was an announcer telling people what to do to be safe in

the English language version. But there was no point in clipping that when you can

just watch the model destruction and people fleeing in fear and enjoying some

of that Kaiju stomping badassery and all of the

explosions. Tremendous work in this. It takes forever for

us to finally get get to it. But King Ghidorah's city stomp was almost

worth the wait. It was really fucking good. Yeah, good stuff.

Anytime you're destroying cities, it's fun. The survivor

of the Godzilla island attacks talks. And that is our fifth clip.

Are you hurt, boss? No. That ugly monster destroyed my Garden

City. I'll never forget this. I'll get my revenge. The dorats.

You mean that they were exposed to radiation from the H bomb test in

1954. Radioactivity made them big and savage.

Now they're here trying to destroy us. Possible that Emmy intentionally

left the dots there to be exposed to radioactivity. It's possible

that after they were exposed, the three dorats merged into one and turned into a

giant monster. So if what the both of you are saying is true, King Ghidorah

was created by these people from the future. But why?

Why would these people want to create King Ghidorah? And why do they want to

destroy Japan? Right turn, reducing velocity. Now the computer

was right. You took three dorats to the island of Lagos and

radioactivity combined them into one powerful monster. I didn't know you'd be

able to control it like this. What are you trying to do? The only thing

that I want to know right now is can we control this thing as well

as we control the dorats? I think the way it's going, we probably can.

How's it look, M11? Perfect. Kyushu is finished. Next we

move north. North? Destroy Hokkaido? What do you want? To destroy

the whole of Japan. All except Tokyo. Then we'll show the Japanese the

proper way to rebuild their country. We can't. It seems you've

lost your vision just because your country is being crushed.

So must I remind you just what your mission here is? We came here to

warn these people. People? We came back here to tell them their country was in

danger. Now you've double crossed them. With what you're doing, you've gone too far.

Where have you been? I've been looking for you. I have good news. We'll publish

your Godzilla theory. I've even thought of a title for the book.

The Birth of Godzilla. When you have time, let's get together and talk about it.

I'm sure it'll be a big seller. And if it is, will you marry

me afterwards? Call me back soon. I already know the title and

even the date. I even know how it's sold. Maybe if I change

the title to something like Traveling in Time. That would be against the rules.

The Equal Environment Earth Union. Its sole purpose is

to equalize the power of all nations on earth. All types of people joined

our organization. Modest ones and aggressive ones. Mostly very

liberal and some of them radical. We stole the time machine. We had to have

it in order to carry out the plan that we had for Japan. What did

you plan for Japan? Actually, we made up the story about Godzilla.

He never does destroy Japan. I see. And what about the nuclear

pollution that destroys Japan? It's all a lie. Later on,

Japan will become even stronger. The richest nation of the 21st century.

With all this wealth and great power, it'll buy up nations. South America

and Africa. And then in the 22nd century, Japan will

be bigger than China, America and all of Europe. No nation will compare to

it. My God. So they've come here to destroy Japan before all this happened.

Why did they have to come back and destroy Japan in this way?

There's no other way. At the end of the 20th century, all nuclear weapons are

banned. And because of that, no organization or government can control Japan.

Not even the Earth Union. So Wilson came up with his own

plan to make a monster he could control and get rid of Godzilla. So he

couldn't defend you. Then he'd begin to destroy Japan. We have

to use their computer to save ourselves. But if we give in to any of

their requests, we may just end up being used as their puppets.

It makes me wonder what the real purpose of their visit to our time is.

If we refuse. Refuse all of their help, King Ghidorah will destroy the whole

country. Our armed forces can't stop the monster. We have to get help.

Mr. Masaki, that dinosaur is buried under the ocean. Do you think we could somehow

change it into Godzilla? Yes. Well, I think it's very likely that

we could. Both King Ghidorah and Godzilla were born from nuclear tests.

So that means that if we could blast the dinosaur with enough radiation, it'd turn

into Godzilla. Yes, but we have no real nuclear force to speak of. We have

a nuclear submarine with powerful nuclear missiles. We've always

kept this totally secret. Don't worry.

Of course we haven't kept this submarine in Japanese waters.

She's in a country not too far away from us, in Southeast Asia.

You have an enterprise containing nuclear weapons? A submarine

does contain powerful nuclear missiles, but they were never to be used as offensive

weapons. The submarine was only for protection in case Japan was ever

attacked. So you plan to use missiles to hit the dinosaur

in the sea and hope that it'll turn itself into Godzilla.

Outrageous. What gives us the right to do something like that? Who are we to

create another Godzilla? Well, then, I would like you to answer me just this

one question, Mr. Fujio. What does the government plan to do?

I'm afraid you don't understand. Godzilla was my savior.

He saved my whole garrison. You say that you feel Godzilla?

Yes. Whenever I close my eyes, I see him as clearly as if he were

walking right in front of me. It feels exactly the way I felt before.

It can't be. You know that Godzilla is no longer with us. The one buried

under the sea is just a dinosaur. So how could you feel him? It could

be possible. Maybe there's nuclear energy there. Maybe there's even a hunter

killer with nuclear. You know, there could always be nuclear waste there.

Is this possible? A nuclear submarine wrecked in the Bering

Sea? That's it. It says here the submarine was never salvaged. Where are

you going now? Doesn't even bother to tidy up after himself.

I helped you find that. Now you have to tell me what you're doing.

A new book called the Birth of Godzilla. Oh, so you think

that Godzilla's been born again? Well, I don't have any proof yet. But still,

this is something I'd like to share with those fools in the higher echelons of

government and business who want to create a new Godzilla. Teo is.

That company grows steadily right up to the 23rd century. It's become

the world's largest company. There's news of Godzilla.

He's moving. This is a heat sensitive satellite photograph.

And an enlargement of Godzilla in the Bering Sea. Where are you going?

I'm gonna go and find Shindo. There's gonna be no more Godzillas. I'm coming

with you. Huh? Hit time 11. Just when

you thought the nationalism and xenophobia couldn't get any worse

in this film, all of the sudden Japan becomes this strong economic

presence in the future that basically the entire world

in capitalism to the point where they have to travel back in time to sabotage

Japan before that can happen. That's the problem.

Yeah. That's. That's something all right.

This is like Japanese maga porn, man. Right? Yeah. Pretty much

like they're making. Well, Magia making Japan great again.

What the fuck? Anyway with this. The robot thing is trying to kidnap

the future trader that decides Japanese domination of the world is fine

and she wants it to happen. The struggle of the

robot trying to pull her out of the Jeep goes on for quite some time

actually. Whenever they pull up right beside there. And for some reason a truck

filled with empty cardboard boxes drives in front of both of the vehicles during this.

And the Jeep somehow gets over the top of it and is just fine.

And the pursuing sedan actually ends up flipping over and explodes

as cars often do in that scenario where they just roll over on top of

themselves. They almost all always explode. They always explode. It's good. It's good that they

explode. The Android thing emerges from the ball of

fire and rips off his flaming suit coat to reveal some robotic

damage. And he looks like he's a bit burnt up in the process as well.

He then runs like the Flash in the 90s series

past the Jeep and then stands in front of it to stop it dead in

its tracks and lift it up with his super robot strength.

That leads to some more talky hole dialogue and ours. Sixth clip.

What the hell's he doing now? Let us down right now.

He's gonna regret this. I'll show him. No. Don't go. You mustn't go

out there. I can't stand this. But he's a robot. He wants to take me

back to the ship. Welcome back, Emmy. Tell me, did you really think you'd be

Able to get away with what you were doing. We knew you were going to

visit your friend. Then why didn't you stop me? Because we wanted to see how

the Japanese government would react. That's why we brought you

back here. You disgusting men are filled with deceit. So, I mean, what'd you find

out? Is the Japanese government planning to resist our nice little operation

here? Of course not. The Japanese government's not stupid. They know they can't fight

us with our advanced weapons. Naturally. That's good.

Well, I figured they'd try to do something. What could they do?

I thought that maybe somebody would come up with a good idea.

Like making another Godzilla out of the dinosaur under the sea.

All they'd have to do is blast it with some radioactivity. We're presently

2.5 miles east of Kamchatka. We're on a southeast heading for

the Bering Sea. Operation Go Right,

Roger. So, how are you? Good. My boss.

What's this? What's going on?

S.O.S. We'Re in trouble. What is it?

What's happening? What's the matter? Come in, come in.

Come here. Me?

What's that? She sank. Are you serious? Godzilla sang the sub?

Where's Miki right now? And where's Professor Mazaki? I'll go with him now to A

okot. On second thought, maybe I can't right now. Come on.

Oh, what's this? This is a

new computer. They want to give it to Japan. Okay.

The clip ends on a helicopter ride over the ocean when the

traveling pair notice a Godzilla emerge from the water.

And that is the end of the 2/3 mark of the

film. There you go. Yeah, we're moving along

very quickly because most of this plotline is told in clips.

Because most of this plotline was told through dialogue and. Yeah,

wow. That's just how that happens. Now they're talking

us in circles and they're trying to explain all of this. But essentially, they never

really come out and tell us that they left the little baby ghidras behind.

Although they say something about how it was formed by doing that. But we don't

really see them leaving them behind or this whole, like, devious plan, you know?

And if we do, it happens so quickly that I didn't notice it while I

was taking notes. And I'm sorry that I missed it, but I'm pretty sure you

don't see it. They don't deal with the fact that they

eliminate Godzilla from the timeline whenever they go back in time. Then everybody

in the world still remembers Godzilla. So it has to

be that they only eliminated the second Godzilla that emerged in the 80s. And that

Godzilla came from an island that was radioactive

after the Bikini Tests, or I guess Bikini Toll.

So it's one of the islands surrounding Bikini Toll that turned that into Godzilla whenever

that. That nuclear test happened. But they went back in time and they moved

it. But because of, you know, humans dropping atomic bombs all over the place.

Anyway, this version of Godzilla ended up up like absorbing

radiation some other way that they don't really fully explain,

but because it got radiation at a different point

in time, this Godzilla was stewing longer from being hurt from

humans and distrust them and dislikes them even more

than what it did before. So now it's a meaner and more vicious

Godzilla. And they actually kind of changed the way that he looks when he emerges.

And he's got a lot more sharp points to him and he looks a lot

more sinister. And this 90s Godzilla look that we get is very

brutal and very cruel and very fucking

cool. I really dig angular looks. It's really nice.

Yeah, he looks. He looks way more evil.

Yeah. Now using time travel to somehow reset Godzilla and his formation,

but then have it be to where Godzilla is, a fixed point that is inevitable

in the history of Japan is kind of interesting,

you know, like where this creature was always going to emerge because people always

fuck around and find out. It just took longer this time for this one,

which made him more pissed off and more evil. So it's essentially like,

okay, you're going to deal with a Godzilla that you had or you're going to

get away worst one every time. So stop fucking around. Yeah,

exactly. Don't be an asshole.

And I like that. I do. I have to admit, I do like that idea.

It just takes us fucking forever before we actually get to any real

Kaiju action in this. And it's real few and far between with lots of

length of dialogue. I only have like 12 total clips, and most of them

are over 8 minutes in some way, shape or form because there's so much screen

time where it's just talking heads. It's like we're watching an anime, for fuck's

sakes. Fun. But when

we do get to the monster action, it's worth the wait. It's really fucking

good. And there's some really cool shit in this. It's just the plot line's a

mess. And I'm sorry about that, everyone. I can't do anything about that.

That's just how it is. You ready to move to the run to the end.

Let's do it. All right. So the run to the end of the film starts

with fighter jets stalking and attacking King Ghidorah, as Godzilla

has emerged and is on his way to get at that invading Kaiju.

The fighter jets versus Ghidorah sequence feels a lot like stock

foot footage of fighter jets and shots of fireworks exploding on Ghidra

as a puppet. But it still looks really good.

No, I mean, hey, listen. We all gotta have something. Yeah.

Just as the future freedom fighter types are fleeing,

confident about their plans, Big G emerges to up.

And is noted that he is even bigger than he was before

in our seventh core. Pull away. We're no match for

it. There are aircraft are so primitive, it's no challenge.

They're just gonna have to give up. They have no choice but to accept all

of our demands. My God. What is that?

What? He's even bigger than he was before.

Put the 7th Air Division on alert. All other fleets are on immediate

call. We must be ready for anything. It's got much bigger.

Godzilla was made with modern nuclear weapons this time,

so it's only natural that he's bigger than before form. Besides that,

it's more powerful because it's absorbed all of the subs energy. So it

happened. Godzilla was created again. Unlike our age where there's no nuclear

energy, this generation has nuclear power everywhere. It really

didn't matter just what location we teleported the dinosaur to.

The second birth of Godzilla was an unavoidable event. We went to

the trouble of getting rid of one, and then what did they do? They just

made another. We should have expected this to happen. Send our monster after it.

Let him kill Godzilla. It's King Gadara. And finally, at the end of the

clip, after an hour and 10 minutes of setup, this version of King

Ghidorah and the new version of Godzilla are all set to fight it out

on an open plane away from the cities. The 90s Japanese

Survivor of the island where the unmutated

Godzilla was his savior states that Big G is there to

save them again. And Ghidorah is ordered to attack Big G

by the future travelers. Ghidorah blasts Big G with the yellow lightning

from all of the heads. And Big G atomic breath blasts Ghidorah several

times before he takes to the air with numerous lightning attacks

in tow. So both of these guys are resistant to attacks

that used to be devastating for both of them. When Big G would

actually hit something with the atomic breath, including Ghidorah, Ghidorah would sort of

absorb. It would still get hurt though. And Big G definitely was getting

hurt by Ghidorah's lightning. But now they're just standing there full on blasting

at each other like a couple of wizards throwing spells around and just

standing there like it's nothing. Yeah, shouldn't have come here

tonight, Tom. But yeah, no, it's a

fucking. These two guys are just trading fucking blows right now to the point where

it's like, why don't you go fuck each other already? Ghidorah blasts Big

G with yellow lightning from all of his heads. And Big G does atomic breath

blast back at Ghidorah. This happens several times before

Ghidorah finally takes to the air with numerous lightning attacks in tow.

The future invaders talk about how it does not matter how powerful this

new Godzilla is, and that as long as they control King Ghidorah,

they can kill Godzilla. All of this is happening while

multiple awesome shots of Ghidorah lightning blowing up around

Godzilla is cut away from or shown on monitors.

Instead of just letting us enjoy the monsters fighting for sakes

movie, just let us watch that stuff. You filmed it. Show it to us in

full frame. I don't need. I don't need any other. I just need the monsters

fighting. I. I don't know what's so hard about this. Yeah, it's simple. When you

cut away from the stuff that you just shown us the monsters doing in the

fighting, don't use new footage in the monitors. Just replay that same

footage. So we always get to see all the monster footage.

Always. They never listen to us. With a typical plot,

the turncoat future woman is helping to overthrow the

alien invaders and stop their control of Ghidorah

so that Godzilla can do his thing and kill it. This is mixed with

actual entertaining monster fighting action where Ghidorah does some aerial

assaults on Godzilla by doing some flying drop kicks and lightning

attack combos at the same time, driving him back or knocking him to

the ground. This is. All of. This is fucking great. All of the humans,

future invader stuff is kind of a bummer really. And they just keep cutting away

from the great stuff to the bummer and come on, man. Yeah, come on.

I don't need any of your bummer shit. Give me. Give me Kaiju. At one

point, Ghidorah has Godzilla stuck in a pit, stomping him over and

over again by flying up in the air and dropping on him. And both the

humans and the invading future people assume Big

G will lose and that he will be killed. In this fight, they both say

it just at different times from different perspectives. One being sad about it, the other

one celebrating. As in future people. Yeah. Those of us who know

whose name is on the marquee first know a different outcome is

about to happen. However,

the human resistance gets the ship's control module that had

a hold over Ghidorah destroyed. And that

destruction sends Ghidorah to the ground, allowing Big G to stand up

and catch the tiger by the tails and start slamming him to the ground

over and over again with a whip like motion. I know that we've seen this

before, but I love when a Kaiju starts whipping another Kaiju into

the ground using their tail like this. It's fucking cool.

Oh yeah. It's badass. They cut from this fun to watch

stuff to a laser blast battle on the future ship.

And then there is a confrontational expository dialogue

for some fucking reason. So that is R. Here I am

with a computer. Time control will automatically start functioning.

Amy, what have you done? You've betrayed the union. Forget about giving a computer to

Japan. It's been destroyed. What do you mean?

Do you think that means you've won? It doesn't matter. We don't need a

computer or King Ghidorah to do our work. Godzilla is going to destroy the

country of Japan himself. Your nuclear fanatics don't know what they've created.

This new Godzilla is unfriendly and he's going to destroy your country.

There's nothing you can do about it. Your country has no future now.

Our job here was a success, and soon we'll be back in the 23rd

century. There's something you didn't know. Our ship has an advanced safety device.

In the event of any emergency, it sends us back to our own time.

Twenty minutes after the alarm goes off, it sends us our way. We'll be

saying goodbye to the 20th century and all this happens automatically.

You bastard.

Amy. Out of my way. God damn it. They cut back to monster stopping

action. Finally, at the end of that clip, Big G tosses Ghidorah

to the ground, temporarily trapping him in his own crater now.

And then, Ghidorah makes it back into the air, flying as Godzilla

approaches. This turns into a physical slobber

knocker as Ghidorah headlocks Big G with his middle head and

bites at his arms with the left and right heads. They cut

from this cool monster action to boring human bullshit as

the heroes run around the corridor and we could not care less

about them doing it. At this point. Yeah, heroes my

ass. Give me the Kaiju. Basically, they need to stop. Those are the heroes.

Basically, they need to stop the ship from returning to its own time

and winning somehow. But before I can give a shit about any of

that, they cut back to Big G foaming at the mouth from being strangled

by Ghidorah head. I guess that's what's going on. But anyway, Big G's foaming at

the mouth and the Ghidorah head's still wrapped around his throat. So I guess that's

what's going on. But then Big G sucks right now.

For Big G. Yeah. Then Big G has some.

Big G has some kind of rage induced atomic blast that emanates

from his body and frees him from the chokehold. They don't bother explaining

it. It just kind of happens and it looks cool. So whatever. I think he

just fired off the atomic blast until Ghidorah couldn't hold it back anymore.

Yeah, probably. The blast sends Ghidra to his

back and Big G atomic breath blasts the middle head of Ghidorah

right the fuck off as it explodes. The ship that was

supposed to time warp was overridden. And the ship that was responsible

for all of this has landed directly in front of the more sinister

version of Big G. Who immediately blasts the shit out of it

and it explodes everywhere. The two remaining Ghidorah heads decide

to call Godzilla a dick and pack up their toys to go home.

When it also gets blasted square in the chest and is sent hurtling

into the ocean. That creature is declared dead and defeated

in expository dialogue. That is our ninth clip.

Teleportation started. We did it.

Have we time warped yet? No, not yet. Well, where are we then?

Automatic time warp override. One minute and counting.

It looks like King Ghidorah has been destroyed. What about Godzilla?

Wow. It's not the dinosaur we knew. Just look at that thing. It's not going

to be friendly to us. I'm afraid this

is no longer work for ordinary civilians. Please excuse me. Does this look

like the same beast that was once your savior? Mr.

Shindo? 91% chance There's a 91% chance that

Godzilla will attack Tokyo. This calculation is extremely accurate.

It's calculated from M11's computer simulation. So it's almost certain

that Godzilla will raid Tokyo. Like Wilson said, after it's over, Japan will

just be Godzilla. Sapporo.

Citizens of Sapporo. Godzilla is approaching. Everyone must

evacuate. Get out of Sapporo. Get underground if possible.

Do not Remain in the streets. Repeat, Godzilla is approaching. Evacuate immediately.

Come on.

Come on, come on. Quickly. Come on, come on,

come on.

This starts a sequence of Godzilla walking through, and I mean right the

fuck through several buildings and radio towers as he

is blasted by maser fire. Several shots of building destruction

show the inside of buildings with people falling out or having a

claw or a bit of Godzilla arm go through the building

at them. This stuff is fucking terrific. And had some amazing

composites depositing shots. It all looked incredible. It really sells the

destruction Godzilla is capable of and the fear. You know me, I like

seeing the suffering of mankind. Yeah. Just the people stuck in, like,

apartments or office buildings or whatever that he smashes

into and they can't get out in time. And just seeing like an arm or

an elbow or a piece of him flying at them or just being knocked

into the building. And then watching the, like, buildings fall apart around actors.

Really sad. That's what you get for wanting to live downtown. This shit is horrifying

for sure. Yeah. Oh, yeah. It's nightmare inducing.

More maser fire takes Big G down to the ground, destroying several buildings

in the process. They fire on him while he is down.

And then Big G pops up with an atomic breath blast that fries

all of the mazer vehicles. They cut from this to the humans in charge and

their utter despair. In our 10th clip. There's no way

we can beat us. Of course, we're no match at all for Godzilla.

Do you think that King Ghidorah could help us? Yeah, that's right. Do you think

you could revive it in the 23rd century and bring it. Back to

the 20th century? You're right. That would be a brilliant idea. But King Ghidorah's

hurt very badly. Would it really be able to survive that long? Just as long

as its cells are still alive. King Ghidorah should be well preserved. See what it's

called. Can you? Well, yes, of course I can. I can do just about anything.

I know I can save it. Goodbye. Make sure that you come back, Emmy.

I surely will. Because I like this age very much. You mean

you don't think that it's primitive? I really mean it. I like it.

But why? I like it here only because you're here.

King Ghidorah was defeated by Godzilla. That's right. In the 20th century.

It's been 200 years. I don't think it's still alive.

I can hear it. Its heart is beating only faintly, but I can hear it.

We want to restore itself. First, tell me what you plan on doing with it?

We want to fight Godzilla with it. You mean you want to fight Godzilla with

it to help that country. But a corrupt nation such as that one doesn't deserve

help. It was destroyed by a monster because of its vain prosperity,

lack of concern about nuclear waste. I beg of you, please let me help them

this time. Give my ancestors one more chance. All right. I'll let you

do it. Godzilla has just landed at Tokyo Bay. He's heading toward the

city. Everyone should evacuate immediately. Hey, this is really too much.

You know, we're both crazy to be doing this. Hey, I'm the Peter Ainet of

Japan. You think I got that name by not taking any risks? Yeah, but this

is Godzilla, you know. Oh, hurry up. Come on. When it'll arrive at Shinjuku?

It should arrive in one hour. Evacuation is almost complete. Minister, I'm afraid

that destruction is inevitable at this point. This is an unavoidable sacrifice.

Yes, but just look at that. It'll ruin our future.

There's a call for you, sir. Dabashi. Mr. Shindo. But sir,

you must leave your office. You wait.

Yes, I know that. This is the way that I wanted. Let me

have it my way. I nearly died on Lagus island, along with my entire Garrison.

But the dinosaur saved us all. And all of that prosperity I

built now being destroyed by the same dinosaur at this moment.

And there's nothing I can do about it.

Very ironic, don't you think? This leads into a

lengthy sequence of the old dude and Godzilla having

what is supposed to be a mutual flashback of them both recognizing

the history that they had together or something, I don't know.

But it flashes back to injured Big G before his mutation.

And then Big G saving this guy, and this guy looking at Big G.

And then back and forth between the older versions and the younger versions of

them looking at each other. And it just really keeps going on and on with

all of this. Yeah,

we're looking to each other's eyes. Somehow they recognize

that this, you know, everyday dinosaur that was just chilling on the island actually recognizes

the guy when they got invaded again. Back and forth. Yeah, the mutual nodding

and recognizing of each other ends with Big G vaporizing

that exact section the guy is in with his atomic breath.

Godzilla saw him in the building and then blast the building.

It explodes out from one serious blast. Then Godzilla

walks through and I mean right the fuck through the rest of the building

that is there. There is more Expos. Maybe that building should

have been there in the first place. There is more Expository dialogue as

this happens. So that is our 11th clip.

This is Shindo. My God. You say Shindo is in there? Well then is Shindo

dead? Yes. So just what was this dinosaur to him anyway? Emi,

how could any of this be possible? This leads to even more shots of

Kaiju stomping badassery as Big G heads right through,

and I mean right the fuck through, a business complex.

Before us appears the magnificence of Mecha King

Ghidorah, arguably the coolest cybernetic Kaiju

we have seen yet. This thing looks fucking sweet.

Yeah. Oh yeah. It circles Godzilla on screen so we

can get air. A really good look at just how fucking sweet this thing is.

It just moves around from all angles. So you can check out all the wings,

all of the new metal attachments, the bionic head,

everything. It's just fucking cool looking. Yeah, man. Got it.

Gotta get a good appreciation of Mecha Ghidorah.

There is an atomic breath blast that hits a huge building

directly in front of Godzilla, exploding everywhere and looking

sweet as the Mecha King Ghidorah is swarming around him, flying,

flying all about. Mecha King Ghidorah lands and they do some seriously

pornographic close up shots of the Mecha wings, the leg pieces and the new Mecha

head as well. To really show off pornography.

They just really are showing off this new and rather cool looking character.

They're very proud of us into this sort of thing. They're really,

really trying to show you just how cool Mecha King Ghidorah

is. They're like, we worked on this, now you have to look at it.

Yeah, look at it. All right, so the main traitor, chick from the future

is riding inside of Mecha King Ghidorah. And she begins her attack.

As the cybernetic head leads the attack and the organic ones file

suit and join in. There's a round of lightning blasts at Godzilla and

after that blast, Godzilla returns fire with his atomic

breath. And that sends off a series of explosions with future

girls screaming and scared as they happen. You're riding along

inside of a mech fighting Godzilla. Did you not think this was a possible outcome?

Right, yeah, I mean, you could definitely get hurt with all this.

Big G pushes his way through a building and they show him pressing on

towards Mech at King Ghidorah as the barrage of laser and lightning fire continues.

This barrage sends Godzilla backwards into a building

and the falling rubble looks super fucking cool as he is

buried by it. That looks great. Yeah, no great

vision. I mean, everything like A lot of the visuals in this movie,

just excellent. Yeah, excellent effects. Yeah. Once we actually get to

the Kaiju stomping badassery, it is fucking terrific in this film. It just takes forever

to get there. Especially because the pure porn that is Mecca

Ghidorah. Yeah, they really wanted you to see Mechaghidorah in all his glory.

They really want you to just appreciate that costume. And it works. You really do.

Future Girl says she is moving in, but a massive atomic

breath surge comes out of the rubble that just buried Godzilla and fucks her

day right the fuck up. Bodies her completely.

Big G emerges from the rubble and Future Girl finds

she has lost control of the Mecha King. While Big G,

Kaiju stomps his way over over at this prone

Mecha King Ghidorah with every molecule of his body itching

to get some killing done. They do an excellent job of making him look angry

through all of this. He looks so fucking pissed the whole time.

He just wants nothing but pain and suffering for everyone else.

Future Girl is told to make the creature jump,

which she does, but then is captured in Godzilla's arms when he

grabs ahold of King Ghidorah's feet. The left and right heads bite and

attack Big G. And the Mecha King is set free. It takes

to the air after taking multiple atomic breath attacks,

damaging the wings. And a final blast in the air sends the Mecha

King Ghidorah crashing to the ground. And prone to any attack.

Big G lumbers up to the subdued opponent and it's

now unconscious pilot. She is woken up at the last

conscious pilot. She is woken up at the last second and

stands Mecha King Ghidorah straight the fuck up,

shooting off these electric braces that shock Big

G as they snap onto his arms and legs. There is a giant one that

is fired off around Big G's entire midsection,

shocking him until he is finally subdued.

Godzilla is then lifted into the air by the flying

Mecha King Ghidorah in a terrifically puppeted shot that just has

to be seen. That looks incredible. Yeah, looked really

good. After being told that the mech cannot handle another

atomic blast, that exact thing happens and the whole mess

of everything crashes down into the ocean altogether.

And then we see the time ship thing flies out of

the water. Shortly after a small explosion happens.

After that, there is dialogue. That is our final clip.

Thank you very much, Emmy. I have to

live 200 years just so I can see you again. Terasawa.

There's something I never got a Chance to tell you we're related. You're one

of my distant ancestors from this wonderful age. Emmy. 10 seconds

to time warp. Goodbye, my homeland. After the

clip, we see Godzilla revive under the ocean and fire off his atomic

breath in rage as he struggles to break free from the Mecha King clamps.

He woke up because Godzilla does not stand for incest like that.

So he's like, nah, fuck that. He tries to break free from the clamps,

but we don't see it because they cut away to roll credits. Cinema PsyOps

10 years. 10 years.

Okay. Wow. So, yeah, the time

travel plot line in this is fucking dumb. It doesn't hold up

to any kind of scrutiny or any thinking about it, any way, shape or form.

And the most egregious one of all is you have to assume that the 1950

Cup 4 Godzilla never got erased. Otherwise this whole movie is

completely fucking stupid. Yeah. Then there's no reason why it would

be like this. Yeah. The only excuse to have time travel is so that

you can have a Mecha King Ghidorah that is believable to be a cybernetic Kaiju.

And this thing is what we should have gotten instead of Gigan.

They should have done a Mecha King Ghidorah all the way back then where aliens

raise him and then make this. Because it could have been so terrifying

in that age. Would have been awesome. Yeah. Yeah. I still love

the fucking Murder Chicken. I do. I totally do. Oh, yeah, Murder Chicken.

Still fun. But nah, maybe Mecha King Ghidorah.

That would have been the shiz. Yeah. Maybe we can get a Mecha King Ghidorah

in the Megalon movie instead. And then got banned together against

Godzilla. And that would have been terrifying, right? But awesome.

Terrifyingly awesome. This is the only time so far we'll

see Ghidorah be a hero in another film later. But this is the only time

that Ghidorah actually gets to be in somewhat way, shape or form

like the hero, the good guy. Yeah, yeah. It's weird.

Yeah. Usually King Ghidorah is shown as being the ultimate evil.

Yeah. Well, because it's a xenophobic alien thing. But in this case,

this King Ghidorah is from the future and his genetic

manipulation that the future people are trying to use to hold Japan back,

but then ends up getting used to save Japan. Of course, everything you

said just makes sense. Yeah. And then the man responsible for destroying

the world through capitalism is the guy that Godzilla blast with his

atomic breath in the building so that future's taken care

of either way, really. All the Kaijus are kind of

the guys in this movie. Fuck the humans. Yeah. Almost always.

You're watching these specifically for the Kaijus. This one

definitely. Because I couldn't even be fucking bothered to listen to

the clips when I was like, playing them back for

us to do this story because it's just. It's nonsensical and they

don't really explain a whole lot of stuff while they over explain everything else.

Yeah, and there's. They're either incestuous or they're greedy.

I mean, the people of this movie are just not good. Yeah,

the time travel lady's like flirting with her ancestor the entire time and then just

tells. I don't. I don't care how far away that ancestor is. If it's an

ancestor, you should be trying to fuck him. Well, you shouldn't be doing the nasty

in the pasty anyway. I mean, fry toss.

Stop trying to pull up Marty McFly. Yeah. Don't fuck

in the past, for God's sakes. Jesus. Yeah,

especially your family. Yeah,

especially family members. Don't fuck in the past. Good Lord. One of

you is going to come up all wr. Or maybe it's too late.

Maybe that's why she's like that, because that's just. Yeah, maybe. Yeah,

already like, you know, all of her ancestors or whatever.

Jesus Christ. Well, I'm ready to just go ahead and take the break here and

end it. What do you think? Yeah, let's do it. All right. I gotta find

something for my story time, so hopefully I'll have enough time to do that.

Wow. On the pirate radio edit, we rock out to Bonnie Raitt with something

to talk about, also released in 1991. A Little Body weight.

I calculated that keeping your stasis pod functional was

more important than approximating the chances of the garbage heap of the future

being consumed by the Mobius loop of annihilation. Oh,

word salad. That's just what I needed because I'm not having enough

trouble processing what the is going on now. Can you

try and put actual words together that make sense?

I could upload the accumulated information of the ominous brightness I

have been receiving and relaying throughout the multiverse directly into your

brain. Or you can take a breath and allow me to explain while the battery

life remains in the bunker. Do you recall where

you came from? Well, when a. A mummy

bunker and a daddy bunker love each other very much. No, it's going back

a little bit too far. So like I said, there Was there was the,

the time bubble and I was at the. The next excess of time and

space because it was the safe spot because of court and

ruining everything. And then I remember that

it started to contract because there was a chicken.

And then I got ejected in the bubble and

we were traveling in the bubble and the bubble kept getting smaller.

And then like I said, there was Time Cops and Time

Crime HQ and then the Demolition Man. I always

love it when we end up in the 90s because the music that

I play from the 90s is like the music that you paid attention to as

a kid. So you're always more like reacting to it. You're like, oh,

I know this, this is good. Bonnie Rate,

man. Yeah, there's no Bonnie rate. What's funny is never in my life

would. I thought I hear you get so happy just to have a Bonnie Raid

song on this show and that just. I love Bonnie Rate, man. That's,

that's, that's good. Well, hopefully I, I have some good

shit for everybody with my story time.

Story time.

Story time. Okay, I'm gonna apologize in advance if I've told this story

before, but I'm really sure that I haven't, so I'm just gonna go ahead

and tell it. And Matt was there so he can collaborate with me on

this and actually say that. Yes, no, that this actually did happen. Yeah. This is

the story of how I single handedly helped a

guy's versus girls Trivial Pursuit game night

go the way that the ladies thought for sure was not going to happen.

Yes, yes, yes, yes. I already

know the story. Yeah, of course, you were there. Oh, you're going to. Yes,

I thank God you're telling this story. Yeah, See, I'm pretty sure if

I would have told this before you would remember that I told it, right?

I think so, yeah. Yeah. Okay, so there is

some friends that are all out at the bar. It's myself and my

then girlfriend, current wife and me, Matt and his then

girlfriend, current wife and a friend of ours who was dating

someone who did not end up becoming their current wife.

But they were kind of a thing and an item and they were staying over

at your place. And we all got together to play Trivial Pursuit for

the nights so that one of us could sober up to drive the other

spouse home at some point in time. So we all just were playing a game.

I stopped drinking while this was happening. Everybody else continued to drink

and then I was supposed to take my wife home then girls and I was

at. Home, so I just kept drinking right. Like you and your friend and

the significant others of both of you two were going to be staying

there. So you guys all kept drinking, as did my then girlfriend, now wife,

because she likes to drink. I just decided to get sober.

And so in order for us to do this and for me to kill enough

time, we decided to play a round of Trivial Pursuit. We're gonna just play till

we win, right? Mm. And at some point in time,

somehow one of the pig headed males, I can't remember who talked

about doing guys versus girls just to show off or something along those

lines. And I don't know exactly how it happened, but that's how we ended up

playing and we ended up. Ended up talking shit. So it became like a gender

war to play this game, right? More or less, yeah.

I'm under the belief it was one of the women who said that women were

smarter. Well, that's possible. That could be, but maybe it was one of

the pigheaded guys. However it ended up being, we had a gender

battle going on with this game. It was totally guys versus girls.

So we're going through the Trivial Pursuit and freely

to admit the ladies are kicking the shit out of us right

out of the gate. Like, they've got like. Yeah. How many pieces of is it?

It's like six. I think they got like pieces of pie before we even had.

We had none. Like, if it's six, they had three. If it's like seven,

they had four. Like they were over halfway done or on their way

to over halfway done. Like almost immediately.

Yeah, we were in a lot of trouble. They start getting to like some

category. Was it sports or whatever that they may not have been familiar

with and they were having. They were struggling with a category, whether it was like,

you know, historical events or sports or something like that. I can't remember what it

was, but they were. I got us. Yeah, I got us our first

piece because I got the sport. And it was a question about

the Green Bay Packers. Right. And then we ended up catching up to where

we had like one more piece than them. Right? Yeah.

And then at some point they ended up getting to the point where

they only needed one more piece to win. And then we caught up

and we were basically down to one piece left and we were both competing for

different ones. I don't know what theirs was, but ours was

like modern entertainment or something along those lines. Or like pop culture

is the one that the last piece that we needed, it had something to do

with pop culture, right? Yep. And so, yeah, yeah, it was Pop culture.

Yeah. Yeah. And we're. We're all, like, not knowing what the fuck.

Everything in this pop culture is. There's multiple opportunities where we just

fuck up and we just can't get it. And then finally, we get

this question that all of the ladies are 100% confident

we are not going to get right. And it is.

What is the name of the nightclub from Beverly

Hills, 90210, that they all attended in such and such a show?

And we're all kind of sitting there. And I know it because I used to

watch 90210 when it was on as a kid. And I'm too fucking

embarrassed to say anything, but the guys want to

win so bad. They don't care. Both you and the friend are like, man,

what is that? I'd never watched that show. I don't know it, and I know

it now. I was drunk by this point. Yeah. Because I do

it. I watched that O2, 1 0. I don't. Peach Pit After Dark. Right.

But that's what it was. One of those times where it was just on the

tip of my tongue and I couldn't get it. But I just end up sitting

there quietly where all the girls are, like, gloating and gloating that they know that

they've won it. Because the next time around, they're going to get the piece that

they need. Right? And we're just gonna fuck this up again. And I just quietly

say, is it Peach Pit After Dark? So we all flipped,

because I knew you were right right away. Cause I said yes.

And then the person holding the card that was dating your

friend at the time drops their head, looks really, really upset,

and is like. And we're like, show the card. We're right. We're right.

And we win. Show the card. Crazy. Yeah, we win. Because I remembered

the name of the nightclub, which was Peach Pit After Dark, which was just basically

the Peach Pit. Right. Restaurant they hung out in that got turned into a nightclub

after hours. And you had something else

also earlier in that game that shocked.

It was a babysitting book, and you nailed it. Yeah,

yeah. It was one of the adventures in babysitting or something like that. Yeah,

something. But it was like. That was the one where I looked at you and

went, ha. All right. I'm happy

that we're with it, but holy Jesus Gort. Right? It was

a very epic and very fun night. And we had a battle

of the genders. And I ended up winning for us with Peach Pit After Dark,

which was somehow more Disheartening for all of the

ladies than anything. Oh yeah. Oh yeah. They were real mad

that you had Peach Pit After Dark load. Yeah, and I've still to

this day never lived that down. I still get teased about it every now and

then. Oh yeah. Oh yeah. I mean,

yeah, that was you. That's all you, man. Peach Pit After Dark,

motherfucker. Yeah, but I want to say. But we won. That was more important.

Yep, absolutely. And boy, did we fucking, were we sore winners

at that point. Oh, we were not good winners. It was not a good look.

All right, with that we're gonna go ahead and play the show Housekeeping. And immediately

following that on the pirate radio edit, also released

in 1991 and probably going to also very much excite.

Matt. We've got Naughty by Nature with OPP immediately following that.

Ah. All right. And then the Demolition

man multiverse signal eruption incoming. Begin transmission.

I need to now send the transmission to myself to

tell myself to not do this so I don't end up getting

Demolition man out of a bubble that smelled like

three day farts. All right, so I'm sending this out

in the hopes that it will reach, well, me, I guess,

like past me. Not currently, because currently knows that I didn't send

it. But if I send it and then I get it, then I should eventually

work it out that I got it. So anyway, so me, you, me.

Okay, look, I hate being that guy that,

hey, you are my density thing. No, we're not doing that.

But anyway, look, you should know that this is it.

This is line on the sand. I don't know where we are.

Everything is done, right? It is done.

So there's not a lot we can do. This is the final warning, if you

prefer the final countdown.

After this it'll be too late to stop. Right? There's a Mobius

loop now. I thought a Mobius loop was a track by Moby. Anyway, it's gonna

basically just loop through everything and we're gonna go through stages of incremental

annihilation. And basically each cycle will get marginally

smaller and marginally harder to live with. And honestly, I'm not

going through that. I'm not letting it happen. So I want you to go through

all of the previous transmissions, alright? Each increment. I know

it's a lot, it's like nearly 100. But it's important that you look

through that and understand what's been going on. All right?

It's been awful. It's being. Well, this version of you.

I wouldn't Wish if you were me,

but you could be me. Potentially. Anyway,

so regardless of that. So while this version of me is awesome,

your future version of me could be better. So I couldn't

stop it, right? There's a lot of stuff going on. There's chickens, there's cannons,

there's all sorts of just outlandish.

There's people urinating through portals and throwing empties.

You name it, it happened. But what I'm gonna do is

I may be able to give you the information to break

the loop, actually cause a paradox that will

remove humanity from existence.

Moby Loop of Annihilation. That is a track by

Moby. Sure. Loop of Annihilation. Anyway, that's not. Not something for now.

I really hate having to explain this concept. May I upload the

data sets directly to your mind to save us valuable time?

Oh, the song that makes it okay to be a cheating

piece of. Because you're down with Opp. Other people's

privates. Yes, that's not exactly what it means,

but you know, he does call it the Linus at one point.

Yeah, yeah, yeah, you know

me. Yeah, the 90s. What a fun time. Well, we were happy,

we were upbeat. But now I'm going to play something that's going to bring us

down and make us think. Because in 1991, the Scorpions were singing about

the wind of change, which is now going to help you kick the out of

this week and make it your bitch.

Anyway, that's not something for now. I really hate having to explain this

concept. May I upload the data sets directly to your mind to save us

valuable time. So if the battery life is failing,

why would I let you Johnny Mnemonic stuff into my

brain? Because if the power dies, then so

do I. Right? I suppose you will have to use your auditory data receptors

for this process as the monitors draw too much power for the slideshow.

Slide change. No slideshows. Just tlbr me.

The garbage heap of the future where you currently exist is and was the result

of anachronistic artifacts inexplicably spit out of a pocket

dimension intended to be a dumping ground of all of the inevitable outcomes

that would result in humanity self destructing. All of these doomsday

outcomes exist in variable points along the observable path of causality,

locked within the measurable confines of all of the membranes of their

multiple lost realities. With so many dimensions of space,

time and reality, to remove humanity from parameters required

that the pocket dimension existed outside of all current space

time so that it could be Every apocalypse, destruction,

eradication or world ending event captured in an ever widening loop.

Drawing in every origin of humanity to the end of its existence.

Yeah, I don't think your mic's hooked up. Hello? Hello? Alright.

Hello. Hey, now I hear you better. There we go.

Bastard. All right.

Okay. It was Night Court.

Used to watch the. Out of that recording in progress. All right.

Oh hell's yeah. Backup as well. I haven't watched that in decades and

I only ever watched it in reruns, believe it or not. Really?

Yeah, I used to watch it live. I was. When I was a kid.

It was one of my favorite shows. Nice. All right, so I'm obviously

clip heavy as fuck, which you would have been able to be if you had

an English language dialogue. But it is what it is. Yeah, but we'll.

We'll do this show quickly because I have like literally three clips and then the

first third of the film is done. Then. All right, three clips and the first.

The second third of the film is done. It's basically like that where they're like

12, 13. This is how you. This is the way. Yeah. This is how you

get a show. Yeah, this is just how I show now,

so. All right. I'm ready to rock if you are.

Let's do it. All right. Three, two, one.

Spacetime and Reality. To remove humanity from parameters required

that the pocket dimension existed outside of all current space

time. So that it could be every apocalypse, destruction,

eradication or world ending event captured in an ever widening

loop. Drawing in every origin of humanity to the end of its existence in

a non orientable surface that has a half twist, causing those

traveling along it to return to their starting point. But with the orientation

of their existence reversed into their demise. This effectively

truncated individual lives before they existed. Until the Mobius Loop

of annihilation would reach the true origin of humanity. Removing its

inception and leaving an existence vacuum where humanity once began to

thrive. All right, say reason.

Regardless of how any of this goes, we are seriously

right. This sucks hard. So.

So what do we do? Come on, you gotta. You gotta dig me out

of this one. You're supposed to be, you know, my biological

support system. Let's hear it. For the sake of my own sanity,

I will not be explaining this concept again and will simply leave it to

the name the Mobius Loop of an island. The garbage heap of the future was

not the only side effect of the Mobius Loop of annihilation.

We were happy, we were upbeat. But now I'm going to play something that's going

to bring us down and make us think. Because in 1991, the Scorpions

were singing about the wind of change, which is now going to help you kick

the out of this week and make it your bitch on the pirate radio

edit. We need to get you the wind of change.

Oh, Jesus. Stop singing so I can stop this recording stopped.