Cinema PSYOPS

There is very little time or point in an explanation.

To be blunt, the audio came from a timeline and dimension that

has collapsed at a quantum level, rendering it null and void in

terms of existence. Operational time in the dimensional continuum

where the beings that created the audio collapsed in on itself, rendering all

of their civilization, including technology, null and void.

Timelines across the entire continuum are collapsing and changing.

The destruction has a nexus that centers on Cinema PsyOps.

Ten years. Man 10. Ten years.

Ten years. Man. Ten years. Ten years.

Ten. Ten years. Ten years.

What is the most likely way humanity will be wiped out? Maybe it's something.

Or us. Although the way the world ends might be because

of you. And if this is the case, you wouldn't have any control over

it. The global temperature rise underscores a chilling reality.

Our planet is trying to tell us. Something, but we don't seem to

be listening. A recent study has suggested that one. Third of annual

deaths due to heat are directly related to global warming.

On top of the initial flash of thermonuclear

light, which is 180 million degrees, which catches every everything

on fire in a nine mile diameter radius. On top of the

bulldozing effect of the wind and all the buildings coming down,

and more fires igniting more fires on top of the radiation

if they happen to have survived poisoning people to death. On top of all that,

each one of these fires creates a mega

fire that is a hundred or more square miles.

Timelines across the entire continuum are collapsing and changing.

The destruction has a nexus that centers on Cinema PsyOps.

A breathtaking scientific revolution is taking place.

Biotechnology has been progressing at stunning speed,

giving us the tools to eventually gain control over biology.

Solving the deadliest diseases while also creating viruses

more dangerous than nuclear bombs, able to devastate humanity.

It's man returning to the most primal,

violent state as people fight over the tiny

resources that remain. What if the world we live in. Is just a dream

or a simulation? Whether it's a dream or some advanced computer game

you are playing right now, when it ends, you would be what causes the end

of the world. Please do us all a favor. Continue dreaming or playing

this game of life. Because when you wake up or unplug, there's a

chance the rest of us will be blaked out of existence.

Timelines across the entire continuum are collapsing and changing.

The destruction has a nexus that centers on cinema syllabs.

10. 10 years. 10 years.

Oh, and welcome to the 497th

consecutive week of Cinema Psyops. I'm your host,

Cort, the guy that is really starting to wonder if we're going to make it

all the way to the end of the fucking year 10. And joining me in

the fear of what the fuck is going to happen to either of us is

my co host, Matt. All right, over under on what are we for

year 10? I mean, how long we got in year 10? How many more episodes?

Yeah, we're still finishing up the Heisei E. And you

know, we're going to end up. I know. We're not. We haven't. No, we're in

the show era still, and we're going to be in the Heisei era next.

So we're getting close. We have about four weeks before we finish

up the Heisei era. Five.

Yeah. Will we get to the Heisei era? More than likely,

maybe, because we have four weeks left on that. So, you know. But the

Doomsday Clock is, like, within seconds to midnight for the first time ever,

so we'll see. Yeah, it's 89 seconds to midnight, so technically

still over a minute, but it still sounds scary. It's as

close as it's ever been. But, you know, once it crosses the line, we'll be

living after midnight and we'll party till the dawn Till

the morning and then I'm gone. I'm gone. Yeah. Fucking A,

no. Let's talk about some happy shit this week. All right, so first up,

we'll get some of the sad stuff out of the way. We're doing Destroy All

Monsters this week from 1968, and we're skipping two films, and we're

skipping them for very different reasons. First of all, Horror of the Deep

we have already covered. I think that was like episode five or something along those

lines. It's one of the very earliest ones. We covered it as Godzilla

versus the Sea Monster, so that's why we're skipping that one. And then Son of

Godzilla, we're skipping this because we found

out that Matt and I both don't like vanilla to begin with. And then

secondly, Son of Godzilla is not a bad film at all. I actually do feel

bad about skipping it. But the reason that we're skipping it is because we're not

Manila fans and we decided not to do this one. And I wanted to get

in all three of the Daimajin films because it's a very different type of

Kaiju film, and I wanted to make sure that I made room for them.

So that's why. There you go. Those two films is to be able to get

all three Daimajin films in Here and then still fit within the year

10 of all these Kaiju coverages. There's a few other films I end up

doing later on from Toho as well, like some of the Mothra movies

in the 90s. And in order to include a lot of that stuff and get

a bunch of different flavors of Kaiju films, I unfortunately had to drop out some

of the Godzilla films. And seriously, the only one that I really regret is Son

of Godzilla, because we haven't done that one yet, and I kind of brought it

up. I think we should probably do that maybe as a commentary

once we're done with all of this. And before. Before we get into the next

series of stuff that we end up doing, where we do, like, the runs of,

like, 10 or whatever and then just take a break, you know, when we stop

doing consecutive episodes. I think before we really kick into it proper, we should probably

do maybe even Patreon only versions of some commentaries of

some of the films here and there from the Godzilla series. But definitely Son of

Godzilla should be the first one. I think we should just do a commentary because

we always have fun doing commentaries. And then we'll release it at least to the

Patreon so people can watch it so that that coverage will

be done for Son of Godzilla eventually. What do you think? All right. Sounds to

me. Yeah. And again, it's not. I'm not skipping this one out of,

like, I actually really like it. There's some really hip and fun stuff, and I

think it would actually make a better commentary anyway, so, you know,

let us talk Destroy All Monsters, which is a big granddaddy of all of these

motherfuckers to come before it. So we should probably do it.

This is like the big one. Destroy All Monsters is all of the monsters in

the universe all in one film. You got. It's all of them. Yeah.

It's great. I love it when they do this in Toho. Obviously, it's super expensive,

and they got to kind of cut some corners somewhere to make it work.

But in this one, I think this was one of the ones where

they decided they were going to stop making Godzilla movies, so they wanted to

make this big one. Right. This was going to be a send off. They were

going to stop. They didn't end up actually stopping. They ended up making All Monsters

Attack after this one, which we will not talk about. But Destroy

All Monsters still is pretty much at this point in 1968,

the pinnacle they were building up to this point. Son of Godzilla has a little

bit of a more Of a kids movie feel to it. Destroy all Monsters has

a little bit more of that. Like kids monster of the week TV shows

with lots of blood and stuff like that. That in it. We'll talk about it

more when we get into it. But I just kind of wanted to lay the

groundwork and then also say that, yes, I chose to cover Destroy all

Monsters because I wanted to make sure that I got to talk about Destroy all

monsters. Yeah, well, listen, I understood completely why

you chose to do this for yourself. Yeah,

I'm pulling a selfish on this one for good reason. Yeah, no, hey,

listen, we all get those, you know, everyone gets one. All right,

so because this movie was released in 1968 as we've been doing

all along, and we're going to continue to do all songs released also in 1968

as well. So up first on the pirate radio edit is the

band the Purple Gang with Granny takes a trip immediately following

this. This will keep it fun. Where do you think you're heading now,

chief? We're gonna meet up at the evac. Center north of here.

Since this farmhouse is cleared out.

That was from our sister station WGON in Philadelphia.

I have no idea why it's flying over this part of the state. When they

went dark earlier this morning. Listen, listen, Billy, it's all going dark.

I'm gonna try my luck on. Hang on a second,

Billy. Hey, hey. What the hell is Matt doing

there? Wait a sec. Oh, God damn

it, Matt, knock it off. I don't care how

pretty that thing looks. Is she dead?

I don't care if she's naked. Can't you see the toe tag?

Oh, my God. Okay, listen,

Vince, Nick, go over, drag him off of

her, get rid of her. Shoot her, throw her in the fire.

Drag Matt off of her and cuff. Him and put him in the wagon.

Yeah, I'm gonna arrest him. Desecrating the corpse.

Hey, it might be dead. We might be burning them,

but they still deserve better treatment than that.

Unbelievable. It's bad enough we gotta deal with looters

here, but now we gotta deal. With preverts as well.

Sorry about that, Billy. Anyway, hey,

listen, I'm gonna try my luck on a family owned

patch of land out on Plum Island. Now we can scoop

your family up if you want to come. Hang on. I'm running

this old last tape out. Let me try for an old family cabin in

the hills in Washington county once I. Suit yourself,

Billy. I just hope to see you on. The other side of this.

My daughter is being flown to Florida to work with the military

to try another way to resolve this. I got a short wave in the cabin

and we got a generator. I sent my wife there already with my

brother and his family. It's gonna be tight, but we can defend the place

using some of the traps the loggers up in the Bedford area thought up.

Sure hope of people in them Washington bunkers you say are

out there. Get this fixed at damn. Plum island has

had a feud going on that is dumber than the Hatfields and

McCoys in about as long. I can't take too

much more of them back where pot lickers. My Sarah

took some risks to give me a way to talk to her. She has a

great team and a unit of good soldiers defending them in that bunker.

They should have something worked out on dealing.

One of the things that I absolutely love, like, absolutely,

absolutely love about these, like later 60s sort of acid rock

songs is when they include a kazoo to sort of be like tongue in cheek

and fun. Because for whatever reason, I'm like, no, that's working

for me, man. I'm digging. Yeah, I like a good kazoo.

Yeah, Kazoo is a terrific, terrific instrument to include in your

band if you have people that aren't really multi instrumentalists and

you want to get a sort of different sound. And then also you don't take

yourself too seriously because kazoos automatically win people. Over, Believe it or

not. I believe that. Well, speaking of things

that automatically win me over, let's talk about Destroy all monsters from 1960.

About time. I was about to say this is your job. All right, so the

first course 30, starts with the UN Science Committee spaceport.

We see the sign that actually says that and then we get some expository dialogue.

So that's our first clip. The year is 1999.

The United Nations Scientific Committee has established an exploratory

base on the moon. A rocket base is also functioning on

the earth. And spacecraft leave for the moon on a daily schedule.

Moonlight S53, standby.

10, 9, 8,

7, 6,

5, 4, 3,

2, 1,

0.

So this film takes place 30 years in the future from when it

was actually filmed. 31 odd years. And they have a view of

the future that we definitely did not get because this is way too upbeat.

And humanity has their shit together and they're working together. I mean,

if you really think about it, 1990, it wasn't. I mean,

we didn't have the Internet or nothing. Life seemed to have a lot more simpler.

But then again, that's because in 1999 we're all in our early 20s.

So you didn't really think about life after that, you know what I mean?

Oh, there was Internet, man. I was on the Internet pretty well. But it wasn't

as. I. I meant it wasn't as the Internet wasn't what we

know it today. You didn't carry it around to the palm of your hand?

No, there weren't smartphones and. Yeah, there weren't smartphones and there weren't.

Wasn't social media yet. So you didn't get what was

happening across the rest of the world. You relied on your local news still

for all that. The Internet was just for, you know,

trying to buy and porn. Yeah. I kind of wish that 99

was like it is in this film. That would be really nice. It was a

hopeful view. I mean, you know what I. I wish now was like,

what, 1999? Because I didn't have a bad time in 1999,

but now I wish it was like 1999 in this film.

I just wish it was like it is in Star Trek. Oh, my God.

That is the best one. Yeah, that is the best. I always say it as

both a Star Trek and Star wars nerd. Star Trek is

where I'd want to have adventures, or Star wars is where I'd

want to have adventures, but Star Trek is where I'd want to live.

All right, to get back to the film, the rocket takes off and some terrific

model work. And this transitions into the opening credits that

pad out the runtime, but are also very important to tell us who everybody

is. But it really takes a long time. It really does. It's a lot of

padding here. But you know what? We are getting to

know everybod. So, yeah, there's a lot of special effects work

and everything, and all those people deserve credit 100%. I'm just

chomping at the bit to get into the film. Yeah, yeah, you're just. You're just

excited to get into it. Yeah. But, yeah, everyone needs their recognition.

These credits end, and additional expository dialogue continues

in our second clip. An underwater base was recently established

near Ogasawara island, and scientists are studying

the habits of marine life. New kinds of fish are being bred here,

while on land, all of the Earth's monsters have been collected and

are living together in a place called Monsterland.

Godzilla,

Rodan, Angelis,

Mothra, and Gorosaurus.

If the monsters try to leave the spaces provided for them,

a special control apparatus goes into operation. They are

confined within scientific walls, each according to their own

instincts and Habits. Rodan can fly within a lim

area of water that is shelled by a magnetic wall.

There is food in abundance here, and the monsters are free

to eat as much of it as they please. Everything is automatically

controlled here from the control center that is situated deep

in the earth. Is CHX alright? Yes, it's okay.

That's good. The monsters look cute when you look at them from this angle.

Yes, they do. Well, I'm glad you agree. I was afraid they would frighten you.

Oh, no. Now your job will be to help help me make a thorough study

of them. Right. Kyoko Manabe, a long distance call is waiting

for you on panel number four. Go ahead. Hi.

Well, it's Katsuo. Where are you? I'm at the moon base.

What? This phone call costs a lot. Oh. I've been very worried

about you on that island. You have, huh? You can see that everything's

fine, right? I really wasn't worried about you. I was more worried about

Godzilla. Oh. But I really think that monsters

are here too. Is that so?

Well, maybe. I can't say for sure, but it worries me. Can you put Dr.

Yoshida on the phone now? The chief's in Tokyo now attending a committee meeting.

Well, when he comes back. Hello?

Hello? Hello? Hello?

Power station? Power station? This is the operator speaking.

Power station? What's wrong? What's going on?

I can't understand. Oh, wait.

The control apparatus is out of order. What's causing this now?

We'll investigate this right away. Right. Quick, check out the trouble circuit.

No good. What's wrong? Huh? I don't know. Sir.

Doctor. Oh, cats.

During the clip, we get some terrific suit emation effects, including Rodan

snagging a big old shark like creature. That's one of the fish that they've been

experimenting on with the new sea life. And then he eats it right out of

the ocean. Even the helicopter landing in the clip was well animated for

a model. It actually looks really cool. They spent some fucking money. They spent some

fucking time making this stuff and it's paying off. It looks horrific.

Yeah, it really looks nice. I'm. I'm pretty. I'm pleasantly surprised.

At the end of the clip, a strange yellow gas starts to fill the main

operation room we were just in. And then

the film cuts on. The sound of Godzilla roaring in pain to

show that he and all the other monsters on the island are also getting hit

by the noxious yellow gas and are also suffering for it.

They all start collapsing. Rodan falls down on top of Anguirus and

they Both seem to lose consciousness as the film cuts to the whole island

covered in yellow gas. Again, very cool model shot of that

island. Looks great. They cut. Yeah, yeah. Oh, go ahead. Great looking,

well put together stuff here. They cut from that. This is why everyone at the

beginning got their props. They cut from that to

some satellite dishes. And more expository dialogue in our third

clip. Suddenly all communication has been cut off from

Monsterland. The United Nations Scientific Committee has called a special

meeting in Tokyo. Is now in the process of establishing contact

with Ogasawara. Number six has.

Ogasawara. Good. Amplify it. Right.

No good. Someone's jamming us once more.

Try to get them again. Doctor, this is deliberate interference.

I fully agree with you. But just who is causing this?

Doctor, look. This is terrible.

It's changed. So maybe volcanic action.

Now amplify it again. Right. What caused

all that destruction? Most people's lives are in great danger.

This is a special broadcast from Radio Moscow.

This is Radio Moscow reporting. Rodan has suddenly attacked

Moscow. It's Rodan. The attack started at 11 o'clock and now

he is destroying everything in the city. Russian leaders have called out

their defense force. There is no doubt this is the. Same Rodan who

comes from Monsterland on the Pasawara Island. He's in

musket. What's gone wrong with him? This is Paris.

Radio Paris. Reporters. This subterranean monster

has just broken through the ground. Pacific's most famous landmark

is about to be destroyed by the monster. People of Paris are holding

their path. Oh, whoever paid there has

been destroyed in love gay. It will be destroyed.

And the has the parry will be destroyed. The major

cities in the world are being destroyed one by one by the monsters.

Moscow by Rodan. Beiping by Mathra. And London by

Manda. Paris by Baragon. Here's a special news bulletin.

Godzilla is now in New York City. The city's been invaded

by Godzilla.

Doctor, what do you think has caused this? How did the monsters

escape? Couldn't you foresee this? We are not trying to

conceal anything from you. The truth of the matter, gentlemen,

is that we don't know what has happened. Is that true,

Doctor? All I can say now is what I said

20 years ago. Remember that typhoon? We must be on our guard.

Quiet. Quiet. We know nothing. But every one of us

fears the very same thing. Trying to find the answer to this.

But Dr. Yoshida, Monsterland is close by. So why wasn't Tokyo

attacked? I'd like to know that answer myself. Please explain. Excuse me.

I'm tired. Moonlight SY3 Moonlight

SY3, this is Moonlight SY3.

Over. Return to the base.

Why? What's wrong? You'll find out. Hurry and come back with

this. We see the rocket taking off from the moon. And the main science

man in the ship takes notice of a typically shaped flying saucer

that seems to be glowing with either UV light or is Is radiant black

in some way. And the dude opens his talkie hole.

So that's our fourth clip. Hey, catch it.

Right? We can't let it get away.

But we have to return. Hold on a

minute. That's a UFO out there.

This is too dangerous. What is it?

Moonlight SY3? Moonlight SY3. What's wrong again?

But what's going on down there there? Is it some kind of an emergency?

Is that why they called and asked for our help? They didn't ask us for

help. Then what do they want? They want us to return.

We'll guide you in a few moments. Landing place is monster land.

You'll go underneath the ground. I know that you're the only people who

can do this job. Watch out for possible trouble, huh? Should we

be armed? Yes. Watch yourselves. All right,

we're on it. We're on the guiding beam. All right,

let's go everyone. Get ready to land.

Reverse engines. Okay, hang on, everyone.

Some really cool sci fi spaceship shit in the animation

during that clip, by the way. You gotta watch this fucking movie. I'm not gonna

be able to get into detail about all of the great special effects that happen.

I just try to tell you that they're great when they do the monster fights.

However, in the monster Kaiju ash. And action. I still give you a

step like step by step, play by play as it's happening as best I can.

I mean that's just gonna happen. But seriously,

all of the model and work in this is really fucking good for

these Kaiju films. Like it's a step above all the other stuff that came before

it for sure. I mean, especially for as many Kaijus as you're

putting in this. It seems like they stopped a lot of money into this.

Well, a lot of those suits are being reused and were repaired. So they did

save some money. Like Gorosaurus is the Gorosaurus from King Kong

escapes that we covered earlier. That's the same Gorosaurus suit.

They did kind of, you know, soup it up a little bit and make it

look nice. But it's the same suit. So they saved money that way. But they

spent some serious cash on these models. Like especially all of this ships

yet, like there's a ton of really cool spaceship in this.

That looks great, for sure. Yeah, it's. It's pretty fucking.

It's pretty good for a Kaiju movie. Yeah. All right. So at the end of

the clip, we watch the spaceship land into a cavern that is barely big

enough to house it. And it touches down and they report in in our fifth

clip. This is Moonlight SY3. We're now at the entrance of the control

center. Good. Some creature has taken over there. Your job is to find out

what it is. This is dangerous, so watch. Step right. Gas and acid.

They check out all right. Good. Let's go.

Careful. Right. Hey,

look.

Well, welcome back to Earth, Kyoko. Doctor. Have a

good trip. What's going on around here? I didn't think that you'd really come here.

Can you explain this, Doctor? Don't get yourself so excited. I want

all of you to cooperate with us. Things will run a lot smoother

then. Cooperate? What do you think you're talking about? You let all the

monsters loose when the chief was gone. No, you're wrong. We're controlling them from here.

Remote control. Watch the screen. Mothra is now near Beiping.

Godzilla is here,

and Rodan is flying.

If we want to call these monsters back, it's a simple process.

Now I'll introduce you to the inventor of this unit. Follow me.

Come this way.

I've been waiting for you. They must

have questions for you. I want you

to know that I am not your enemy. It is my dream

to build a new scientific civilization

on Earth. With the help of you people, you've. Just destroyed some of

our major cities. Now, who are you?

Katsuo, why don't you let her finish her story?

Listen, Kyoko. In order to build this scientific civilization,

we have to sacrifice some lives. What's that? Where are

you from? Hela Keelak

from outer space. There are many small planets moving

between Mars and Jupiter. And this lady comes from one of them.

Do you really believe that? Yes. I. I highly respect this

person because of her scientific ability. The remote control unit is just one

example. She's truly brilliant. A living genius.

Okada, come back. Better give up.

You cannot penetrate that wall. What will you do?

You're coming with me. Where are the others? They're all right.

Why don't you leave them alone? You better call them. Don't bother them.

Will you join us? No, I won't.

And I'm taking some of you out of here. The captain's right.

Now get ready to leave. Now. Move.

Hey, it's gas. Quick.

Stop.

Hurry. Up.

Oh Captain quick.

Here's the masks.

Catch her.

Some terrific Kaiju smashing action is going on

in the monitors during that clip by the way. And at the end of the

clip they try to gas and control the space crew that just landed there that

were there to do the search and rescue. And as you heard they mask up

and start to fight back. But the lady is still mind controlled and

escapes while they tackle the male mind controlled scientist that

was leading them around and drag him back to their ship. The main hero dude

goes back into the gas laden facility shouting Yoko.

Which is I assume the lady who is still being mind controlled that ran off.

He has a buddy backing him up as they get into a laser shootout with

what feels like the bulk of the mind controlled crew.

And that is actually not that bad of Bond inspired

shit that they're doing with this shootout. It's actually kind of fun. Yeah, it was

really starting to feel a little GI Joe with nobody getting shot until

a dude takes a gut shot and has a bunch of blood come spilling

out. And then immediately after that another is headshot with a blood spurt.

I love that this is what passes for a kid's movie in Japan in 1968.

I just fucking love it. Yo Joe. I love

that. That's okay. That the kids can see people get shot in

the brain pan with blood spurt. And it's like ok, hey come on.

You know these kids. Everyone's got to learn. At the end of

the shootout, the action hero dude flees and we see

the lead mind controlled science dude being driven somewhere in a

car. And then they cut from that to some lady spying on a cliffside hotel.

We've seen her earlier. She's one of the people that are in charge or being

mind controlled. The film then zooms in on the hotel. Then they cut. So we

see the dudes that were with that doctor have him in a hotel

room. In that hotel. They start to chit chat and interrogate.

In our sixth clip. What's happened to your doctor? Have you been brainwashed?

He won't answer any of our questions. Something's wrong with him. Dr.

Ohtani, if you want to be saved, you have to answer our questions.

Understand? I think that he's faking. He's keeping quiet because he knows too much.

The Self defense force is standing by to protect us. We've checked

out the island and no one's there. Tell us where their new base of operations

is and the courts will go easy on you. Don't you care what happens to

you now? What Now,

Doctor. Don't touch him. It's you.

You're all slaves. The people of Kilak, come with us quietly.

You won't be hurt. Now come on. Where are you

taking that, man? You be quiet. I think we

should use these on this fool. The special.

That fucking dude totally jumped to his death and hit a

stone face first. At the end of the clip, the special police arrive and

a shootout and an escape by our science hero dude happens

as the mind control bad guys heroically flee for their lives.

Heroically flee for their lives. Can you heroically

flee? Yeah. If you're Sir Robin, you can bravely run away.

Yeah, that's where I'm run away. That's where I'm pulling it from.

The minstrels that are always singing about how Sir Robin and bravely runs away.

We then cut to the dude who jumped face first getting his head cut

into. And the doctors start moving some mouths and talking around

with their talkieholes. So that is our seventh clip.

Scalpel. Was he hard of hearing? Oh, it's not

a hearing aid. It's hard to tell what it

is, but I think it's some kind of metal. I can

tell you right now that this is some sort of miniature transmitter. But why

would they put something like this inside his body? Doctor, is this how

he controlled the monsters? Possibly. Ohtani. The monsters were

being controlled by the same device. That's right. And those key lock people were

probably afraid that we'd find out about this. They must be sending radio

waves from somewhere. We can find these waves. We can jam them.

All right. I'll begin my search for the source of the waves from the sky.

We've got something. Check out where it comes from.

Right. All right. So that clip takes us over the first 30

minute mark. And we are now one third of. Film in good stuff so far,

like we said. Good, good models. Money was spent,

right? It seems. It's a good movie. Good Kaiju movie.

It starts off with showing you all of the monsters that are going to be

in the film on the island. And it introduces you to them all. And it's

been 30 years since any of them, you know, have been shown in any

other movies, supposedly with this film jumping ahead as far as

it does so. The fact that any monster that exists can get rounded up and

held on this island and that they all coexist on there because there's more than

enough food, and they all just kind of carve out little territories that they hang

out in, you know, it's. It's really Neat. I really like that idea. It's a

great setup. And obviously they end up calling it Monster island,

but they call it something different on this one. I think in the original Japanese,

I think it is Monster island still. I mean, they might as well call it

Monster island all this time, but that's basically what it's going to become later on.

Yeah. And I like the idea that a lot of the

fights that are going to end up happening, they've been putting on an island to

save money so they don't have to build film sets. They can just build like

an open plane with like some mountains or rocks in the background,

and then just let the Kaijus fight. And it saves them a little bit of

money. And you're really not caring because you're just there to watch

the Kaijus fight. You know, like, if it's just one Kaiju, you want them to

be smashing some buildings. But if you got somebody fighting Godzilla,

all you really need is just a believable background that sells their scale.

And that's it. It's like. It's a nice little.

One of my turns is it's

like the Humane Society for Monsters. Yeah, yeah, it's just a.

It's a, like. Yeah, I know what you're talking.

Reservit, not reservation, but whatever.

Conservation, like land or something along those lines. For life.

Yeah, but for monsters is something similar to what they're doing.

And I like the idea that that's how we found where we can coexist with

them. They basically try to keep them from leaving the island.

And they're using subtle ways of controlling them. And they just have 24

hour monitoring and they happy where they're at. You know,

it's not necessarily a zoo. It's just like a wildlife preserve. That's the words we

were looking for. It's a wildlife for monsters. Anyway, you ready to get into

the next 30? Let's do it. All right, so the second 30 or the second

third of the film starts with a cut from the lab and this

discussion of the signal in the lab and the spaceship

to some dude collecting river rock and maybe prospecting

as well, as he retrieves and drops what appears to be a

rock that clangs like some kind of metal when it actually hits

the other rocks in his bin. That leads to our eighth clip. The waves

are coming from a mountain area.

I'm busy. I don't know what kind of a stone it is, but I don't

have any time to take it somewhere to have it examined. Won't you?

Help. Officer. Huh? Look up

in the sky. Up there. Look. Oh.

Oh. What is it?

Oh, It's Rodan. It can't be

here. What is it? That looks like the moon rocket

SY3. Huh? Maybe I

told you that my young son is on the moon. Yes, I remember.

Is he all right? Yes. Huh?

Huh? What's wrong? We're checking

a wave garage. Thank you. Look. He's using radar.

And now it has finally been established by the members of the United

Nations Science Committee that this object that looks like a stone is

being used by the people of the planet Keelak. They have been manipulating the

monsters and throwing the entire world into a state of mass panic.

It was found in Dover, in Spain, in steeple

of churches. Also, it was found in the Alps in

very large chunks of ice. In Guam,

it was found inside of a coconut.

Now Dr. Yoshida will give us an explanation. This object

is a special sending and receiving device that's limited.

And we have estimated its power in terms of kilometers. We can

assume the monsters are manipulated by these special machines.

Next, in regards to the members captured by the people of Kilak,

we presume that they have all returned to their own countries. With your cooperation,

we will find them very soon. These men are dangerous. Minoru Kudo,

age 35. Tetsuisa, age 30. Hirokada,

age 28. Kyoko Manabe,

age 23. Please watch for this girl. Also, Michael Dawson,

age 32. He's a British subject. Elmer Hughes,

age 29. You're all right. Go ahead.

Excuse me, we have to check your. Sir, thank you very much.

Go ahead, please. Thank you. All right, go on.

That siren going off sends citizens into a fleeing panic. And we

see a tremendous miniature city. As Rodan flies, flies in.

There is some more dialogue about the panic. And that is our ninth clip.

Rodan is now flying over District 7 and 8. Everyone take

shelter at once. He's come at last. Yes, the people have all taken

shelter. That's right. An emergency. Godzilla is now in District 1.

What?

Had to have Godzilla's roar in there? I mean, yeah, you always have to.

I did it in mine. Godzilla hits ground and is stomping around a

really nice dockside industrial bay. When the film cuts

to Rodan flying around a downtown area cityscape.

His supersonic flight collapses a few buildings. And they cut to Godzilla

kind of standing in place without smashing anything. When the science guys announce

the arrival of Manda, which resembles a traditional

sort of Japanese or Chinese dragon, what it kind of looks like, it's like more

elongated and Snake, like with a few legs, it wraps

itself around the monorail that goes around the town

and Godzilla decides to get after it himself as

he does a little factory stomping shuffle before roasting the structure

with an atomic breath blast that lights up a huge fucking fireball

right next to a guy in an already hot as fuck rubber monster suit.

Seriously, this is fucking stupidly dangerous and outrageously awesome

all at once. Thank you for almost killing yourself for all this.

It really makes us feel good. It's just fucking punk as fuck,

dude. I fucking backed it

up and watched it again because doing notes ruined it the first time. And I

actually missed Manda snapping the monorail as Godzilla did the

stomp the first go around when I was writing the notes. So I'm glad that

I did. Yeah, that's nice. Godzilla then walks through

and I mean right the fuck through the

rest of the factory, causing thick black smoke to envelop him.

He then pushes over and walks through a tenement building and

smashes his way through a section of monorail to roar out

at the world. They cut away from these giant monsters fucking

shit up to a control room of some sort. With some more dialogue

and our 10th clip. Get ready to attack.

Get ready to attack now. Ready.

Fire. With the command to fire, they commence a

hellstorm of ballistic missiles that appear to be designed to

penetrate giant monsters. Like a bullet is for human flesh.

The hellstorm of these scary things does seem to hurt

the monsters, but also does a metric shit ton of damage more

to the city than anything the monsters did while they were there.

Yeah, right. Godzilla presses on through this barrage of missile fire that

is in reality basically just fucking fireworks being shot directly

at the actor in this fucking suit. Jesus fucking Christ. That is

stupidly dangerous, but fucking fantastically awesome at the same time.

I mean, it looks. It looks great. Yeah, it's fucking terrific. And kudos

to the suit actors for putting up with this shit. They are fucking punk as

fuck, man. Yeah, but. And then they get to go home and

say, you know, I'm Godzilla. What are we doing?

They show Rodan also pressing on through this hellstorm of ballistic

missiles. The film then cuts to show Mando working its way through

the ballistic missile hellstorm as it shows all three in the same

area of a set that is definitely being destroyed way more by

the military than what the monsters were doing. Yeah,

right. Military kind of was just like, ah, you can't fuck up our

towns. We're gonna fuck up our towns. It cuts

from that to a control room and our 11th clip I didn't.

Think Tokyo would escape this terror. But Rodan,

Godzilla and Manda are here at the same time. That's correct. New York,

London, Moscow. They were all very lucky.

An emergency. An emergency. Mothra has appeared

in district number five. With the end of the clip announcement of

her. We see Mothra push through and I mean right the fuck through

a building. There is a shit ton of ballistic missile hellstorm

being rained down upon all of the Kaijus that

now total four within a downtown smashing area with

even more ballistic missile fire destroying things around them. And it's at this

point where I go, this is where Rampage was created. It has to to be

this. Yeah, right. This, my favorite part of

the rampage video game was eating people out of the windows. You never really

see that in these Godzilla movies. He doesn't eat very much. No, they don't eat

people. And they should. It erupts into

huge building explosions after this and then fire before

resting on an extremely somber toned aftermath pan of the horrendous

devastation that is left behind. It kind of dissolves into that where you see

this horrendous devastation and then it pans across the ruined city and.

And it's fucking super fucking sobering. And almost

kink shames you for liking the destructive effects so much in the first place.

Yeah, don't kink shame me man. For enjoying destruction. How dare you. The sweeping

pan of the destruction ends in a sign that announced it was some

type of defense compound. They cut from that to a

staircase one presumes is inside this compound. And that is our

12 compound. The damage is horrible.

Yes, Tokyo is in ruins. There were four of them.

The people of Keelak are now set up in Izu.

Izu? The hot springs are dried up just. Like what

happened in Monsterland. You think there's some sort of a connection there?

They've also got another monster. Paragon.

While all of the other large cities were being attacked, Tokyo was left alone.

You see. They turned our attention away from Japan. Built a

new base in Izu. I see. And now I'll bet that they're using something new.

Right. That's why your job is to find out where they are. You will go

underground with your spaceship and if you're lucky,

you will find them and put an end to these. People once and for all.

Well, hello. How are you? I'm fine. And you? Hello.

Choco Manabe. You. Let's go to another room. No,

I have something I want to say to everyone who's in this room. I know

what you'll say I've heard it all before. You don't want to hear me,

but maybe the other do. Especially the newspaper people.

All right. Where are you from? From the base at Izu. And what is this

base? It's a base of operations for all the people of Keelak.

Did you come here to deliver a message to us? Yes. If all of

you agree to let them stay here and will abide by their laws and rules,

the monsters will go back and live in peace on Augustawara Island.

Unless we agree to these terms, the monsters will destroy all of us.

This is just like blackmail. I am talking to the others.

You keep quiet. Come here. What do you want?

Move. Being controlled by those people.

Keep still,

doctor.

Well, this is what's controlled her. Dr. Otani was

murdered, and others at Monsterland are being manipulated just

like this. Doctor, we will investigate. We're short of time.

Kyoko. Kyoko, Wake up. Kyoko. She's all right.

And now we have to help her out. Take it easy. Listen,

you've got to help. We have to know where this special Key Lock base is.

Key Lock base? That's right. Where is it located? In Izu,

I think. I think that poison gas.

Her memory's a complete blank because of them.

All right.

Okay. First things first. First, what that lady was proposing

is extortion, not blackmail. When they threaten you, harm or

death without getting payment, like if you don't pay them, they're going to hurt

you or kill you. That's extortion. Blackmail is when they have information

or pictures or something that you don't want to get out

that they will release to the general public to embarrass and. Or,

you know, show that you're a criminal or something that will harm you that way

with information. Extortion. So what a pervert you really are, right?

That sort of thing. Just wanted to say that's what's going on there. So it's

extortion, not blackmail. Yeah. Yes. Also, how fucking insane is

it that that dude rips the lady's earrings out like that in a kid's film?

Like, what the. Yeah, dude. Ow. Anyway,

they cut. I didn't really need to see that. Anyway, they cut

from the end of the clip to a full miniature military vehicle rollout,

complete with that crazy rocket ship that we've seen earlier. There is an

admittedly dated but still very effective force perspective

composite of people walking around a parked model vehicle

and then standing in front of it, only to run back around it and then

a out of sight. I really Dug that. But you can kind of tell the

difference because the compositing isn't quite perfect for the green screen, but it

still looks pretty fucking good. Yeah, it's still. I mean, like I said, there's not

a lot to be complaining about as far as effects go in this movie.

Everybody prepares to fire. The rocket tries to land. Godzilla blasts

the rocket. They throw in an emergency thrust and get right the fuck out

of there. Godzilla seems to gloat about that a little bit at this

point. And then the tanks and missile launchers move in

and fire another nonstop hellstorm of ballistics at

Godzilla. Once again, a shit ton of fireworks going at the suit

actor. And my God, is it fucking cool. Yeah,

right. Some tanks move in, get a little too close, and then get

stuck somehow. I think they say the aliens are blocking them or whatever, and then

they get stomped by Godzilla. They mention Anguirus,

and then he appears and destroys quite a few tanks himself. It cuts

from that to the spacecraft and some dialogue for our third

tank clip.

Angus. Angus,

why that.

Stop at once. Stop right now. Oh, no. Well,

let's go back. So they've won again.

Hey, let's follow. Right. It's headed towards Fuji.

This has something to do with those key locks. Hurry. Check out its bearing.

Right, 15 degrees. Captain, let's not

run away. Let's fight it. We'll do that later on,

but right now, let's get out of here. Open all

rockets. Open all rockets. Open them all the

way. Cannot do it, Captain. Shaving. Got enough power?

Yeah. Open. Open them all the way up. Yeah. So Rodan

comes up to attack when they pursue that flying saucer.

So they go full throttle, all rockets at the maximum burn,

and actually get out of there at the speed of plaid, saving their lives.

Base, they've gone plaid. They make

noises with their talkie holes. And that is our 14th clip.

Keep doing that. That's funny. Rodan was our escort,

but we didn't find their base. Well, we have some idea

of where it is. If we investigate the area, we'll find out where the key

locks are. Forward.

Scatter. Scatter. Hurry.

You all right? I'm all right. At the end of the clip,

the investigators get run down by Godzilla. And there are terrific

composite shots of the suit actor in the background with the investigators

running away in the foreground. Super cool stuff. Especially when three

of the main heroes hide behind a fallen tree. And then the suit

actor walks up into the background and you basically see

them moving in the foreground. They match up the composite. It Line really well with

that trunk to have Godzilla standing there in the suit. And it's just very

cool stuff. It's super cool. Oh yeah. Godzilla stands in

front of that log with the main men hiding behind it and roars before

walking off. The men then begin searching again and find a large.

I'm just gonna say it. Vulva shaped boulder. I mean,

that thing was looking banging. I'm just saying. Yeah. That has air

flowing out of it and it turns out to be an opening, if you know

what I mean. And I think you do. And it's the opening that they were

looking to get into. And so am I opening. You're gonna penetrate.

Yeah. Because let's face it, man, that the way that that opening

was looking, that is a place that I'm gonna want to get in there.

Because that rock looks sexy. Yeah. Once they are inside

the cave, a rock rolls in front and blocks off the cave entrance.

And they are trapped. So they discuss it with their talkie holes in

our 15th clip.

Be careful. It won't move. This is their cave.

All right. Now let's find those people. Right.

All right. Step back. I'll shoot. No good.

Welcome. I'm glad to see you all again.

And now you will finally see our

base. What's that? I lured all of you here today because

I want to tell you something. You lured us?

That's it? Yes. What you just saw is the same spaceship

that you saw near the moon. So now you're

convinced that we're from outer space? That's right. What do you

have on your mind? Peace terms. Peace terms.

I want Major Tada to listen with care.

The Earth does not belong to you people.

Fuji's secret underground area belongs

to every man, woman and child in the Kilak race.

And if you fools intrude on us anymore,

you'll die. What?

Let's go. Right. Meanwhile, a new control center

has been built on Ogasawara Island. Every effort is

being used to construct a machine that will bring the monsters under

control. Oh, it was the moon.

The waves came from there.

Now we will stop them. We won't land. We're not

going to stop fighting until we're rid of those people. Let's go over the plans

again. Well, I'm ready. Look at the map. Right. You will fly.

Just plan. Right on target. Very near Cassini Crater in Alpine Valley.

Be sure and watch out for UFOs. Keep flying low. Right. We will.

We'll approach from the left side. Then we'll pass a mass

of vapor. Then by the west slope of the alpine ridge.

Then we'll move north towards a swamp and arrive near

the crater. It looks like a ufo

and it's coming right behind us. You see it?

Yes. It means trouble. What now?

Does anyone want to turn back?

Let's go on. We'll win the battle this time.

All right, let's go. Time is running

out for the human race. Stop jets.

Stop jets ready, everyone?

Here we go. Descend. Descend.

Stop. Stop. Ground car ready? Ground car ready.

Fuel off. Fuel off. Cooler ready.

Cooler ready. Time's running out. Hurry up.

The temperature's going up. What's wrong? No good.

At this rate, the fuel tanks will explode.

What now? It's too late. To the car,

quick. Stop.

Stop. Get ready to fire. We're ready to fire.

Fire. Sir, SY3 is now in combat

and they're near Mount Cassini. All right, let's get in touch with the moon.

I hope they're winning. We can't tell what's happened yet. We'll send a report as

soon as we know this is the moon base. Go ahead. That's enough.

Oh, they fail, then we'll be attacked. All of the space will be completely

destroyed. Stay alert for anything. Right. Let's go.

Now, you three, come on. Follow me. Right. The others, wait. Yes.

Oh, look.

With that, the cave opens up. And they walk their happy asses back out

of the cave, Barely inconvenienced by this show of force and These threats,

the ultra 60s space alien ships. And base has some

terrific matte paintings and model work. The silver head

wraps and capes motif of the aliens, however, is pretty underwhelming.

Yeah. And it is what it is. Yeah. And at the end of the clip,

the spaceship lands in the alien cave. Base. Base. And it is immediately

onset by humongous flamethrowers on all sides. As you hear there

at the end of the clip, they prep the ship to basically shut

down so it doesn't blow up. And they escape in their landing vehicle into

the caverns of the alien moon base. They start firing on

the force field with some lasers. And then we end on that

main base Commenting on the situation there at the end of the clip. The moon

base dreading the doom they face, and the landing crew

out for blood as they exit their vehicle and attack the alien

base. And that takes us just past the end of the full

hour mark. All right.

That was a lot, man. I had to get that all out there. There was

a lot going on there in that clip. Yeah, yeah. No, you're right.

I don't know if it will be in the offshoots or what? But Cort was

like, you like talking to movies that you watch even at home? Because I was,

I was mouthing off to the clips and I go, yeah. And when

the guy was like, be. In there to pad the episode. Just like me interrupting

you is of course. And then when the,

when the guy was doing the whole like, all right, release the valve, release the

valve. All right, firing engine, firing engine. I just kept going,

wells, watch. I go, why are you copying me? Why are you copying me?

Stop copying me.

She goes, the are you. Because I have headphones in. I'm laying in bed.

She goes, what the fuck are you doing? I go, sorry.

Oh, I'm still beeping out your wife's name. Because you've wanted me to do that

before in the past. I will. Okay, good. Just wanted

to make sure. All right, so do you have anything else to say other than

that before we go to the run for the end here? I'm ready for the

run for the end. But so far you

have fun watching this movie. For being one of the kids movies,

which I wasn't too sure about, you have fun watching this movie and I have.

I'm having fun. Yeah. That's all I'm going to say. Yeah. The kid oriented ones

do lean more towards the action. And if you're a fan of classic

wrestling, good. Good guy versus bad guy, very well

known caricatures that you know are going to be there. If you

enj enjoyed that style of like late 80s, early 90s wrestling,

you're gonna love these Kaiju films that are the Versus versions.

And if you love watch. I do. Yeah. If you love watching Godzilla, like basically

start body slamming monsters and things. You're gonna really love some of

the Versus series as well when we get to those. Yeah, yeah. But yeah,

no, I'm, I'm very much. I. I like, I can like the newer kind of

wrestling too. The one where it's like maybe there's more tweeners, as you

would call them, where you don't really know. But I also, it takes me

back to my childhood to watch the traditional good guy,

bad guy wr, you know? Yeah. I enjoy it more when it's in narrative

stuff now, like watching Glow or something along those lines

than trying to go back and watch the old matches. But yeah, that's because so

many of my like, heroes that I loved from those days turned out to

be such horrible people. And the more I learn about them, the less I want

to watch their matches. Yeah, no, it's it's bad.

I'm. I'm with you there. It's painful. I fucking. I can't

stand it. But no. One thing you would have loved before it went

off air, it's sad. I wish I would have told you about. It was Lucha

Underground. I think you would have really loved that. I did watch a little bit

of it here. There. Yeah. I love it. Yeah. Yeah. That was a lot of

fun to watch. Lucha Undergrad. All right. So you want to get back

into the movie now? Let's do it. Yeah. Sorry. Get all puffed out here.

No, we. We were talking about how we enjoyed wrestling. And that's why you're going

to enjoy these kinds of monster fights. So. And we're coming up to the really

big battle coming up. So here we go. All right. Let's do it. All right.

The run to the end starts with the advanced party walking towards a force

field. And it flashes a ton of different colors until the whole

base goes gray. And they fan out to search and

Destroy in our 16th clip. Now you check out

that equipment. Destroy all of the important parts. Yes, sir. I had no idea we'd

done this much damage. Even these kind of people have their weak points.

Look. Ooh. There too. They're from Key Lock.

Seems they can only exist in a hot climate. We broke down their wall and

then the temperature went down. They're dead. Well, I don't know.

Captain. Captain, Check them out. Right.

What is this thing? I don't know.

Now we'll remove it and take it to Earth.

Right. Moon base. Moon base. No answer. No, there's none

at all. No answer and no waves. Is it a failure then?

Are we all doomed? No. Good.

Now we'll have to turn it loose.

Right. What happened? Bring the tools. Right now.

Open it.

Power. Okay,

let's go. Considering the amount of time that has elapsed

since the battle started, I'm afraid the mission is a complete failure.

Now switch in the men. Fire a hyper laser on the weakest

connection point on a machine that I assume is the one controlling the monsters

of Earth. The cable catches on fire. So the underlings stop it. The leader says

it all. And give me all that. That you've got and let that motherfucker burn.

So they fire it up again at full power. And they really tried to

build tension as the machine is wobbling that the laser

is hitting. And then that connection weakens. But then the cable really

burns even more than what we've seen before. And it just gets hotter and hotter.

The fire gets even bigger. And they really want you to feel that tension.

But it doesn't quite work. But they're really trying. They're really

wanting. It's tense. It's tense here. It's tense.

The bad machine finally topples. And they are successful actually saving

the ear. They celebrate and plan out what they're going to

do in our 17th clip. He did

it. The waves are gone. Now hurry. We'll control the monsters

from here. Right. Hurry. The key

locks on Earth know what we've done. They're still alive. Yes, they are

alive. But it'll take a temperature of several thousand degrees to awaken them.

They're living metal, right? That's right. This explains why they like the volcanic

region of Mount Fuji. The scientific level is far higher than ours,

but the number is very small. It must have taken the Keelaks thousands of years

to get to this stage. That long? That's amazing. It is

under very high temperatures. These people might be able to

live forever. Live forever? That's right. But they are helpless

and low temperature. That settles our means of attack. Do you agree with me,

Doctor? I do make the plans. Right.

Oh, no. Godzilla again.

Hello, Doctor. That's where you are? Yes. How are you? I'd like to

thank you now, Doctor. Don't thank me. Because Godzilla's here.

What? Is that true? Yes. Godzilla's in Tokyo. Yes. Now I

see. We have just finished our new machine and we're trying it out. What?

And he's close by. But Doctor, the monsters will

listen. Things are normal. Just worked out a new plan.

Wait and see what happens now. Today, the Fuji area will

experience something different. In deep silence, the forests seem to

be waiting for the monster's charge on the Keelak's base of operations here.

And the defense Force is in position. However, no monsters

are in sight. And now the question is, who will be first?

Godzilla, Rodan or Angelus? Here they come.

And they're. Ah. To the right and down a little bit. Just beyond

those woods over there. Godzilla.

No, it's not. The first is the son of Godzilla.

And after him I see Godzilla himself.

And next is Mothra. Both Godzilla and Mothra

are in the same area. Now we

can see Angelus. Angelus is approaching from the left.

Coming next are Manda, Faragon,

Gorosaurus and Spiga's

there. They're all coming to the base of Mount Fuji to attack the people of

Keelak. Now Rodan's here. We can see him in the background.

He's now heading towards Mothra and Godzilla.

We think Godzilla will probably Be the first to attack.

He seems to be quite ready to fight. The Keloks

have shown no reaction to what's going on here today. Godzilla will

lead these monsters in mortal combat. And I'm sure they'll

win. Sir. I've just discovered

a ufo. What's that? Ghidorah. He's not

from the Earth they call him. The control section is out. What now?

Godzilla and the others will unite their strength right now. Right?

What's happened? The Kelox Ghidorah is a space monster.

The monsters from Earth cannot win. I will get in

touch with you when you feel like giving up. Why that?

It's Ghidorah. Ghidorah? The space monster.

He's going to attack them from the sky.

The monsters are waiting.

Oh. Ghidorah is ready to start his attack.

Thanks for the play by play on the monster attack. Dude. Yeah. Nice.

Actually he saved me from having to do it. I'm happy. Right? Yeah.

So this is where I have a problem with Destroy all monsters. Okay.

This Ghidorah is supposed to take on the whole of the Godzilla monsters for

the most part. And anyway just all at once and still be a threat when

two or three of them was enough to actually take care of them. The last

go arounds like 2 took care of them even recently with the

invasion of the Astrum monster. But this particular Ghidorah

is like super powered in some way and it overpowers

Ghidorah and it also undervalues the rest of the monsters there

because they basically are selling it as if this thing is indestructible

and these monsters have no chance. Like they're really trying to sell that.

And I don't necessarily like it. I don't know if they only did that in

the English dub, but the way that they're selling it and the way

they end up delivering with this is a little bit different. I think.

Like we already know that Ghidorah is not going to do much because we seen

that and he still kind of holds his own a little bit against

all of these monsters. But they're really trying to sell it that he's like this

all powerful, going to destroy everything and it doesn't work.

I'm sorry. It doesn't work for you. No. But the fight is still

fucking amazing. It's just the idea that he is this powerful. They don't

really do much to sell that. Yeah.

Anyway, I understand where you're coming from. I still

enjoyed it. And I guess maybe I didn't look into it as deeply

as you did in that. But. Yeah, exactly.

So. But I get what you're saying now that you say it. Yeah. Anyway,

at the end of the clip, Anguirus charges in and is tossed aside by Ghidorah.

Gorosaurus charges in but is stopped short by a simple yellow lightning

attack. Godzilla steps in from behind and it looks

like he hammer strikes at Ghidorah's back with his claws and then starts

to bite at him around the middle of the neck. But they cut away,

so you can't really tell. And they cut from that to show the caterpillar Mothra

and Spiga the spider blasting silk bukkake

all over Ghidorah. Sorry, you dubbed it that. And that's what

it's going to be from here on out. Rodan blasts

at him with his wings and the air blast starts basically holding

Ghidorah down while the other monsters continue their assault until Ghidorah

blasts all three of them that are in front of him with

his lightning attack. All three heads go in different directions and blast all the Kaiju.

This sends him then flying off this. I'm kind of believing so

far that because he's holding his own and he's using his laser attacks and like

lightning attacks to do some things, this is okay. But the fact that like,

they're not going to win no matter what they do, it doesn't sell it that

well because they actually do really good against him right off the bat. Yeah,

right. Godzilla appears to be gnawing at the middle of the biggest neck as

he attacks. And Anguirus charges in and bites down and

locks onto the neck of the left of three heads and

holds on like a fucking bulldog when Ghidorah takes flight.

This is some terrific monster fighting while in flight.

The middle ahead attacks what is now a vulnerable Anguirus

and starts biting his neck as he's hanging from the neck to the

left. It's just amazing. Like Anguirus is just hanging there like a pit bull and

he's just taking this damage from the other head and not even like really that

big a deal to him. He's like, yeah, it's all right.

After. After a little while though, he ends up dropping and hits

the ground shell first. He is writhing around in the crater that he

created hitting the earth. And this starts a landslide that exposes

a pearl looking thing that must be that earth alien base that they were

talking about. And Geras gets out of the crater and Ghidorah

stomps him down to the ground and makes his way

back to the other monsters. He deflects a Godzilla charge

and then Gorosaurus charges in while Ghidorah is distracted

by that first Godzilla charge and he gets a terrific chomp on

the neck of the right head of Ghidorah. This weakens him

and has Ghidorah pulled down to the ground. A blast

of lightning backs that attack off. But the prone Ghidorah is

not ready for the Godzilla attack. So Godzilla charges in as Ghidorah

tries to fly off and he grabs Ghidorah's legs to hold

him back down to the ground. The pair struggle is Ghidorah is lifting Godzilla

just a little bit off of the ground but is constantly pulled back down by

Godzilla's weight and he is biting at him while Godzilla

does tail whips and bites back at Ghidorah all the while during

this attack. And then Godzilla finally blasts Ghidorah

with his atomic breath. This gets Ghidorah back down to the ground

so Anguirus and Gorosaurus join in and beat the

living shit out of him all at once. This is fucking incredible and

brutal and violent and awesome. It's good shit,

good shit. There is even a cool leaping kick that Gorosaurus does

that sends Ghidorah to the ground. Godzilla starts stomping on

the right head of Ghidorah while Anguirus has

a very firm bite on the left head and continues to just shake it

like a bulldog the whole goddamn time since he first charged

in and grabbed a hold. This is when they kind of ruined things a little

bit when Manila walks and starts to want to help as what

looks like almost a corpse of Ghidorah is just lying there getting pummeled by

these attacks. The bitey monster attacks and stomps continue

while Minilla annoys us with his attempt at an atomic breath. The middle

head of Ghidorah tries to lift up as Minilla gets one

atomic ring out and that knocks that head back down for a loop.

Gorosaurus is munching on the tails of Ghidorah this whole time by

the way. Just won't stop attacking them. Mothra and

Spiga continue their silk Bukhaki coverage of the what looks like unconscious

and mostly most likely dead beast. The monsters all celebrate this slaughter and Manila

walks up on top of the corpse to pose like he actually

did anything useful. Hey, you don't know

he did stuff. Rodan flies in and we wonder what

he was doing this whole time when he only did one attack and

then was just gone. But now he's. Rodan then

gets hit by this animated flame ball looking thing. And they talk

about what that is in our. A burning monster

is on its way. Burning monster? I've never heard of

one. Space. And it's alive. Doctor,

it's coming closer to us. Quick. Hi. This flame thing

flies past the underground earth base bunker on that mountain and it

explodes beautifully. And I mean the whole goddamn mountain too.

All in flames. It looks. Yes.

Fire. They get a transmission. And that is our 19th

clip. Dr. Yoshida's machine has been destroyed by the fire.

If you don't give up, things will get a lot worse for you.

What now? Do we attack? The great Fire Dragon will burn all of

Tokyo within a few hours.

Godzilla. At last, he's found

the underground base of the Keelak people. With that, Godzilla blasts

the shell of the exposed base and then stomps the fuck out of it.

As they explain why this is happening in our 20th clip.

They're going to attack them. The monsters will fight even

if there's no machine. They know their enemies by natural instinct.

Now the key locks must pay. Go back.

Go back. With this. A series of explosions starts.

And then a huge avalanche buries the corpse of Ghidorah as the

aliens all turn back into rocks. And the science people formulate a

plan in our 21st clip. We're saved. We're not

safe yet. Fire Dragon will be back soon. All right. I'll shoot him out of

the sky. Katsuo, the dragons ahead of

us to the left. All right. Get the cooling missile

ready.

Fire. No good. The gear doesn't work.

What's that? A misfire.

Now shoot it down. Right,

Let it pass and then pursue it. You got me.

Right, get ready.

Fire.

Now we'll get it.

Look. What's that thing I

see? The dragon was really a saucer.

Everything's clear. What now, Captain?

All right. Fire.

We did it.

At the end of the clip, we see that all of the monsters are back

on the island and just chilling out and cohabitating.

We see this as our main heroes circle the island in a chopper, waving to

all of them. And the final shot is a zoom out from Godzilla and Manila.

Just chilling. And they roll those fucking credits.

Cinema PsyOps 10 years

Holy fucking shit. That was awesome. This is epic. Yeah,

they were epic. Yeah, I'm pretty sure that this was gonna

be the thing that they thought they were gonna finish this out. And I think

they thought they were done. Like they just weren't gonna make anymore. At this point.

They do that a couple of different times where they're like, okay, well let's.

Yeah, let's spend some money on this because this is gonna be the last one.

Can't get any bigger than this. Then. Then they just make another one.

Yeah. And the next one is All Monsters Attack, which I'm gonna just not

even really talk about here. But it's just not good. No, it's not great.

Yeah. We week as to why we're skipping it. And it's basically

just a filler and then a bunch of stock footage being reused when All

Monsters Attack happens, I get Destroy All Monsters and All Monsters

Attack confused a little too much sometimes, or at least I did a few years

ago. And I always think of All Monsters Attack when

I hear the title Destroy All Monsters. But what I really want

is this one Destroy All Monsters. Because this is the great one. And All

Monsters Attack is not great. Yeah, yeah, exactly.

Right. Like I said, we skipped Son of Godzilla earlier because

I wanted to get to this one. And we need.

Well, we needed to make. I'm sorry. Yeah. Manila, we're not fans of.

Which I'm glad that we're on accord in accordance of that, because there are people

that are fans of Manila and that's totally fine. I'm. I don't fault you for

that. And yes, I am the curmudgeon for hating him. I get it.

But he's just a derpy looking suit and I just don't like him.

That's why. Right. I. I agree. Yeah.

All right. Well, I don't know if I'm going to pull anything out of my

ass for a story time or not, but we'll see what happens if I can

or not. I thought you had from the.

Actually, I totally do. And thanks. I'm going to be a regular Salty Dog

on that one. All right, so I'm going to tell that story about what happened.

Yeah. On the pirate radio edit, we're going to have Iron Butterfly

with the short version, quote unquote, of Indigada Deita, also from

1968. And immediately following that, we'll have my Salty Dog story from

that bar.

It is widely regarded as common knowledge across all known

cultures created by sentient beings that they were all in

fact created exactly in the image of an eternal, all knowing

and sentient consciousness. They cannot normally see, accurately communicate

with, or simply understand the ways of this eternal,

all knowing and sentient consciousness. As a creator of lesser sentient

beings also demands that all of its creatures creations have an absolute

and unending servitude and adoration towards their creator, lest they be

punished with varying degrees of torment lasting countless yet still unclear

volumes of perceived time for any and every transgression, including the slightest

miscalculation while ingesting a specified protein on

the wrong day of the week. If this hauntingly sounds like something that is the

equivalent to a creator as a narcissistic control freak with a

sadistic punishment fetish, one may want want to consider a mild serotonin

boosting medication while pondering the any eternal

all knowing and sentient consciousness would, logically speaking, if someone

were foolish enough to use logic when discussing these things,

know prior to creating its supplicants, that if they have the illusion

of choice in the guise of free will, the supplicant will eventually transgress

in any number of ways, including eating said specified protein source

on said forbidden day of the week, if only once by accident after a

long week of trying to survive while living through ever increasingly

adverse conditions. Love Indigada

Dea. I don't care which version is. I never get tired of it.

I. I'll deal with the like 12 minute version with the drum solo in it.

Like, anytime somebody wants to play it, I'm gonna listen to it in its entirety.

Love that song. A But what I don't love is that

bar. And I'll explain why in my story time.

Story time.

Story time. Okay, now I need to preface this with

the fact that I accept the fact that part of what is

the problem is also what is my brain and how my brain

is wired. I know that I have some predilection towards anger.

Let's just put it politely. Yeah, let's just put it politely.

Cort has rage issues that he is working through and with

a therapist who. Works weirdly,

who works at a tattoo parlor. But anyway, my therapist

is my tattoo artist and he explains to me that everything will be fine as

long as I keep getting steadily tattooed. Whenever you keep paying him money.

As long as I get steadily tattooed, everything will be fine, but only whenever he

has openings for me to book. Hey, man, you've lost so much weight.

You're running out of canvas, if. If you know what I mean. Yeah, that's not

necessarily a bad thing. You know what I mean? I know eventually I

can pay to get other people tattooed.

I don't know. Hey, dude, there's a whole other group that had other

people tattooed. Don't be that guy. Oh, yeah,

let's not go there. Anyway, I meant. Yeah, don't be that guy. Yeah.

Anyway. Or I can just get the tattoos removed and get more tattoos put on.

That's fucking weird, too, but all right, go ahead. Multiple therapies.

Okay. So one of my issues is just

for reasons, let's just say that I don't really want to go to. And go

into. And explain. Drunk people enrage me. It's a

trigger of mine that I have where I get angry at people who

are drunk. My solution to this is to not go to

bars. My solution to this is to not be at parties whenever people

start getting that seriously inebriated, and therefore there won't be a problem.

Right. Like, a lot of people. A lot of people actually think that,

like, you know, I start getting uncomfortable or I start getting scared. No,

it's the exact opposite. I'm getting worried about what I'm about to do. Like,

I don't know. I don't think anybody ever thought, how about this? Other people I

know don't feel that. They just think you get annoyed. Yeah.

Pretty true. Annoyed is a really nice way to put

it. It's more like psychotic rage I can't control and I need to get away

from people. Like. Like, it just. It just turns on. Right. It's something that

I accept as a problem that I am trying to work through. Not with a

tattoo artist, obviously. That's actually something that I am actually

working on. Working on and have some cognitive, behavioral things that

I've actually learned and have done. So there is that.

Right? Yeah. Right. Yeah. There you go. Anyway, every now and

then it's okay. I can go out and I'll be fine. I don't have to

worry about it. I'm a misanthrope anyway. I don't trust people automatically. I have issues

with them when I'm in their presence, and I'm a little worried. It has a

lot to do with my anxiety, and I just don't trust people.

But my rage comes out when I'm around fucking people that are

just schlossed. I don't know why. It just does any. Well, I do.

And yet you're friends with me. Fucking weird, dude. Yeah, I know, but I don't

go in. You make weird choices. Why do you think we do a podcast?

Because you're either further away from me or sober when you come do it.

That's true. That's how I get to spend time with my friend, on my terms.

That's how I keep you safe, buddy. Because I love you anyway. That's right.

So we go to this bar because we're going to meet you and your wife

there because, you know, you guys decided to go day drinking with my wife.

I'm totally cool with that. I'm going to drop her off at the bar.

You guys are late getting to the bar. Not a problem. Bev and I are

actually going to get food. We're getting ready to get food. Our bartender, when we

sit down, you know, to sit at the bar to save seats for you guys

as well, because we know you like sitting at a bar. We go to order.

Our bartender is pretty much fucking sloshed.

Like, completely sloshed. All she does. She was hammered.

All she does is complain about how she made a bad choice to send a

server home, but she's obviously clearly drunk. And she says,

I'm not a very good server. And I'm like. But then you asked us to

sit at the bar, and where are the other server? You sent them all home,

so we have no choice. What are we gonna do here? You know? Is what

I'm thinking in my head. But we go ahead and give it a shot.

We're like, whatever. You know, I put in a drink order. Bev puts in a

drink order. We wait a little bit. She ignores all the people in

the booths to the right of us. And she only really ever checks on us

because we're in her immediate field of vision when she's at the bar. Yeah,

she gets super distracted, really easy. And it was just a terrible,

terrible bartender and waitress. We put in our food order,

and we're still waiting on you guys because you guys are super late. I think

you were having, like, a cigar bar thing. Yeah, I went to a cigar

bar in downtown Omaha. Right. With the wife. And you

wanted to sit and enjoy the cigar, which still not a problem.

We were supposed to be eating by now, but over a half hour goes by,

and we do not get our food. We don't get any indication of what's going

on with our food. And I have literally had to say, excuse me,

can I get a refill on my pop, like, a couple of times before I

actually get one. Meanwhile, the people in the booth behind us that put in a

drink order have not even so much as gotten their fucking drinks yet. Okay.

Obviously, most people would get irritated, right? Yeah. All right.

For me, because she's also fucking hammered, and there's

other people getting hammered in the middle of the day, and I'm not taking my

medicine, if you know what I mean. And I think you do, because I got

to drive home from this bar. I'M starting to feel it. It's building up

in me and it's getting worse and worse and worse. And on top of

that, because I go keto. And I'm also doing a little bit of

intermittent fasting. And that day I hadn't eaten yet. I have now

had to wait 40 minutes past when my food should have been

done at this fucking bar with no indication of what's happening and nobody

checking on us. And I'm hangry on top of that. Plus, the drunk people around

me are getting that rage going, and I'm just basically like.

I'm not supposed to, like, keep that inside anymore. I am supposed to share that

and tell my wife when it's happening. She needs to know. You know what I

mean? Yeah. But she could already tell because I look over at her and she's

like, I know, honey, I'm sorry. And I'm like, no, I'm. I'm. I'm like,

I'm boiling right now. I'm like, I'm. I'm fucking losing it. Like, I.

Right, yeah. And there's a couple times where she's like, no, we gotta go.

And I'm like, no, we put in our food order and then it's gonna be

a whole thing if they don't even have it done yet. And I'm like,

let's just give them a little bit more time. Finally, the guy that's in charge

of the manager or whatever comes over and says that they're having problems

with their tablets. They're so sorry, what was our order again? They'll get

it done right away. Oh. So essentially the guy takes our order again.

We get the food super fast, like they said.

And right about the time that I'm finishing up eating is when you guys get

there. But while I'm eating, the group of guys that were to the left of

us that were like, day drunk. And I mean fucking day drunk.

Yeah. And like, basically, like, being super loud. And like, the type of people

that really annoy me the most are the so loud they want to

involve everybody else in their bullshit and make sure that they're being seen

throughout the entirety of the bar or the room or the restaurant. Like,

that gets my goat really, really fast. Right? Yeah. Well, those are the people that

are making a huge production of saying goodbye to the super

drunk bartender who once again is neglecting all of the people,

including the ones that she still has not gotten their drink order after they came

back to us 40 minutes later. Like, some of those people still haven't Gotten their

drink order. Two of them just fucking left. Good God almighty. Yeah,

well, for me, you continue his story because I got

something to say about that. Yeah, you get there pretty much. Well, anyway,

like, a couple of people finally come over and like, hey, you never brought us

our drinks. We've been here for X amount of time. And she's like, okay,

remind me what it was again. I remember it was this and this. And she's

like, yeah. And then she goes and does the order and somehow fucks up

their drinks or some way, shape or form, because I heard them complaining later to

the manager about it. It's a. It was a total fucking nightmare. I'm fucking

livid. Anyway, those assholes get up and they decide to make a huge production

out of leaving. And they're standing directly behind and with the door

open on a very cold day, and the draft is just coming in and

hitting me, making my food cold, pissing me off anymore. They're super loud,

they're super drunk. I'm getting that fucking rage going even more than I fucking

need to. And I just can't take it anymore. So I just blurt

out very, very loudly with chicken wings still wrapped

all like, in my fingers and trying to eat. Shut the fuck up and get

out or close the fucking door is what I say.

I hear the door shut and they just keep fucking talk.

I'm. I basically put down my. My stuff because I'm waiting for

them to actually, like, you know, because I said something and they did.

Did one of the things that I said. I'm waiting for them to do something

to me. So I dropped my chicken wings, I start drying off my hands and

I'm like, fuck, I'm going to get in a goddamn bar fight in the middle

of the goddamn day with these fucking pricks. I'm going to walk in

and have to jump in at a bar fight with Cort, right?

But they just start quiet. Like they just start talking a little

more quietly than what they were, but still loud enough for the entirety of the

mostly empty bar to hear. That's when two more people in the booths get.

Then those guys finally fucking leave. And I'm

like, I'm sorry, honey. I'm just. No. She's like, no, those guys were fucking annoying

and that was awful. I'm like, okay, good. I was like. I was like,

I know I am way more angry than I need to be about this situation,

but my anger is at least justified. It's just that I can't control how

angry I get in these Situations. Right. Which is why I'm trying not to

do anything. And so finally I'm at that point and I'm

just fucking boiling over. And finally you guys walk in

and you can see it in my eyes. I know you can. When you get

there, you're like, holy fuck, what's wrong with Cort? I was just like,

towards annoyed. There must be more drunk people in here.

Like, yeah, torts, annoyed. That's all I thought at first until you told

me about it. Yeah, yeah. And I didn't tell you everything because I was like,

this is going to be a story time, so you actually can kind of continue

from here if you really want. About. Well, my only funny thing

was, so I had probably about three beers there, and my wife had two

drinks, and the lady came back with her bill, and there was only

one beer on it, so I just paid it. And I'm like, do you think,

like, did they put extra Cort's bill? And that's like,

no, I don't think so. But Cort would have seen it. I go, yeah,

so weird. They didn't charge me for, like, three beers.

That's because the one bartender that was awful took your first

order of drinks and never put it in. And then the new lady that

came in and actually was taking care of things and kind of

smoothing things over with the people that were neglected and taking care of

everything. You guys got there whenever the new lady came in, and, like,

the next shift was starting and she was fucking great, and all the annoying people

that were really angering me were gone. So, like, yeah,

I know that it comes across as I'm just annoyed to you all of

these years, but seriously, I'm on the verge of goddamn homicide sometimes

with people, and I'm just. Well, no, I know you have been.

I've walked in not knowing anything. I just knew you were at least annoyed,

if not more. Yeah, that's. That's me trying to suppress it.

And that's the little bit that's bubbling over in micro expressions that you're catching.

Yeah. Oh, it was fucking

awful. And you know what? Like, from what I could tell, like, it was annoying,

Bev. And she puts up with people way better than I do. She actually enjoys

people and she finds drunk people funny. And everything that I was

annoyed with and all the situations that I was about, it was 100%

like. She was like, no, you have a right to be angry about this stuff.

You just obviously are getting too angry about it. And I'm like, no, I accept

that. Yeah, you know what? I mean, and it took me a

long time to come back from that and to stop boiling over. And so,

long story short, too late. That bar is fucking okay.

It's just that that service was terrible with that person. And I hope they get

pilsner. Beer they had on tap was really good. So that's all I'll say.

I've never tried them. Oh, I tried one of your wings. They're really good.

The food was good. So, yeah, the wings weren't bad. I wasn't a fan of

the Korean barbecue, but that's just. I don't. I don't think I like Korean barbecue

sauce. Maybe. Yeah, I don't think you do. Because that, that was really

good. Because I've had bad Korean barbecue sauce and that ain't it. That was actually

good. So it might have also been that, you know, I was rage eating,

so I probably was enjoying it. I tried them the next day after reheating them

and I liked them a little bit more. So I got to try it again.

Again. The bar itself is fucking great. That person is just a terrible

server and should not have been doing any bartending at all. Who shows up on

a Saturday that sends

people home? But then, I don't know, man, you're. You're doing some weird shit.

Yeah, all right, well, there's enough of that shit. Let's go ahead and play the

show Housekeeping to close out the show. We come back, we'll have on the pirate

radio edit. Also from 1968, Jimi Hendrix,

all along the Watchtower, right after this. If you've decided you can't

get enough of the show and would like to check out more of their we're

available. Please note this eternal all knowing and sentient

consciousness will be further referred to here as their most commonly reoccurring multicultural

colloquialism. God for the purpose of the obvious need for brevity.

Gods being all knowing, are fully aware well in advance that setting

up their self replicating supplicants with the lives they have laid out and

bestowed on them will without a doubt do any and all of the things they

are forbidden from doing. If this seems to one as what is often referred

to in shouted voice in a boardwalk or midway tent as a rigged game,

one must also remember that one, as a sentient supplicant creature,

is. Is simply too poorly built to understand the ways of any creator or

God by design. This inherent flaw is because no one

likes dissension in the ranks, let alone creatives who dream up

entire universes filled with doomed and saved beings to be rewarded for

their acquiesce to all the rules that must be obeyed and punished for the lack

thereof. It is also important to remember if one would dare to

question any of these godly and immaculate plans with one's obviously

inferior mind mind one is transgressing with that creator or God

for simply wanting any kind of clear explanation from them that they

will never offer until such time as they reveal the ultimate infallible fate

they have laid out for one in advance far before one ever existed.

Furthermore, these gods have laid out plans for the lives they send

these wretched creatures off with that are all a part of a larger,

unimpeachable and logical plan for the entirety of all lifespans,

the universe they reside, and all existence of self aware philosophical

thought that ever will be or has been while still having a scheduled number

of self replicating supplicant progeny that are destined to lead

the absolute worst agonizing lives only to be condemned

to what may or may not be a perceived eternity of endless torment

or at the very least another forced go around to suffer being some form

of life again but with much worse living conditions until one finally gets

it right. The worst of all all offenses for enough of the belief structures these

gods have developed is to not believe in or acknowledge their existence

and to wander through one's own life making one's own decisions and taking ownership

of one's own personal choices. I know that

Jimmy did not write this song, but Manny owns it.

He no, he owns that song. Yeah. That is the best version of all along

the Watchtower, man. I love that and I love Jimi

Hendrix, man. Sure and simple. The yeah, shit's good. Yeah. Well, if you disagree

with me and you think the fact that the there's a Bob Dylan song and

I think he wrote it and if you think that's the better version of it,

then you could be out there and be wrong and be mad at me about.

It while you kick off your wrongness. Out of this week and

make it your and enjoy the Lemon Pipers with Through

with youh on the Pirate Radio. Edit.

The Word first of all offenses for enough of the belief structures these gods

have developed is to not believe in or acknowledge their existence and to wander

through one's own life making one's own decisions and taking ownership of one's

own personal choices. This is due mostly to the idea that what fun

is it to decide everything and how it is going to unfold in

such an entertaining way only to have the puppet Pretend its strings are

not even there. The paradoxical nature of gods is essentially this.

Gods have ways that cannot be understood, exist so that their

creations cannot normally see or hear from them, and refuse

to allow their creations to accurately communicate with them, while at the

same time requiring them to understand a layout of an advanced,

never ending list of unobtainable and outlandish demands they cannot

meet to justify punishing them for no longer than all perceived eternity

and no less than a restarted and horrendous lifespan when they fail

at such an impossible task.

There. Recording in progress. Now we got the backup recording

going. And you can hear this still?

Yeah, okay. I'll take that as a yes. All right, I think we're ready

to go for episode 497 with destroy

all Monsters. And now I got to remember the. That I was going to say

I was referring to. Because we recorded your episode first.

Yes. Now you. Now you have to memorize.

I gotta. I gotta not pull a mat is the big thing. Yeah,

don't do that. All right. Hopefully my voice will

hold out for this. And Here we go. 3, 2,

1. I've been very worried about you on that island. You have,

huh? Right? I really wasn't

worried about you. You. I was more worried about Godzilla. Oh, bad move,

dude. Bad move, dude.

You're never going to get anything now. You can only talk to

like a family member like that. Yeah, yeah. You can't

talk to a woman you're interested in like that. That's not going to work.

Yeah, you start nagging, that makes you a dick. Yeah.

Hello? Unless she's into that. She hung up on you? Yeah,

absolutely. Power station, what's wrong? Wrong? You're bad form,

dude. I can't understand. Oh, I think I might be a little

too high to read my own notes. We'll see how this goes.

Oh, I hit it a little too heavy when we recorded your listen.

I don't know. You got to know your tolerance there when

you're inhaling that. I got this.

Yeah, you got it. 3, 2, 1. All right. All the reports of

me being too high were previously exaggerated. Apparently. I nailed it.

All right. You're all right.

I'm taking another hit, though. Yeah.

I'm starting to see things out of the corner of my eyes, like where I'm,

like, darting around like. What the was that? So I know I'm going good.

Yeah. It doesn't help that I've been imbibing caffeine to counteract the

being sleepy and being hot. Yeah, right.

So much like Nicholas Cage in gone in 60 seconds remake. I'm a

little tired. I'm very wired.

I condensed a lot of goddamn screen time with clips.

So far, this seems like the longest one that I have for quite a while.

I do have 21 clips. I'm clipping everything again.

Talky holes, move, court record. That's.

I mean, wash, rinse and repeat.

Right. Essentially. I work hard then, so I don't have

to work hard now. Yeah, exactly. My notes are making

too much sense to me. I'm going to take another hit. No, no, don't do

that. Too late. Ah. What the. It's Saturday.

I'm watching the collapse of democracy happen in front of me. I need to be

high for this. It. Well, yeah.

It is my dream to build a new scientific civilization on

Earth with the help of you people. You've just. What does she mean by you

people? Yeah, what do you mean, you people? Why don't you let

her finish her story?

Racist Earth, cyst,

Earth, whatever is. It's all est.

I feel attacked, therefore I will attack. There's a lot of isting

going on around here. A lot of isting. You cannot penetrate

that wall. What will you do? You're coming with me.

Yeah, yeah, yeah.

Huge throbbing baby just penetrated

the wall. We're so immature.

We really are.

When I was watching this early this morning, that was the first thing I thought.

Yeah, I'm just happy you said it first,

because the first thing I thought that when I heard this line, I went.

But I could. Yep. My macho

male still makes me think things like that.

Yeah, same. It may not. It may not be toxic masculinity.

It's just, you know, a little bit unhealthy.

Yeah. Because, you know, I actually say that about a person or anything.

It's. It's an inanimate wall about penetrating it.

So. All right, here we go. Back into it. Three,

two, one. Yeah.

I did my own research and I know not to trust doctors. Now,

I don't care if they have gone to school for seven years.

I know more because I saw this YouTube video. I didn't

really watch the video, but the title of it really confirmed everything I thought.

So what you're saying is when you do your own research,

you seek out confirmation bias and then make sure that

you find. Yeah, of course. That's how they all do it.

Jesus, Court. Duh. Way to

mansplain it, Cort. You sound judgy.

Like that might be the wrong thing to do. How dare you,

sir? What? Have I ever done the wrong thing? You be Called. No, no,

like you sound judgy. As in you feel like that's the wrong thing to do

for that type of research. Oh yeah, it is. It's definitely wrong.

So what if it's not peer reviewed to make sure that it's 100 provable

once again through scientific method. So what? It's confirmation

bias. All right, three, two, one. I have to go now. I'm getting the

surgery to remove the nodes that make me sound like this.

Wait, listen. I'm gonna go have another Lucky Strike cigarette.

Do you think he smokes cigarettes or do you think he just eats them?

Either way, he smokes them down to the butt. Oh no,

cuz there's. He only smokes like he strikes on filters cuz I can't see him

smoking a filtered cigarette. No, this guy, he just eats the ashes.

So he smokes the cigarettes and then eats the ashes? No, no, he sounds

like that cuz he deep throats cigars.

What is this? That gargles gravel?

Oh yeah, that long. That's amazing.

That weights got work out of this movie.

This has pipes for breakfast.

He brushes his teeth with Ajax. That's why his voice sounds.

Yeah, yeah, this guy. To get drunk, drink straight gasoline.

That's it. Diesel even is the son of Godzilla.

Boo Boo.

So glad you hate Manila as much. As I do hate

baby Godzilla. That there is a young

Godzilla that shows up later on that's actually way. Cooler than the

same area. Well, I hate the son of Godzilla. There you go. Yeah.

Manila. This, this. I'm not a fan. Approaching from the left. Coming next,

Armanda Baragon. That's why we skipped all monsters Attack. Cuz that's

a got absolute worst with him. Yeah, I can't wait

to do that commentary. Just boom Manila. Every time he's on screen

with like a jerk.

If one hears all of this and decides that there is no point in attempting

to appease said gods and all their outrageous demands, one must

also realize that this response is by nature of how gods operate.

All a part of the immacul immaculate plans laid out for them to be the

naughty child that invisible daddy must punish, either on a never ending or

constantly repeating basis, depending on the need of that God to indulge

such sadistic whims at their leisure. The less one questions the

origins and purpose of their torments, the less one tends to add

to the cosmic suffering of existing as a self aware being whom is

created in the image of an absentee God that only wants one for the noises

one makes between begging to end the Torment 1 was specifically designed

to endure for the Creator to feel a sense of purpose. As this explanation

is clearly too long winded for the bulk of sentient beings who are

blessed with the absolute gift that is blissful ignorance, it was vastly

simplified to the adage damned if you do, damned if you don't.

You'd be out there and be wrong and be mad at me about it.

While you kick off your wrongness out. Of this weekend, make it your bit and

enjoy the Lemon Pipers with through with you on

the pirate radio edit. I want to be done, so I'm gonna stop that.

And then, just so you and I can both get out of here, I'm.

Gonna stop this recording.