Cinema PSYOPS

There is very little time or point in an explanation.

To be blunt, the audio came from a timeline and dimension that has

collapsed at a quantum level, rendering it null and void in terms of

existence. Operational time in the dimensional continuum where the

beings that created the audio collapsed in on itself,

rendering all of their civilization, including technology,

null and void. Timelines across the entire continuum are

collapsing and changing. The destruction has a nexus that centers

on Cinema PsyOps.

10 years. Man 10.

10 years.

10 years. Man 10 years. 10 years.

10. 10 years. 10 years.

What is the most likely way humanity. Will be wiped out? Maybe it's something.

Or us. Although the way the world ends might. Be because of

you. And if this is the case, you wouldn't have any control over it.

The global temperature rise underscores a chilling reality.

Our planet is trying to tell us. Something, but we don't seem to be listening.

A recent study has suggested that one third of annual deaths due

to heat are directly related to global warming.

On top of the initial flash of thermonuclear light,

which is 180 million degrees, which catches every everything on

fire in a nine mile diameter radius. On top of the bulldozing

effect of the wind and all the buildings coming down, and more fires

igniting more fires on top of the radiation if they happen to have

survived poisoning people to death. On top of all that, each one

of these fires creates a mega fire that is

a hundred or more square miles.

Timelines across the entire continuum are collapsing and

changing. The destruction has a nexus that centers on Cinema

PsyOps. A breathtaking scientific revolution is

taking place. Biotechnology has been progressing at

stunning speed, giving us the tools to eventually gain control

over biology. Solving the deadliest diseases while

also creating viruses more dangerous than nuclear bombs,

able to devastate humanity. It's man returning

to the most primal, violent state as people

fight over the tiny resources that

remain. What if the world we live in is just a dream or a simulation?

Whether it's a dream or some advanced computer game you are playing right

now, when it ends, you would be what. Causes the end of the world.

Please do us all a favor. Continue dreaming or playing this game

of life. Because when you wake up or unplug, there's a chance the rest of

us will be blaked out of existence. Timelines across the entire

continuum are collapsing and changing. The destruction has a nexus

that centers on Cinema syn.

10 years. 10 years.

Hello and

welcome. Welcome to the 493rd consecutive week

of Cinema Psyops. I'm your host, Court, the guy

that's really stoked to be talking to you about kaiju movies that take place in

a non historical version of feudal Japan. And joining me in the

joy of jumping through history with Kaiju as my co host,

Matt. Man, it's great. We're not even in the nuclear era.

It's just this great kind of medieval era. But you know,

it's. It is. It's kind of Japan's medieval era,

if you will. But with kaijus, there is some rifling

and there is some gunpowder. True. There is some rifling. Right,

right. They've. They do have guns. It's around like their revolutionary

war period because they have rifles, like muskets. They seem more

like muskets. Right. But they're still very much. This is where muskets

and guns were starting to overtake the samurai and make

the honor code kind of go away because people. But they're still samurai

swords. Baby katanas, man, that's fucking awesome. Yeah, we got a lot of fucking sword

play fights in this as well. Oh, it's so good. Yeah, I kind

of spoiled it for you and texted you that I was excited to talk about

these because they're very uni when it comes to country films. When you. When you

texted me that I was already in the middle, I had already watched yours,

it was in the middle of my own doing my notes. And I'm like,

yeah, man, I'm for it, dude. This shit's good. Yeah, I'm glad

you're stoked. We have diamond this week from 1966.

I think these were all filmed back to back then. Next week you're going to

be covering Return of diamond, also from 1966.

And then the following year you pronounce it Diamond. Diamond.

Yeah, they say in the movie. In the dub magin, but it's Diamond.

Yeah, Diamond. All right. See, because. Yeah, again, it was me trying

to realize how I'm supposed to. You can say it how they say it

from the dub because you are just saying the name that they say in the

dub and I have no problem with that. It's just going to go diamond.

I know because I didn't even really understand it in the dub, just to be

honest. Oh, okay. Well, that makes sense. And they also, in my movie use two

different names for what they merge. In your movie is the same deity?

Yeah, no, like throughout both movies, I just. I never heard

diamond, so. Or anything that sounded like how the word looked

to me. And I've never heard of it before. So they just say.

They just say they Just see. Okay. See? And so I.

I didn't really get that, so I just thought they were calling it something else

that I don't see. So there you go. All right, well,

that's. I like. I like learning.

All right, so I've got about 16 clips to get through, which is

the entirety of my movie. My movie runtime was longer than yours at

an hour and 24ish minutes. So all

of my stuff, I was. About an hour and 18. Yeah. I'm going to break

mine up into 28 minutes, give or take. All right, so on the

pirate radio edit for this week, all songs released in

1966, and the same for every movie that's released

in 1966 for the next three weeks, counting this week. So up first,

Nancy Sinatra, because much like dimajean,

her boots are made for walking. And that's just what they'll do.

But in dimajean's case, one of these days, those boots may walk all over you.

Yeah, that'll be right after this on the

pirate radio edit. This will keep you quiet. Oh,

hi there. So what's this cabin like,

man? Well, we're getting it for free, so, you know, as long as it's got

four walls and a ceiling and nothing leaks. Well, I'm pretty sure that it's

all going to leak. No. I don't know. It might actually not be so bad.

Probably a real kid who the asked you. Yeah. You know,

it might actually be kind of nice. Yeah. Are these people even coming with us?

What the. Were you. Were you supposed to get out of the car? The last

stop. God damn it. The girls can stay. I don't know.

Are they going to keep singing? No. All right. Best part

about this cabin is that it's super free. Oh, yeah. I mean,

you're really starting to make me nervous about how you just keep saying it's free.

It's Shamir's place. Oh, not Shamir.

They promised they wouldn't be here. They were here last weekend, so we may

have to clean up after them. Oh, God. Dude, that's gonna. Let it be a

lot of peyote and shit. All right, they said they

would leave the key under the map.

Wait, did they mean you? Oh, no, there's nothing underneath me.

Wait, hold on. Yeah, my back pocket. I didn't get a fucking key in my

back pocket. I don't, though, but try it on the door. Let's see if it

opens up. It works.

Oh, my God. That poor swing will not stop. It's so. God. Okay, that was

Creepy. It just stopped just because you opened the door. That's weird, right?

I'm convenient. Yeah, whatever. It. God, this place smells

funky. It's like patchouli and ass.

Oh, my God. It smells like what you think the underside of a

floor mat on a cab would smell like? It's like a fish concert

if they all got diarrhea. That's what I'm saying. All right,

so the upstairs is pretty echoey, man. I don't think we can set up.

Yeah, you're right. Whoa, whoa, whoa. Yeah,

it's pretty bad. Yeah. Let's check the cellar.

You first. Well, the trapdoor is right by you. Go ahead. Yeah. One, two,

three. Not it. You're coming with me, though. I'll be

right behind you where you usually like.

Okay. Sounds decent. Down here we've got just enough

portable dampeners for the sound that we can make this work.

Is there weird that there's a projector and a screen down here and

what is obviously not enough room or what is obviously

used to watch a snuff film? Well, it is Shamir's cabin,

so it's probably not a snuff film. You don't think we have the.

Have the video of what happened to Millicent? Yeah, in the lab

with the robot. I don't really want to look at this. Right? I don't either.

It's. It's bad. It's bad. Dude, look at this. This really cool little tape recorder.

Oh, look at that. Oh, it doesn't work, though. No.

Once again, it only really takes one boot. Cuz diamond just.

Yeah, a boot. And really, that's more than enough to walk

all over you. Yeah, well, I mean, listen, I don't

even think my wife needs boots right now to walk all over me.

Just. It's just a withering look is all it takes. In Matt Siops

case. I mean, it's not even that anymore. That was

just like a flippant, like, hand gesture and I'm.

All right, well, let's talk about things that make other people done.

Daimajin, 1966. Yeah. The opening title

flashes before the screen with a thundercrack during a lightning storm

that starts everything off. We have some opening titles set to very serious and

dour sounding music that feels very familiar to another Kaiju,

but I can't quite place where it's from. No, it's Godzilla. It's fucking

Godzilla's theme. If you watch the movie again and keep in mind the theme

from Godzilla, they're very much trying to emulate that with time machine.

Oh, okay. I didn't get that. So there's something I didn't really get.

It's important to note that this is a different company. This is DIA and they're

taking shot at just another Kaiju. They are

the ones that did the Gamera films. Just a heads up. And I

prefer Daimajin over Gamera stuff. So. There we go. Gotcha. Those credits dissolve into

a composite shot of a human eye inside of a rock cliff face that

shrinks and fades away to show the rock cliff as the camera pans along

it. I realize this may be a model as the Howling Wolf was animated.

If so, that is some stellar model work. Yeah.

N. The same goes for the set of the village in the next shot.

And then it crosses into a hut where a woman is singing. And that is

the start of our first clip. There we go. Listen.

Mart. Gene's there. What? Those are his footsteps. Oh,

no, no. He's trying to break loose from

the mountain. Then it's true about the evil spirit. The priestesses

has been imprisoned in Wolf's Canyon. Is it? Then he'll

get out.

Tuck it, tuck it.

Come with us. We're going to pray that Majin doesn't

come out. We're coming,

Father. Father, is Majin of the mountain

really going to come out now? You're a samurai,

son. Be brave. If we pray to our good God, he will keep

him locked up. Is the good God a samurai? Of course. Every good God

is a samurai. Shino is the good God in the mountain. He and Majin

have been fighting in that rock for all eternity. Shino fighting to

keep Majin imprisoned. Majin trying to get out. Shino's the one

we talk to and we say our prayers. That's right. So there's nothing to be

worried about. Now I think you should go to bed. Your permission? You aren't still

frightened, are you? You mustn't be. Here. I'll give you something. If you take this

to bed with. You, you'll be safe. Is there really

a Magin like they say? Of course. You've been to the shrine, haven't you?

You've seen his footprints there. If you're not blind. Really great setup there where

you have the paranoia of everyone wondering why the God is getting

angry. And I think it's like earth tremors or possibly that they

live in the shadow of a volcano. And the shaking of the volcano is

what makes them think that diamond is angry. And up.

Up until you actually see the God come out of the fucking mountain.

You would think that that would be the case, that they carved that figure there.

And every time that the volcano is shaking the island or the

land that they're on, you would think that it's because it's a volcano

and not just that the God's getting angry. Yeah, no, exactly. Logically speaking,

my mind does not automatically go to, oh, yes, that's a God. Whenever the earth

travels, tremors. I just don't. I'm starting to get that way. But, you know,

it is what it is. Well, I mean, given the amount of fear that's in

the world right now, I don't blame you at all for reaching out to a

God to try. You feel better. I'm just not going to be able to do

that. I'm just like, hey, can we just not fuck everything up?

But no, I get what you're saying. Yeah. I'm raw dog in the apocalypse is

what I'm saying. There's no God on my brain. That's right, Raw dog.

All right. The end of the clip leads to what I assume is part of

the ritual of supplication for Din, where they prey on

the aforementioned God who holds him captive.

Whatever it is for it is elaborately put together and

quite entertaining to watch. Part of the ritual seems to be the depiction of

the capture of diamond through what I call ritualistic interpretive

dance. I don't know how else to refer to that. Very nice.

Seriously though, it was a pretty fucking decent sequence, and I am just too lazy

to do a play by play of it and how the dance was laid out,

but it was basically them capturing him and fighting him, and he's like. Then turned

into a straw effigy. That's what ends up happening at the end of the dance

when they capture him. They sort of do a magic trick to make him a

straw effigy that they take off. I assume that that is

supposed to be like we said. Daimajin and the chieftain guy

explains the plot of this interpretive dance

to of us in the second clip. They've begun

their ceremony already, my lord. I think you should go try

and talk to them. Calm them down. They are terrified. Terrified of Magin.

If you go as my messenger, I think it would help. As you wish,

my lord. Go Judo. Come. Ready. Is everything ready?

Yes, sir. Every the castle is just waiting for you to

take it, my lord. And Majin chose tonight to become active.

Hmm. I have to remember to thank him. Go.

Go on. Lord Hanabusa.

Who is it? But that's Gonduro and Samanosuke.

Semanosuke. What does this mean? Lord Hanabusa. Listen. As of this

moment, your palace and all of your goods and treasures belong to

me. What? Semenosuke. Have you gone out of your mind? Seminosuke.

You came here in poverty. Our lord took you under his roof and raised you

to the position of chamberlain. Why this hatred? Why betray a kind master?

I have neither hatred nor loyalty. The castle is mine. Trace.

My men will now surround and destroy you, beginning with our

noble lord. Never. Help.

The castle's being attacked. Help. Defend the

castle. Young Lord. What's the matter,

Gantha? Hurry, you two. Princess. Here.

Bunjuro. Don't bother fighting.

We'll be killing all the Hannah boozers tonight.

Gogeta. Hurry, Hurry, hurry.

Okay. What a dick.

During the clip, the ritual actually ends with the burning of the damaging

straw man effigy that we mentioned earlier. And as you heard,

there is a tremendous samurai coup battle that takes place as the

proverbial storming of the castle takes place during that clip as well.

Yes. It sounds as though the ruling family is about to experience communization

in a let them eat cake, Romanov kind of way, if you know what I

mean. And I think you do. Well, sometimes that needs to happen, I guess.

And those untimely threats of death lead to our third

clip. My Lord. Our children.

Protect our children.

My. My children.

Gagantha. What's going on outside? And why isn't Father here? Please don't talk,

Young Master Chuma,

we must. What about Lord Hanabusa? I see. Where's Father? I want

to know where Father is. Young Master. Parade. Take them away. Come.

Noko. Genta. I'm going to stay here. I'm the son of a samurai. I'll stay

with Father. No, you can't. Here they come.

Look out. Go around to the side.

Set. Fire.

Koganza. I'm afraid. Kill them as soon

as they come out.

K. Inside or out, we don't have a chance.

We'll hold them off. Chuma. Yes.

Go now. Guard them both well.

You can trust me. Don't forget what I told you.

Contact me tomorrow night at the very latest.

Yes.

Oh my God.

There they go. After them.

Everyone leave this place and go home. You are on holy ground.

Listen now, old woman. From this day and

forever, your lord is summon Osceodata. And he orders you to go

home. He cannot order as he pleases. He can order as he pleases. So from

now on, hag, you are not allowed to gather unless

it is his wish. No. Go home. No. You have no

concept of the abomination you are committing. You have dared to sully

a religious ceremony whose aim is to keep Majin locked inside

his mountain and to assure our people's safety. Would you put a

stop to it? His orders. Shall I tell him I

had to kill you? You disobeyed. All of you.

May Shino forgive the. May Shino forgive.

The end of the clip. Called her a hag. That's some cold

blooded shit. The end of the clip has footage of what is left of the

burning effigy collapsing. And that very fucking stern

warning from the priestess was the harbinger of impending doom.

All foolish mortals must ignore before being crushed under the heel

of living Demon Mountain. Basically, a demon in a mountain.

Mountain Demon Demon. Mountain demon of the mountain Demon made of mountain

whatever. Mountain demon. The next day, some dudes

are sorting through the burnt rubble of the conquered village. And that leads to

our. Did you find the children, Gojoro? No. But my Lord.

I am certain they were caught in the fire. They escaped.

They're only children. They can't be far away. I want you to find them.

The entire family must be destroyed. Yes, my Lord.

Gha. Do we go straight ahead now? Yes, hurry.

Have you seen them? No, sir, not yet. Well, keep looking. Try over that ridge.

Go. Go. Genta. How did you manage it? They just never

found us. Thanks to Shino. I heard all that went on.

Oh, I was so frightened that you wouldn't be here. We must leave this place

before. Even so, they'll never stop looking for us. We'll have to hide them

in some secret place. Do you have a place in mind?

Go. Run back. You two, come with me.

What are you doing? I am a servant of the great Shino of the Mountain.

Do not soil his place with your filth. We're on a search. What do you

hope to find, Gunjuro? Nothing that would be of any importance for you, unless you

happen to have it. Go on, Search the house. The two of you, hurry.

Yes, Lord. They're not here. No sign.

Listen. You'll be beheaded if you try to shelter them. This is sacred ground.

You will anger Shino if you continue. So go now, all of you.

I see someone going over the hill. Go. Follow them.

Follow Kogenta. Where are you

taking us now? Over to Majin's Mountain, I'm afraid.

Kagenta. It's all right. Shinobu. Isn't it forbidden for anyone to come to this place?

Isn't it a shrine? There is no other place. We must

ask Our great Shino, to help and hope that he will show his

mercy to them. Kogentha, look. What's that?

The God of the mountain, the great Shino, who has imprisoned

Majin in the rock. The statue Majin is shut

inside there. Yes. I am taking you up there.

Shino will protect the Prince and Princess. Come. They come to

a terrific composite shot of a breathtaking waterfall. And at the top,

carved into the side of the mountain, is the supposedly entrapped damajin.

And they make the long, long climb up the waterfall

to the top of the hill where the large rock visage is carved.

And that leads to our fifth clip. I pray to Shino,

may he take you in his embrace and protect you forever.

Come, come. Who lived here in

this cave? They say our God dwelt here longer ago than time itself.

You must wait and have patience. You must pray to him now.

Samanosuke's followers will never think of looking for.

Yes. I'll bring you everything you want. Don't worry for now.

Kogentha, come here. Look how close the statue is.

Hurry. At the end of the clip, we then transition to a certain amount of

time that has passed. There's a section in here where like, they turn from,

like being kids into adults coming up very quickly.

And like, once that actually happens, like, I wanted to know how many

years pass, but I can't quite figure it out. I'm guessing it's like 10 years

or whatever. It seems to be about that, yeah. 10, 15 years.

I know they go from being kids to adults, but it's like, like young adults.

So. Yeah, and I know that there's like a little overlay on the river

that says, but I didn't have the subtitles on and I forgot to go back

and look. So we then transition to a certain amount of time that has passed

roughly about 10 years to where the children are now adults.

And then we see the grown up version of the princess is

brushing her hair by the waterfall and she is singing. The camera

shot follows up closely to her as her song continues. Her song and grooming

is then immediately interrupted by the return of two hunters. One being her

brother, the other being the man who has raised them that has also not

miraculously aged in any way, shape or form,

confusing all of us. And that leads to our sixth

clip. He cut out meat and dairy. Kozasa,

look what I cut for supper. All right, I'll go start the fire.

Good, I'm hungry. Come on.

Follow. Follow. You.

Hurry up. Get going.

Pause.

You two. Fire.

Get going. You what are you looking

at? Move. Get fucking.

Dada. Are you all right?

Fool. Take him away.

But where? Away. Take him to the sick house.

Yes.

Take. What are you doing here? Go home.

Quick. Quickly. Go home. It's Mother. You have to come home.

What? What is wrong? She's dying. Please.

Please come home. Please. Father. Hurry.

Father, I have to go now. It's my

wife. She's sick. No. Get back

to work and send the brat home. Hurry.

Hurry. Father. She's sick. Go home.

Take. Do as I say. Go.

Go now.

Come back. Take. Never mind.

Grandfather. Come here. Come here.

Until we finish building the fort, nobody.

Nobody is allowed to go home. You know that. Go now, Taki,

and look after her. This girl. Cruelty. This cruelty

can't go on much longer. The God of the mountain is watching over

us. The mountain Guards, capture those two.

Take. Hurry and go home. Go. Go. Take care of your mother.

Are you the ones who are still faithful to the Lord Hanabusa? Yes.

Down the rope. Leave the rest to me. Thank you.

Come. Hurry. Down here. They escape

Outside. Quick. Yes, Lord. Well, then, why did

you help them escape? I had to. Why? They said.

They said that if I didn't, they would kill. Why didn't you tell us?

They said they would kill me. But you showed them the rope, didn't you?

No. Come here.

No. He didn't do it. I gave them

the rope. He didn't do it. Damn you.

I don't care if you're sick or not. You cannot defy our warlord.

Forgive me. Thank you for saving my life outside.

I wanted to do it for.

Forgive me. Wow,

things got really bleak really fast in this movie, didn't they?

No kidding, man. They're going for the jugular,

just like the original Godzilla. I feel like this is very heavily influenced

by Godzilla only. Oh, yeah, Yeah. I think he's a much more traditional type

of deity or entity or whatever it

is. In this case, he's supposed to be like a demon that is trapped

by a God. But also, the God can inhabit the body of the demon and

then use it to take out his vengeance, I guess is what they've been saying

through these clips. Okay. And on that very upbeat and

happy moment, we have reached the end of the first third of the film.

So we are now pretty much the first third through there. Oh, there's. There you

go. Good. That was a lot.

Yeah. As close as I can figure it, there is a feudal

lord who was in charge of these

people, who were under the protection of this mountain God,

who also was the captor of their biggest tormentor,

who is the Magin or Daimajin demon.

And they try to appease the God whenever

he's upset. And the reason the God was getting upset is because of this plot

to overthrow the emperor guy, or not emperor,

but the main feudal lord that's in charge. That's what was upsetting the

God apparently. But then after the overthrow happens,

the mountain kind of goes quiet and just lets the bad guy keep doing bad

things because he's more fixated on protecting the children. Now the legacy,

the monarchy is held intact in this case.

So it's very much like a Romanovs kind of let them eat cake

thing going on here. Yeah. Won't someone think of the children?

Right. But like instead of the overthrow for the betterment of the

village, it is an overth road for the complete and total enslavement

and torment of the village. And they're literally forcing men to

work to death who were able bodied and then forcing them to stay

away from their families. And they're in a prison labor camp to build up

this fortress and make it more of a fortress so

that they can become an even more powerful force to start taking over more lands

and do more of this stuff. Basically the entire time the

God of the mountain is just protecting the kids. That sound about right? Well,

yeah, that sounds. Yeah, I think you pretty much got. Everything there, but only the

royalty. K. Because as you can see, the kid that went to go get his

dad whenever his mother was laying in her deathbed and was not allowed

to was basically kicked and shoved away by the guy beating

his dad and forcing him to carry a guy that's about to go die.

Well, I mean, I'm just saying, listen, pull yourself up by the bootstraps.

And then whenever some guys that are trying to undo all this horrible shit that

these people are doing are on the run, our main guy

there that's, you know, working himself to death that his kid was unable

to get him to be able to leave that haul the other guy to the

death house. It's the same house, but let's face it, they're just being laid there

to die. Yeah. On his way out, he lets those guys escape and

then he almost gets killed for that. But the guy that he was carrying to

the sick house ends up giving his life for him. That was how our clip

ended. And wow, that was very Japanese.

Yeah, like there's a lot of like honor and lack of

honor and how the people with honor are shown in such a heroic

light and the people without Honor continue to be the heels of the program and

make us hate them even more. And they're really driving, like a sort of

traditional Japanese cultural story to it. And we're waiting for the

monster to do something about all this. And, man, it just keeps getting to the

point where you almost are like,

okay, too late, monster. You don't redeem yourself by killing these people. It's almost

that bad. By the time we get well, it's. You know, it's like the Klingons.

It's probably what the Klingons were based upon in Star Trek.

Were the Japanese for honor and stuff.

Glorious death. Matt, you ready to go into the second third of the film?

Let's do it. All right. So the second third of the film starts with our

seventh clip. The villagers are forced to work. Yes. Since he

murdered your father, everything's gone well for Samanosuke.

He has luck, it seems, will never end. He is

either subdued or joined with all the most powerful baron.

He's going to Kyoto soon to form an alliance with Lord Ishio.

The new fort he's having built is to have greater protection from

the enemies around. And for this work, he needs all the men in town.

And he's taken everyone's crops for taxes, so there's not enough to eat in most

homes. No, that bad. Go, Genda. We've got to go there now. But, my lord,

we can't just wait here and hope that something will happen. Can't we can't let

Samanosuke go on living. Not another day. You know, I feel the same way,

my lord. But there are only two of us, and two of us are not

enough men. Why not? Even if you and I died in the attempt, we'd save

human lives. What more than that can you ask? I know, but you must think.

What if neither of us succeeds? Then it would all come out to mean nothing.

There must be. There must be other men in town who feel as we do.

Of course, there are many. I know them. How do we get in touch with

them? I don't know. The town is so heavily guarded, so. We'Re all the more

careful. Here's the plan. I'll go first and I'll try to find whatever men I

can in the village. After that, I'll come back. Yes, that is the best way.

If anything bad should happen to you, my lord, it would mean our precautions

and careful plans would have been in vain. Garganta, be careful,

please. She's right. Garganta must go alone. Very well, Garganta.

You may Go. Yes, I will try. I'll come back with good.

The God of the Mountain is angry. He will not permit this

cruelty to go on any longer. Samanosuke will be called upon to pay

for his inhuman acts. The God of the Mountain will deliver judgment.

I just heard the report from the Captain of the guard. He's noticed a great

deal more movement than is normal over the past three or four weeks.

Nothing to worry about, I hope not. If Hannibus's son is

still alive. He's 19 years old today. I believe it's impossible.

But double the watch. Yes, Lord. Nothing will escape our eyes.

Tala, more wine. Yes, Lord. They cut from this to the dude out scoping

for reinforcements. And he is set upon by the bad dudes in our

eighth clip. Over there. Get him.

No, no. I didn't do anything. He's carrying no weapons.

I see. Where are you going? I caught those pheasants. I'm taking them over

to my mother's house. Your mother, huh? They're nice and fat. I'll take

them. But. Go. Yes, Lord. Look, it's Gunjuro.

You. It's been a long time, gta. If you're alive,

then so are the children. Where's the prince? Where is he hiding?

Get him. Get him. Get him.

The man flees from the murdering, robbing asshole guards after straight up gut

stabbing one of them and being shot. They chase him as

it cuts from this to some construction workers nearly dropping

a ton of rocks on the bad guy, Robert Guardfoot. And they

stopped to demand. And they stopped to demand the main dude

who is. Who is exactly that husband and father who

was not allowed to let go. And I think it was the guy he was

trying to drop rocks on was the guy who wouldn't let him go. I think

he was trying to get a little petty revenge there. Good. They're pointing at

him. And I again, I think it was because not letting him go

check on his dying wife, which makes sense. And then he is now going to

be arrested. The wounded hero makes off towards a rocky hillside

and falls only to be surrounded by the bat guards. They cut from

this to show the dude getting arrested is in fact the husband.

And the child comes up screaming. And that was so annoying. Everybody has to

suffer through that in our ninth clip. Father. Oh,

Father. I told you never to come here. Mother's dead.

Oh God. Leave him alone. Leave him alone.

Oh, she's dead. Now she's dead. What could have

happened to Kogenta? I don't know. Do you think anything went wrong?

Well, this should make you speak. Where are they?

Quick, another one. Yes, Lord. That's enough.

If you don't speak under torture, it's certain you're guilty.

Kinta, don't worry. I promise you we'll find them.

Who's out there? Who are you? I just came here to ask a favor from

the God of the mountain. Then pray here. You know you're not allowed to go

too far into the mountain. You could be punished. No. I want to ask the

God myself. No, you mustn't. I've got to go or they'll kill my father.

Who will kill him? Tell me. The High Lord Samanosuke. My father

got caught for helping a man get out. A strange man too.

A man you've never seen? Yes. And after they caught my father,

they caught him too. They hung him by his heels. Near how long ago?

About noon time. Do you know what the stranger's name is? Did you see him

up close? I think his name was Ko. Kogenta?

Yes. What's wrong? Seminosuke said he was going to kill anybody

who tried to rescue him. What's the matter? Listen to me.

I am the priestess of the God Shino. He will be merciful. He will grant

your wish. Now go on home. Go. Well, I. Don't.

Stop. This mountain belongs to my Jin. He'll be very angry if

you stay here. Go. Go home, please. Now.

They cut from this to the young prince viewing the man hanging

from his ankles and asking him to bear the pain until tonight.

They cut from that to the would be orphan boy who is returning

home by cutting through the creepy forest. He starts seeing spirits

floating around and then has skeletal arms grabbing at his

clothing. When he gets free, we see the skeletal arm he saw was

just in branch that he got stuck on. And then more ghostly

spirits start surrounding him. Then we see more ghostly spirits that

we are to assume are also part of his imagination. As he's very frightened in

the forest. He has a few more freakouts before finding his way into

the cave where the princess lady is. And that leads to our tenth clone.

Goddess. Goddess, please save my father. Save my father.

There's no reason to pray to me. Are you a real person?

Yes. If you're a real person, why are you here? I'm afraid I

can't tell you that. I understand. I came because I wanted to pray to the

mountain God. And you did too. That's right. They cut from this

encounter to the prince making his way to rescue the dude hanging by

his ankles. And this is a very long Sequence of him sneaking

and crawling around through the ground and up over rocks at night,

hoping not to be noticed. He is very slowly, as if patting

out the runtime of the film, crawling his way up and then

lowers the man very slowly hanging from his ankles so

as to not make noise and then also to not arouse suspicion from the man

slowly being lowered. And it's obvious that this is a trap

even before he gets caught in our 11th clip. Ga.

Quick.

Thought I was your friend, Ghenta, didn't you? Where is he?

You haven't changed much. Who are you?

You know. I'm Gunjuro, the chamberlain of the castle. Are you that?

It's gonna take more than a baby like you to scare me. Tomorrow we'll

kill you and Kogenta together. Where's your brother? Kogenta was away

so long he got very worried. I'm sure he went down to the town.

The enemy is waiting for him in town. Then what of my brother? He could

be caught by now. What can we do? I'll go see Samanosuke

tonight. Well? What is it?

You must tell me. Listen to me. Have you ever heard about the gods

Majin and Shino? The ones who live in the mountain?

Shino? Majin? Yes, I have. What about

them? You have tortured all your people and you have profited by them.

If you don't stop, vengeance will be taken upon you by the

God of the mountain. Who? Shino. Do you think I believe in

your God? You must release the people now, at once. Put an

end to their torment and their pain. Or else you will incur

the terrible wrath of the God. Old woman. Who sent

you to my castle? Hanaboose Daughter. No one sent.

I came to tell you of Shino's wishes. Then you did

not come here to save Hannibus's son. You did not know that

I have captured him. Stand in fear of Shino. Don't talk

nonsense. I am not a superstitious man. Go.

You refuse to obey Shino's command? A statue on a

mountain cannot hurt me. He can. He can and he will.

I have the power to summon him in time of need.

Very interesting. I am warning you for the last time. If you do not

repent, great trouble will befall you. Is it really true

that you can call this God of yours? I think I'll try to

kill you. Let's see if he'll come to your rescue. I'm about to find

out. If you have faith in his protection, or have you been

lying all this time? It's all the Truth? Very well.

Let me test you.

I forgot to load it. If I put in the powder, you'd be dead.

You will learn the fear of the gods. I have heard that

the image of a warrior spirit had been sealed up in.

I want to know whether this legend can be true or not. Shino is

that God. The God I have served all my life. What if I should tear

down that sacred image? It would destroy us all.

That ridiculous statue that holds the few remaining Hanabusa

followers among my villagers. If I tear it down,

I tear down their last support. You would destroy the God

along with his wretched priestess. Let him

curse me if he can. May Shino's

curse be on you.

Mark and jibe at the great God if you dare.

Accursed Samanos. Send your men to

destroy his holy image on the mountain.

You will release the terrible spirit of Majin.

Oh, Samanosuke.

You will know the terrible wrath of our God.

You will have a merciless death.

A horrible and an everlasting one.

You will see. My Jin.

My Lord. Gunjuro. My Lord. Take your men with you and go and destroy the

image of the God. But if something should happen. Silence. The old fool.

Just trying to frighten us. Go now. Yes. Ooh, it's getting spooky now.

Yeah. With the last. Ah, they're talking. With the last attack,

she falls to the ground and prophesizes at the end there of the main bad

guy's death at the hands of Damajin. And the men are sent to destroy

the image of the God. It cuts from this to the Princess

and our 12 Kusasa man from the castle

Ujuro. I know its orders, but to destroy the gods

here. Nothing to be afraid of.

Hurry. The statue. Are they going to

destroy it? Kusasa, where are you going?

Over there. Yes, Lord.

What's wrong? Looks like they're lost. Come on.

Gunjuro. There's no path. Which way? Forward. Yes,

Lord. Did they give up, do you think? I hope so.

Look. They're coming. Coming.

I found something. What? What is it?

This doesn't belong to any commoner. Start looking for her. Hurry. Take.

Run. A girl. A girl.

Kusasa. Hurry. Princess Kusasa.

Well, I'm not a princess. I don't know who you're talking about. This tells me

I'm right. Was that old fool Shinobu hiding you all these

years? I don't even know who you mean. Who? Who is Shinobu? You're sure

you don't know? Eh? Yes. Well, in that case. What I

have to say to you won't mean anything to you, will it? Both Kogenta

and Terafumi will be executed tomorrow morning

in front of the palace. Why are you so upset?

My brother and Kogenta are to be executed. How did you find them? It was

easy. But that's not all. Lord Samanosuke killed the old priestess.

Shinobu's dead. This is

the same little boy who's always coming into town. Must be some sort of contract

for them. No, Leave him alone. He hasn't done anything. Hey,

Kassasa. You will lead us to the statue. No.

Then I will kill the little boy. No, wait.

Oh, please. It's this path.

Wow. These evil fuckers are just like, hey, do this or I'll kill the kid.

Like they just. He goes right to you. I mean, that's the first thing is

just killing kids, man. God damn. She decides to save the boy and take the

bad guys to the shrine they want to destroy. And that is the end.

End of 2/3 of this movie. So we are 2/3 of the

way through the film already. Emilio, not for nothing but respect.

I said I was gonna clip all the dialogue and I fucking did. And it's

more for the fact that it tells so much of the story

and there's so much drama even in the dub. There is so much drama

in the acting with the voice play and how this is set up. And I

actually prefer the way the dub just delivers the dialogue

relatively flat. They don't try to throw too much more on

top of it because it adds to the st. Stoic nature of the people that

are involved in this film. Every single character is extremely stoic.

And just the fact that there's less emotion in the dub voice makes

them feel even more like they are weathering this storm as best they can.

And I wanted to point out here, at 2/3 of the film, down the final

third, getting ready to start, no, the God has not unleashed his fury.

And yes, the God in this film is very much fucking real.

Yeah. So fury lit.

Here's the thing. The people have endured the hardship so

much that the God has not actually been summoned. They haven't actually

needed him yet. They haven't been pushed to their brink. And I

kind of used to all this suffrage, right? But if you think about it,

right, it's like 10 years of being enslaved and tormented and

beaten and starved, and their God still hasn't shown

up yet. And yet they're still telling the guy it's going to happen.

But the thing is, is Their God doesn't show up, obviously, until they've had too

much, until they can't take, until it's really. It's like the Matrix

for the Autobots. It won't open until shit gets real.

And it's like, it can look bad. But it's still not going to open.

It has to be real bad. Right, right. And that's the thing is, like,

everything that these people are going through, no one is going to argue that it

is 100% absolutely horrible. And any God

should have stepped in before now. But then you see how

these people are weathering this storm. And you have to realize that it's

not time yet. And that's the part that gives me goosebumps before we start the

third act. Yeah, agreed. Good stuff.

Yeah. The final third of the film starts with the bad guys on their way

to the shrine to destroy it. And that is the start of our 13th

clip. Look forward. Yes,

Lord. Yes, Lord. No. No. Let me go.

Come on, now. Get up there. Faster.

Get to work. No. You mustn't

do it.

Forgive them. Please forgive them.

It's no use. We better have the spike up here. He's right.

Give us the spike there. Here.

Go ahead.

What? Blood. What?

I absolutely love that the princess is still begging for

these men to be forgiven for what they're doing here. Even though they've

been nothing but absolutely horrible to her, she still has that kind of mercy and

gentleness in her heart. Yeah, she's still a very good person. Yeah. Much better than

I would be. Oh, same. At this point, I'd be

like, all right, let's fuck these people up, please. Yeah, at this point, I'm like

that. Now, and nothing near as terrible has happened to me.

Right. I'm praying to this God for fucking vengeance in the hope that it might

actually be real after a while watching this film personally

in my real life. Yeah, yeah, same.

All right. With the bleeding of the statue, a huge storm sweeps the mountain,

and the men run in fear. We see they hang the kid from a tree

by a rope they tied around his waist and his arms to hold him still

as he begs the princess for help. And then the princess collapses from

the magnitude of the storm. Rock begins to fall away from the mountain.

The path splits into a giant chasm that all of the bad

guy soldiers immediately fall into and try to keep a grip on

the side, but with all of the shaking, they can't. And they all start to

fall in, except for the last guy that commanded them to go

ahead and start destroying the statue. Then a strange yellow light glows

in the open wound that used to be that path. That last guy

falls in. And then the rock path just slides back together.

More landslides and rock formation falling from the mountain

is shown. And they cut to the home of the main bad guy.

And our 14th clip. My Lord, your men have destroyed

the statue and the God has cursed us. She was right. The priestess.

She said the mountain God would take revenge too. You believe her rantings?

No, it's not that. But. I mean. You old fool.

Yoshio. I'm hungry. Forgive me, my Lord. My blunders brought this on.

You too. Try to forgive me. We're not giving up Kogenta. No, not yet.

We can't. For the people's sake. Shino's there. Sheena will not forsake him.

Oh, Tuck. I brought you some water.

How did you get down? I don't know. The rope broke

and I fell. But I wasn't hurt. Maybe the God broke it for

me. Then it. It really happened,

didn't it? The God became very angry.

Yes. Yes, he did. Tomorrow morning,

my brother. Shino. Listen to me.

Please help us. I. I ask you to save Kogento and my

brother. Come out,

Kogento. Shino tried to hear me this once.

You see, I'm not like Shinobu was. I'm not a priestess.

I don't know how to pray to make you understand

what I tell you. But I ask you to show your divine

mercy. I ask you for safety for

Kogenta and the prince. This morning,

they are going to be executed by the evil lord's men.

And once they are dead, who will take vengeance

for the people? Shino. The following day, the men are marched to

their place of execution with townsfolk and tortured villagers

begging for things in tow. They cut to more prayer in our

15th clip. Oh, please. What should I do to make you listen

and understand? If I. If I offer to die for you.

What are you doing? I'm going to offer him

my life. I know he'll stop.

Let me go. Take it.

It's the God. Kazasa and Shino.

Come back, Kaza. With that, another quake

happens, with the trees falling directly in front of what appears to be

an actually imprisoned statue, as does all of the rock holding it in place.

And lo and behold, it is not just a statue carved out of the mountain,

but was in fact a statue that was trapped by the mountain and has now

been released. Released by the mountain.

We see the statue take several steps forward and transform

into a Full demonic form of Damajin. They cut

from this to the crucifixion of the prince and his protector in the town

square or wherever this culture does their crucifixion. These movies

are big into crucifixions. Yes,

absolutely. Just say it. Just say it. And that town square

crucifixion execution is the beginning

of our final clip.

I thought you'd be lonely dying up there all alone.

So I waited for your father's loyal vassals to try to

save you. But as you can plainly see,

not a single one of them came. I don't blame

them. Filthy. That's enough. That's enough.

Yes. Yes, Lord. It's Majene.

It's Majin. He's coming down from the mountain.

It's true, Majin. He just walked out of the rocks.

Be careful. It's Majin.

Tie up that boy. Run away. Daki. Hurry.

Osasa. Look. Rescue the prince.

No. Oh, wait.

So, my lord, at last you have a fitting escort for your

death now.

Yes, lord. Look. What's that?

It's Matisse.

The clip ends as a large green orb flies in on a storm and

the giant diamond materializes in the globe and the storm.

He begins stomping his way through the oversized fort on

a vengeance quest. He walks through and. I mean, right the

through. Dude. Yeah, he just. It's over. I mean,

it's just. He just croaks through everything. Just amazing.

Out of everything. Yeah. Through the outer wall and

several buildings. Stepping past a guard tower with terrify guard

staring at him. He stops, gives the tower the side eye,

and then turns to smash the shit out of it,

sending the men inside scrambling. He turns and makes his way

towards a large battalion that charges in at him and then

is forced to the ground by a strong wind die machine.

Kaiju stomps one of the dudes and flattens him.

A whole battalion of gunmen fire at the Kaiju, leaving only dust.

Mark hits where the bullets connected with Daimajin. He presses

forward. All of the baddies continue to back up and flee in

fear as you fucking would. Oh, yeah. I mean,

a giant fucking Kaiju God thing who's really

pissed at everything you're doing with your life is coming after you. Yeah,

you fucking. You leave. That's. That's reasonable.

Daimajin steps up to the crucified dudes and grabs a hold of the cross

the prince is strapped to and just wrenches it to the

ground. I have to also admit the shot of the suit man walking

up to the cross was done so well, it took me a second to realize

the cross was a model with an actual like doll strapped to it. And then

it's nice it sell. It sold the perspective of the mini dummy they were shaking,

moving around. That it wasn't. That it was an actual person and not just

like a cross composite shot. And it was so well done. I was kind

of the same way. You know, I'm gonna say kind of my movie.

We'll get into it when we do my movie. But yes, it was great effect.

Okay. And that's when I realized that it was in fact a suit actor who

grabbed and shook the cross. And then I realized that it was just that fucking

great effect that we were talking about. We then see the baddies all flee behind

a gate and try to shut it in an effort to keep out a giant

fucking monster. That is fucking shit up, homies. You just.

I mean, this is valuable time. You could keep fucking running.

That's all I'm gonna say. Keep fucking running. I'm gonna

close my gate even though it's a fucking thing the size of a, you know,

nothing I've ever seen before. The gate's gonna stop it. He's taller

than the gate. I wrote my notes literally right after that.

That is not their best plan. No,

that's when it comes to Kaijus, man, don't think your gates are

going to keep it out. You just. You just run. All right, maybe see if

you can hide. That's your best. That's your best deal is to try to

do a little hide and seek. That's it. Daimajin approaches and very, very quickly

dismantles the gate, the giant fucking wall and the sloped and protective

roof of everything in just one goddamn punch.

Proving once again, not their best plan. Sorry. Making you laugh.

Makes you choke at the same time. He presses forward through the

rubble that has trapped so many soldiers. And we get yet another

bad guy scene that made me extremely happy.

Yeah. Yep. Yep. The next attempt to stop the giant monster that is currently fucking

shit up is to stretch chains across all of these massive support beams of

the buildings and humongous trees around the village through the street

the monster is currently walking through. This seems like an okay enough

plan to slow it down or trip it until you realize he tore

up the biggest fucking goddamn protective wall they had ever built in less than one

second with a half hearted swath of his arm. Again, it's like,

just keep running. Not your best plan, folks. Just keep running.

Yeah. That go well. Dymachine gathers up all the chains,

he walks into and pulls them as he presses forward and essentially flattens

every fucking structure by pulling out all of the beams wrapped in chains.

And adds another insult to the injury by continuing to drag the accruing

rubble behind him, which knocks over more structures and uproots

even more shit. He essentially Kaiju plows through

the whole of the town, tearing up every structure with the help of this

really tremendously failed plan. Yeah, it's like, yeah, just again,

I don't know what else to tell you people. Yeah, just run. That's it.

Just run. That's it. They try hurling huge boulders at die machine

using constructed catapults. Each strikes the monster in turn and is barely even

an inconvenience to the beast as he continues to press forward. They try to use

fire necks with huge burning carts of hay and other things,

which do seem to slow it down and somewhat hurt it,

or maybe just slightly inconvenience because Daimajin

just stops at all the fire, places his arms up in front of his face.

The main baddie declares they are safe now. And then Dimajeen

drops, drops his arm in a dramatic sweep that puts out the fires.

Oh yeah, that's right. He's a God. Your powers have nothing against him.

Yeah, it's a God thing. I wouldn't bother trying anything else.

Daimajin presses on as the main baddie flees and tries to hide.

He sees Daimajin's hand crushing one of the men into

the wall and screaming in agony through the window of the hut

he is hiding in. Daimajin notices him watching and looks straight

at him. Reaches into the building like kong and shit.

And the man thought that he could get away from Daimajin, but Daimajin

grabs him and drags him out of the window. Our main

heroes reunite and they see Dimagin walking with him in

his hand. Di machine walks over to what is left

of a still standing structure and finally pulls the spike

out of his own head to drive it through the main baddie and affix

him to the broken structure by spiking it right through his fucking

chest. I think that is what's left of the giant frame of the forge structure

as well. That was splintered into sort of a makeshift

cross to kind of drive the point home that everything he tried to build has

been basically. Basically the cause of his demise. Yeah, yeah,

right. With that death done, Dimajin then begins to

vent his rage on the villagers. The prince begs him to spare the villagers,

supplicating himself clutching at Daima Jean's hand and is only

thrown to the side as gently as that monster ever could do.

The child then begs for Dimajin to stop and is thrown to the

side and then almost stomped before the princess throws herself

on top of the kid to protect him, which somehow stops the monster.

She offers her life again to satiate the demon's rage. Her tear

drops onto the leg and foot of the beast, which has the

exact same effect she was hoping for when the first tear dropped from

her face that summoned him. He transforms back into stone and

the orb is now white as it flies into the storm clouds.

The storm clouds then clear up the stone structure of Dine

then becomes extremely brittle and then crumbles apart.

The prince declares his sister solved the problem with her tears.

The film holds on to a shot of the rubble that used to be the

demon. The end pops up and they roll those credits.

Cinema Silence.

10 years.

Wow. What a movie, dude. Yeah,

epic. Epic. Yeah. And when we get to your movie and we actually discuss

it, they. They maintain, I think with the next film there's a lot more

human drama, lot less Kaiju stomping.

They clearly blew a lot of the budget on this one. And yeah, thankfully they

didn't just reuse scenes in the next movie to get. No, I mean,

you reused a lot of the same kind of storyline and stuff at

the end, especially the ending part. But right. With how the.

With how the Kaiju gets announced or called and all that.

Well, we'll get there when we get there. Yes, but I mean, that's going

to be a reusable story because that's kind of what they do. Even with Godzilla.

Whatever. Some. It kind of becomes the same thing over

and over again. But with Daima Jean's case, it's whatever people worship him,

are suffering is so great that he shows up and just fucking flattens the

people doing it. And I love that the

whole time that the main baddie is running, Daimajin always clocks

him in every group. Like just looks right at him and it's just

really terrifying to think that that could be. Yes, he does. It can find you.

Yeah. It's almost like when Ghost Rider's

getting ready to do a pen and stare at you. You just know numbers up

and you're fucked. And like that bad feeling coming over you.

Yeah, yeah, yeah, yeah. Exactly. Yeah. It's really

fucking great. Some amazing fucking effects. Some really well done

models, some really terrific sets that match the

models. Even the miniatures of people that

were crucified looked like the people that were crucified.

Like, when they had them on the set, like, they really. It was very

convincing. And a lot of the force perspective and the composite

shots really tricked your eye really well in this. And this is awesome.

Possibly the best day film of this era for suit

acting is this. This film. Like, I'm not a huge fan of. I said dia,

but I think it's dia or whatever. But I'm not a huge fan of Gamera

movies. They were geared more towards kids. They didn't really appeal to me.

And a lot of them are really low budget because I don't think they had

as much money as Toho. And I haven't. I've not really seen an

older Gamera film that I really enjoyed like, a lot other than just to watch

it as, like, hey, this is wacky fun. You know what I mean? Yeah,

yeah, yeah. I don't enjoy it on the level that I do Godzilla, and it's

just. That's. It's just not as much for me. However,

Diamond Films, I 100% enjoy as much as I do on the

same level as I do the Toho Kaiju films and particularly Godzilla movies.

This really resonates with me and I really dig it. And it's

such a great film, and I highly recommend it. And check it out, folks.

Everybody give it a shot, everyone. Everybody check it out.

All right, I think I'm just going to go ahead and skip a story time

for this week. Let's skip it. Okay? Skipping it's fine.

Then I have less songs that I need to actually play, so. All right,

since we're going to go ahead and skip it, we'll close out the show here

with our show, Housekeeping. And immediately following that

on the pirate radio edit, we will have the kinks with a well respected

man right after this. If you've decided you can't get enough,

dude, look at this really cool tape recorder. Oh, look at that. Oh, it doesn't

work, though. No. Wow. Oh, I can fix this. Look, I wouldn't.

No, there's like four or five tapes here, man. We're solid, dude. I feel

like I've seen something like this before and that it didn't turn

out good for the other people who did this. Check out this book,

man. And he's not gonna listen. Dude, this thing is cool. Look at this.

Here we go. Oh, wow. Oh, God damn it. This feels

like leatherized human flesh. How do you know what leatherized

human flesh feels like? Just ignore that. That's not a big deal.

Okay. Oh, check out this really cool dagger. Dude,

I swear to God, I've seen something like this before. I can't place

it it, but I feel like this is like deja vu.

It has been a number of years since I began excavating

the ruins of Kandar with a group of my colleagues. Now my

sweet counselor Dan and I, I retreated to this cabin in

the solitude of these wonderful mountains. Here I continued

my research undisturbed by the myriad distractions of

modern civilization and far from the party life of Burning

man and all those wonderful places that we were. I believe that we

have made a significant find in the Kandarian ruins.

A volume of ancient Sumerian burial practices and

funerary incantations. It is entitled Nachos

Duran Manto and as close as I can translate it,

Book of Nachos, I guess. Now the book appears to be

made with some very sturdy deer hot leather and inked

in what I dreadfully hope is not human blood.

But from what I can tell of the blood that gets on paper in some

of our. More, let's just say clandestine ayahuasca

rituals. Well, it looks like advance. This book deals with,

as far as I can tell, demons. And, well, I may

be a bit out of my depth here, but luckily someone else

spelled some things out for me phonetically. I didn't find this

book. The book was left in my cabin. But I'm

going to. I'm going to reread all of the translations and pretend like

I know what I'm talking about. So here we go for that. So these

next few lines, I'm about to resuscitate. Is that the right word?

Shut up, Dan. You don't even come on the microphone here. No, what I'm about

to read, it deals with bringing these demons back. I suppose

these are very dark, very, very depressing rituals.

All right, that is the kinks with well respected man.

And I would assume that that would be referring to the prince

andor, the main lord who got overthrown. He was the well respected man.

Definitely not the bad guy in this film. Yeah, yeah.

No, not at all.

Well, while you're out there thinking that maybe perhaps the response

that Dimagin had for the evil

that men did in his presence was too much,

you would even call it possibly a psychotic reaction. Please kick

the out of this week and make it your bitch while you

enjoy Psychotic reaction by the count five from 1966

on the pirate radio.

So these next few lines, I'm about to resuscitate.

Is that the right word? Shut up, Dan. You don't even come on. The microphone

here. No. What I'm about to read. It deals with

bringing these demons back. I suppose these are very

dark, very, very depressing rituals. But I do hope that

the discovery of this will help fund our latest venture.

There's been some time talk about this giving demons a license to possess

a living. In this next passage that I'm about to read. But I don't

think we're going to have much of a problem. We have our soul eagles to

protect us. Align your chakras, Dan. I'm about to read this.

Shut it off. Conda.

Shut it off. Conda. Shut it off.

Oh, wow. That was really cool. I. I got

a bad feeling about this, Court. What? You wanted to play the

tape, too? No. He did. I was telling you the whole time not to play

the goddamn tape. Well, that's not how I remember it.

Reusing your memory thing on yourself?

Maybe. Why would you do that? For fun. Oh,

my God. God. All right, man, look, why don't we head upstairs?

We got the basement all set up. Yeah, man. It's a good setup. We're definitely

not going to get murdered in this place. We'll get some food together, and then

we'll come back down and we'll record the episode about within the woods.

Yeah.

Got you. All right. You know this?

I sure do. All right. It's not blowing your eard

drums out, is it? No, not at all. All right. And let me get started

with this recording in progress. All right, so now

we have backup recording and regular recording. And I don't think we need triple

and quadruple backups anymore. That would be OCD of you.

Yeah. All right, so I'm up first because Die Machine is

the movie. I enjoy more of the two, so. Yes. I'm a prayer. I can.

I can actually get that, but I. No, let's not blow it. All right,

go ahead. Yeah, don't waste it. Let's. Let's. I'm not wasting it. Let's get.

Let's get. I'm with you. I'm kind of excited about these. I like

this, kind of. This version of Kaiju, so, you know,

you could probably cut this up, throw it anywhere. Let's get going.

It'll go in after they hear the reviewing, and it'll be fine. Yeah, let's go

ahead and start this. Okay. All right. All right. Three, two, one.

My longest clip is like, three minutes. All right. I think we're

gonna have to play all of.

You. Samurai, son. Oh, I was taking so

much Time on the clips because I was shortening all of yours.

I didn't go as crazy as what I did with mine, but I still

cut out a good portion of the time on all of yours.

All the running around, nothing to be worried about. No talking. Got cut out.

Your permission? Yeah. Good. I literally

clipped every piece of dialogue. Of course.

Oh, I'm so excited you're going to be doing the notes for Final Wars.

I just looked at our schedule. When we finally get to Godzilla. Final Wars.

Yeah. You're going to have to do the notes and it's going to be so

funny. Thanks to. Why? Cuz it's like so

confusing and it's every monster and you're going to have to try and sort out

all of their names and that's going to make such a great episode. All that

frustration. God. Right. Is it

dubbed? No, no. You should have at least English for clips.

Yeah, but like, it's literally. He kills every monster he's ever come across in

one movie. There we go.

That's why she's going through this. But anyway, this is an outtake. Three, two,

one. They come to a terrific composite.

I just did four. Did I just do four? All right, hang on. Find the

children. I am taking you up there. Yeah, I just did that one. I have

a red X underneath it. Okay. And we see

3, 2, 1. Okay. I'm like, did I lose you? No, no, I'm fine.

Three, two, one. Oh, yeah. Dude. I said I recorded every bit of dialogue.

You really did. But to destroy the God's image.

Nothing to be afraid of. I'm impressed.

The statue. Are they going to destroy you? I had to work hard to not

work hard. Now where are you going? Yeah. No, man. That's a lot of hard

work not to work hard. Welcome back. Matt,

you're muted. Hello. Hey. Welcome back. Okay, so I'm back.

I'm back to diamond genus. I just read all the stuff. We're done. Machine is

smashing all the stuff. The tower and all the guys go scrambling.

And then I said, I, I. One thing that you may want to react to

is I said that he walks through. And I mean right the. Through the outer

wall in several buildings. My sweet Dan is dead.

I could not bring myself to dismember his corpse. So I.

I buried him in the earth cellar.

Lord help me. I buried my sweet Dan in the

earth. I'll repent first. Fruit. Ella.

Oh, no. Is there somebody in my fruit seller?

Been a long time since I had a gentleman calling on my fruit

seller. I swallow you whole wheel.

Uh, Matt, I think you need to deal with this.

No, no, I have a little bit. You read this fucking book. You go ahead,

you deal with what you did. Yeah, but he has a proclivity for you.

No, you read the book. You go deal with that. I told you this is

a bad idea. You brought Dan back.

He's going to swallow you whole. What's so horrible about that? What, you think he's

going to stop with me? Well, you first. Well,

I go first and you have to go second. Means it's any better.

You're getting sloppy seconds at this point. You're right. I better go first.

Oh, that's okay. You're this.

What, I'm not good enough? Not what?

I mean, I just. I just meant, you know, maybe.

I don't know, Dave, a little bit. Just maybe a couple pounds.

I'm not judging you or anything. Listen to me, you fat.

You're not in any better shape than me. I'm sorry, I could hear. I was

just thinking about step instead of breathing heavy. I really should hit a tr.

Let's just walk up the stairs slowly. He's not even getting anywhere near us.

The response that diamond had for or the

evil that men did in his presence was too

much. You would even call it possibly a psychotic reaction.

Please kick the fuck out of this week and make it your bitch while you

enjoy psychotic reaction. By the count. Five from 1966.

All right, then we'll go ahead and end this shit so we can

get on to the next one and try and get it done before you gotta

flee. I just realized how late it is, so. Jesus, here we

go. Recording stopped.